Logging into Shudder can be taken casually like any other streaming site, but there’s something more about the movies it offers, as well as the shows, that sets it apart from so many others. Movies like Warning: Do Not Play are the types that might annoy those who don’t see the point in them or terrify others who see past the thin-to-deep veneer that’s there to give the feature its appeal. This movie in particular is one that needs to be watched in its entirety and also needs to be given the kind of attention that allows a person to really dig into the meaning of the story. It’s not so complicated that it takes a genius to figure it out, but there are times when understanding is gained through paying close attention to something that might otherwise be a little confusing. Overall, it’s about a woman trying to create her next movie and finding a gem that probably should have been left alone, like a lot of things in horror movies should be.
Has anyone ever noticed this? The things we might not do in the real world are what people tend to do in horror movies, and it often becomes apparent that it’s designed to be frustrating, because a lot of people would be happy to give advice if they could. , and some do. But this movie in particular is one that people can’t help but think ends up going the way it should. It is true that if people hear of things “cursed” or otherwise affected by bad luck, some people would happily stay away from such items, while others would test their luck and the odds by deciding to believe that their fate is in their own hands. . In the real world this might work since the power of belief only goes so far most of the time. But in the movies, one can easily guess that anyone willing to contradict the words of safety and sanity is going to take their life into their own hands.
That’s usually the case with this film as rookie director Mi-Jung, who has been preparing her own film for 8 years, gets wind of a student film that was banned some time ago. After meeting the director, Jae-Hyun, she is warned to forget about the movie and just move on. But as one can imagine, because it happens so often in horror movies, Mi-Jung eventually becomes obsessed with the film, and as that obsession grows, so does the danger. Mi-Jung eventually begins to find out why Jae-Hyun got so mad about the movie, as she finally learns the origin of his movie and the theater he and his associates were filming in. The visuals of this movie are both ridiculous and impressive because as a horror movie it definitely delivers the gore, suspense and overall dread that was meant to be felt when it comes to the various elements used to create the story.
But somehow it still feels a little empty, maybe a little incomplete, like it could have explained some things a little better. It could have been done by design though, because it feels like the movie could have been designed that way on purpose, to give the audience the feeling that things were meant to remain unresolved in a way that they would feel by the end. Open endings and unfinished stories are a little frustrating to be sure, but they also leave people wanting more, and as irritating as that feeling may be, it’s a guilty pleasure for many storytellers, leaving people wanting a conclusion that doesn’t end with a ‘what if’, and frustrating them with lots of questions about what really happened and what could have happened. The fun comes from the fact that a story can continue long after the credits, because the imagination only stops if you want it to.
But the fact that a horror movie can end like this is something that’s been going on for a long time now, and this movie continues the trend since thinking things aren’t resolved tends to create a stronger sense of horror than if the protagonists end up killing the antagonist. With a clear, well-defined ending comes a sense of comfort and peace that might not last, but is still considered enjoyable for those who don’t want to consider what might happen if the horror could start again. Personally, this is the best horror movie genre.