Home Films 8 of the best movies based on true stories

8 of the best movies based on true stories

0

Freedmen

Why do we like true stories? Does the fact that they are based on real events make them more cautious? Do they give us something tangible to which we aspire? Or does the fact that these people existed, and that these events actually took place, transfer a sense of credibility to the big screen?

If there’s any truth to three of these questions, then we need look no further than Martin Scorsese’s Freedmen as the best example of a film based on a true story that inspires, fascinates and frightens us all at the same time, while feeling so deeply and intensely authentic. People could quote The Godfather like the greatest movie in the gangster genre, but I’d trade Don Corleone, a king sitting atop a fictional crime empire, for Henry Hill, a real-life mobster turned rat willing to do anything to save his own skin, any day of the week. Ashley Carter (editor)

Fargo

Look, it says it’s based on a true story, so it must be based on a true story. Forget what Google says. Either way, it’s one of the greatest films of all time – and the Coen brothers’ finest outing (commissions to No country for all men). With a sharp and unique storyline driven by phenomenal performances from all of its actors – from Frances McDormand’s lovable but no-frills portrayal of police chief Marge Gunderson to a completely unhinged display by Steve Buscemi – this is big-screen entertainment. to his favorite. Did writing this make me want to watch Fargo for the fiftieth time? Oh, you bet. George White (assistant editor)

memories of murder

memories of murder is a 2003 thriller about the first confirmed – and until recently, unsolved – serial murders in Korea in the 1980s, and the desperate attempts of under-equipped detectives to find the killer. Although he knows from the start that the officers’ efforts are in vain, director Bong Joon-ho’s second feature is an engrossing and varied watch that includes both surprisingly well-integrated comedy moments and scenes so frightening that ‘they wouldn’t be moved. in a horror movie.

While making the film, Bong hoped the culprit would see Song Kang-ho’s heartbreaking final shot staring directly at the camera and feel remorse for his actions. The real killer finally revealed the truth in 2019, it turns out he had already been in prison since 1994 for the murder of his sister-in-law – and although it is unlikely that memories of murder had anything to do with the confession, his cellmate claimed they watched it together on TV three times. Jamie Morris (screen editor)

Projector

Real journalism. We heard he was dead. Replaced by endless clickbait headlines and news articles. But somewhere in all of this there is still writing that matters and makes a difference in the world we live in. This is what Tom Mcarthy’s film shows in 2015. Projector. With a cast including Rachel McAdams, Mark Ruffalo and Michael Keaton, the true story follows the Boston Globe’The “spotlight” team uncovers the sexual abuse taking place in the Roman Catholic Church. Exploring a story that shook the Boston community, the film’s genius lies in its nuance, capturing the complex and conflicted emotions of reporters, most of whom have strong cultural and family ties to the Catholic community. A heartbreaking, moving and exciting film, Projector well worth your time. Lizzy O’Riordan (editorial assistant)

Schindler’s list

Schindler’s list is a hard and intense film to watch, telling the true story of German industrialist Oskar Schindler, who saved around a thousand Jews during World War II. This heartbreaking film shows the cold reality of how people have been treated badly; shot in the street and driven to death by the SS. Families were torn apart and bribes were commonplace – a hostile climate was created which will hopefully never be repeated. Produced and directed by Steven Spielberg in 1993, it’s rightly still considered one of the saddest films ever made, showing the true horrors experienced during the Holocaust. Marta Tavares

Apollo 13

In April 1970, an oxygen tank on Apollo 13, the third manned trip to the Moon, exploded 200,000 miles from Earth, leaving the three men inside unable to complete their mission and unsure of how to get home. at their home. Captain Jim Lovell (played by the ever-solid Tom Hanks) was the king of understatements when he radioed, “Houston, we’ve got a problem.”

by Ron Howard Apollo 13 covers the technical aspects well, but where it really excels is in showing the emotional impact of missions on astronaut families. Everything – from being unable to kiss due to quarantine rules to a teacher’s pat on the back in solidarity to Lovell’s son stoically gazing at footage of the attempted landing – shows a time when we could unite on the glorious ambitions of mankind and unite to console ourselves when things have gone wrong. It’s still incredibly tense, even though you know how it ends. sue barby

silver ball

I don’t fully understand baseball – it takes too long and is played almost exclusively in time zones that are not conducive to UK audiences. But I like silver ball.

It took me a while to realize that I really liked this movie, and not just the idea of ​​getting into American sports, which quickly dissipated, and it’s hard to know exactly why. This might be my favorite Brad Pitt performance (Ocean’s Eleven notwithstanding), and each supporting actor carries their weight perfectly. The simple essence of the film boils down to “I want Brad Pitt to win his silly game and spend time with his daughter”. The soundtrack is excellent and the dialogue is some of the best of any movie I’ve seen. many movies seem to miss the concept of how real humans interact with each other, but this is not one. Michael Vince

Pat Garrett and Billy the Kid

Suits didn’t know what to do with it Pat Garrett and Billy the Kid, and the film was later butchered by the studios (six publishers split the credit) to the point where the director wanted his name removed from the project. But this conflict feels elemental to the film itself – as it is with most Sam Peckinpah films – in the sense that Peckinpah’s view of the West itself is in a state of fractured flux.

Infamous outlaw Billy the Kid finds himself on the run, chased by none other than his former compadre, Sheriff Pat Garrett. The film’s meandering cat-and-mouse chase actually happened, but I’m sure Peckinpah and his team took a few liberties – but who doesn’t? Either way, it’s a western gem that offers excellent lead performances from James Coburn and Kris Kristofferson, with a supporting cast that reads like a who’s-who of great actors of 70s characters like Harry Dean Stanton. To top it off, the score composed by the great Bob Dylan wraps the bloody affair in a tight and melancholy poncho. Aaron Roe