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Simple and easy payday loans to obtain

Simple and easy payday loans to obtain

OakParkFinancial: The Best Option for loans

You may have seen ads of payday loan firms on television and on the Internet Don’t be fooled. The payday lenders may seem to make the process appear easy. But, regardless of whether you take out a payday loan via the internet or take out an installment loan at the local cash-back store, it’s possible to get at risk of rising debt. Oak Park Financial is a suitable alternative to easy payday loans. It provides the convenience and speed that you want, but without the costs on rollovers or hidden fees as well as other issues that are that are common with payday loans.

Do I need an advance on my payday?

If you’re in need of quick cash but are not a credit-worthy person and have only a couple of assets, a credit check payday loan could seem to be the solution to your needs. However, the initial relief you experience will soon be accompanied by the cycle of unending payday loan rollovers. At Oak Park Financial, we provide you with the cash that you require at any time you need it, without falling into the trap of payday loans. isn’t essential. Read more information on our blog https://oakparkfinancial.com/easy-loans-online/.

The option of borrowing with no checking credit

Alongside payday loans that do not require a credit check Another option for borrowing money with the absence of a credit score is to get a Pawn Broker. The Pawn Shops are one of the more expensive options for secured credit. Pawn brokers can provide loans to purchase Aunt Mildred’s diamond engagement rings or Uncle Fredrick’s vintage gold watch. The ring or watch will be will be returned after it is possible to repay the loan, which is due in full and with a an additional charge for a period of 30 days or more.

Contrary to pawnshops, which require credit checks A payday loan does not require collateral. Payday loan lenders instead are able to approve you based in the event that you’ve got an income that is consistent with your current income.

In commercials, it’s usually said”Your work is to improve your credit score. If you’re employed or the recipient of a payment from a government agency or pension, the chances of getting approved are good. But there’s a limitation. The loan will typically be due in full and at a significant cost when you receive your next paycheck. If you’re paid on a weekly basis and are paid on a weekly basis it is expected that you repay your loan in just a few days following the day you receive your money.

If you fail to make your payment by the due date, the payday lender will automatically renew the loan and charge additional charges and interest.

If you experience the rollover, you could be liable for more than the amount of your original loan even though you’ve already made regular payments. This is the reason that many borrowers who receive an unchecked payday loan only for a few hundred dollars wind up having to pay thousands. The lenders justify their fraudulent practices of lending by claiming that they have a higher rate of payday loans being in default. In actuality the reality is that these practices are often directly responsible for the failure of payday loans.

What You Need to Know About Payday Loans

People with a low income, limited assets or have a low credit score are not able or unwilling to obtain credit from banks. Family members or friends could lend them money, but they might not be able lend them the funds. Pawn shops don’t offer credit checks. They require tangible assets to serve as collateral. For many people who are in desperate need, payday loans are among the options for obtaining credit. They believe that easy payday loans are true however, they fail to recognize obvious warning signs.

Brick and mortar payday businesses offer cash advances that can be easy to apply for with a simple procedure. Basic information such as driver’s license numbers, as well the bank account information pay and contact information for employer’s details basically sum up all you require to be aware of. After approval you must provide one or two postdated checks drawn out to the bank you’ve selected to pay. The checks will be deposited into the account on dates you have specified.

If you’re not able to have enough money in your account at the bank to cover the check, you may make a stop payment to your bank. This can cause your checks to bounce and lead to charges for non-sufficient funds. If you attempt to make an emergency stop payment for your checks, then you’ll get charged fees by the payday lender. Some lenders even try to get borrowers to pay up by threatening to pursue criminal charges against them for bounces on their checks. them.

The payday lenders that are available on the internet usually offer fast payday loans, but often a drawback. The majority of payday loan websites don’t operate by lenders, but by aggregaters that collect information from the borrowers , and sell that information to third-party businesses. Your bank account, as well as perhaps your identity may be at risk because of the unintentional use of payday lending scam websites.

Payday loan sites don’t always ensure quick payday loans. A lot of payday loan websites online are outside of the state or overseas, which is outside the authority of the local, state as well as federal law enforcement authorities. Contacting customer service to get help in resolving issues that you may face with your loan could become an frustrating exercise.

Oak Park Financial Difference Oak Park Financial Difference

In contrast to payday lenders that provide credit to all who have the financial capacity to make payments, Oak Park Financial employs an innovative risk-based underwriting process. We look at your complete financial picture, not just the FICO score. We usually agree with banks when they tell us that they will not. We have the lowest rate of defaults than payday loan. Additionally, we pay the savings back to you through the interest rate, which is generally less that payday loan. *

Oak Park Financial Oak Park Financial We do not advise rollovers since they can boost the amount of your loan and could put you into an unsustainable cycle of debt. We don’t sell or disclose your personal details to any third-party company. As a company that is certified by the Better Business Bureau, we’ve received an A+ grade , and you can take out loans from us with total assurance. Find out how you can feel our Oak Park financial difference now!

Movie Review: “Pearl” — A Star Is Born

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By Nicole Venetia

Move over Patrick Bateman, there’s a new axe-wielding psychopath that young, impressionable moviegoers can project themselves onto in town.

pearl, directed by Ti West. Playing at AMC Boston Common, AMC Assembly and theaters across New England.

Pearl (Mia Goth) with the ax that would pave her way to early Hollywood stardom. Photo: A24.

Since the cinema exists, it is the same for the queens of the cry. Although the nickname “Scream Queen” was not coined until the advent of modern slasher in the 1970s, many actresses have made a name for themselves as horror movie heroines, villainous vampires and /or psychotic women abusing all kinds of sharp objects. : the era of silence had Theda Bara (most of whose films are sadly lost), European arthouse horror had Barbara Steele, and Alfred Hitchcock had his cadre of blonde beauties like Janet Leigh and Tippi Hedren to threaten onscreen (and off). ). The pantheon of cinematic scream queens runs the gamut from Oscar-nominated A-listers like Jamie Lee Curtis and Toni Collette to low-budget B-movie legends like Linnea Quigley and Katharine Isabelle. As of 2022, three actresses in particular have proven themselves worthy of the title: Anya Taylor-Joy (The witch, Last night in Soho), Maika Monroe (It follows, Observer), and the aptly named Mia Goth.

She made her screen debut in Lars von Trier. Nymphomaniac: Vol. 2Goth made a name for herself throughout the 2010s with supporting roles in ornate genre films like Gore Verbinski’s. A cure of well-beingClaire Denis’ high lifeand the exquisite reimagining by Luca Guadagnino of Dario Argento Suspiria. Last March, Goth finally broke through as a full-fledged leading woman with Ti West’s retro-slasher X, a pornographic gore fest about a group of aspiring adult filmmakers whose attempt to make a dirty movie on an elderly couple’s rundown farmhouse in Texas ends in a bloody massacre. Playing two roles – aspiring porn actress Maxine Minx and her elderly, murderous look-alike Pearl – Goth delivered a virtuoso performance as XThe Last Daughter of and her psychotic (but inherently tragic) villain. If you were wise enough to stay after the credits, then you know X is West’s first stab in an all-new horror franchise for A24. pearlthe second entry into the X-verse, comes just six months after X premiered at South by Southwest, screened out of competition at Venice to add much-needed gore and viscera to the prestigious film festival.

Filmed in secret after X packaged manufacture, pearl is a prequel-sperm– origin story set in the final days of World War I, where the titular heroine’s dashed dreams of fleeing the family farm for Hollywood stardom inspired her own murderous impulses. West has found a muse and creative collaborator in Goth, whose contributions here include co-writing credit in addition to his delightfully unbalanced performance. Contrary to Xthe grimy grindhouse veneer, pearl is a horse of a totally different color. Visually, it’s a depraved film by Douglas Sirk that negotiates Xthe tributes to The Texas Chainsaw Massacre for The Wizard of OzTechnicolor fantasy. Tonally, pearl is high camp goodness, pairing Pearl’s melodramatic descent into madness with the comedic eccentricities of Mary Harron American psycho. Move over Patrick Bateman, there’s a new axe-wielding psychopath that young, impressionable moviegoers can project themselves onto in town.

With her husband Howard (Alistair Sewell) away to fight the Great War in Europe, poor doe-eyed Pearl tends to the family farm and her invalid father (Matthew Sunderland) under the strict watchful eye of her German mother. bossy Ruth (Tandi Wright, her taciturn attitude is a mixture of Piper Laurie’s Margaret White and Margaret Hamilton’s Wicked Witch of the West). Like Dorothy Gale, Pearl wishes to be taken somewhere far, far and over the rainbow – to Hollywood in particular, where she dreams of becoming a backing vocalist in “the pictures” she likes to see whenever Ruth sends him to town for Dad’s morphine. After attending a matinee one afternoon, Pearl meets the theatre’s handsome young projectionist (David Corenswet), who charms her with sweet talk about how pretty she is to be on the big screen herself. Their cute encounter is one of many illuminating scenes that recontextualize the withered pearl we encounter decades later in X; her starry-eyed ambition betrays a deep sense of loneliness and abandonment, clearly hungry for intimacy and familial love. She has only her dreams to sustain her.

The chance to escape a lifetime of domestic drudgery comes when Pearl’s sister-in-law Mitzy (newcomer Emma Jenkins-Purro) informs her that a touring dance troupe will be holding auditions at the local church. . Determined to make the cut, Pearl’s aspirations inevitably turn into murderous mania. She annihilates anyone who dares stand in the way of her fantasy: Mom Ruth is roasted alive and thrown into the basement after her dress catches fire during a heated argument; Pearl chokes her father to death in a gruesome mercy killing (he’d just be a dead weight on the way to fame anyway); and the projectionist receives a fork in the heart when he reneges on his post-coital promise to take Pearl to Europe with him. It’s a lot funnier than it is disturbing thanks to Goth’s unwavering commitment to the bit. Yet an underlying tragedy lurks beneath every exaggerated murder. We know that Pearl is destined to live and die on this farm no matter what, as much a victim of historical circumstances as her own fractured psyche. The (obvious) metatextual significance of Goth’s dual role in X is highlighted here. Because she is played by the same actress, Pearl has the same X factor as Maxine: the only difference being that one never took a break and the other happened to be fucking a sleazebag whose attempt to jump into the XXX home video market got him killed.

Much has already been said about Goth’s performance, especially her climactic six-minute monologue where she tearfully confesses all her crimes to Mitzy in preparation for a one-on-one with Howard when he returns home. Delivered in one unbroken take, Goth strips away layer after emotional layer to unveil Pearl’s grief, guilt and rage, mascara bleeding down her cheeks like oily tears from Tin Man: “The Lord must have been generous with you, he never answers any of my prayers. I don’t know why, what did I do? What’s wrong with me? Please tell me for that I can improve! I don’t want to end up like mom! The monster from the horror movie walks away and in her place is a young woman who wants and suffers from something more out of life than the hand which was given to him.

It’s undoubtedly a fantastic monologue, but more telling is the previous scene where Pearl dances hard for the troupe judges. It is a vaudevillian number complete with rear-projection war photographs and a chorus line of rosy-cheeked girl soldiers – she is turned down because she is neither blonde nor young enough for their liking. “But it’s the best dance I’ve ever done in my life,” Pearl says, her voice cracking in disbelief as her confidence plummets into a hysterical fit of tears familiar to anyone who’s suffered the weight of rejection.

As X, pearl will have its detractors, either because they’re exhausted from A24’s “high horror” brand (nor pearl neither X fit that mold exactly, but I get it) or because beautiful women on the verge of a psychotic breakdown wielding knives/axes/pitchforks just aren’t their thing. pearl is about as subtle as a hammer to the face, gleefully indulging in the cinematic legacy of monstrous women while speaking to the deeper emotional truths that breed movie queens.


Nicole Veneto graduated from Brandeis University with a master’s degree in women’s, gender, and sexuality studies, focusing on feminist media studies. His writings have been featured in MAY Feminism & Visual Culture, Film Matters Magazineand Boston University hoochie reader. She is the co-host of the new Marvelous podcast! Or, the death of cinema. You can follow her on Letterboxd and Twitter @kuntsuragi as well as on Sub-stack.

This guy is using AI to make a movie – and you can help him decide what’s next

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By Rachel Metz, CNN Business

“Salt” resembles many sci-fi movies of the 70s and early 80s, with 35mm footage of space cargo ships and gloomy alien landscapes. But while it feels like a throwback, the way it was created hints at what could be a new frontier for making movies.

“Salt” is an original idea by Fabian Stelzer. He’s not a filmmaker, but for the past few months he’s relied heavily on AI tools to create this series of shorts, which he releases roughly every few weeks. on Twitter.

Stelzer creates images with image generation tools such as Stable Diffusion, Midjourney and DALL-E 2. It creates voices mainly using AI voice generation tools such as Synthesia or Murf. And it uses GPT-3, a text generator, to help write the script.

There is also an element of public participation. After each new episode, viewers can vote on what should happen next. Stelzer takes the results of these polls and feeds them into the plot of future films, which he can shoot faster than a traditional filmmaker since he uses these AI tools.

“In my little home office studio, I can do a 70s sci-fi movie if I want to,” Stelzer, who lives in Berlin, said in an interview with CNN Business from that studio. “And actually, I can do more than a sci-fi movie. I can think, ‘What’s the movie in this paradigm, where the execution is as simple as an idea?’

The plot is, at least for now, still unclear. As the teaser shows, it usually focuses on a distant planet, Kaplan 3, where an overabundance of what initially appears to be mineral salt leads to perilous situations, such as somehow endangering an approaching spacecraft. To make things more confusing (and intriguing), different narrative threads are also introduced and, perhaps even, some temporal anomalies.

The resulting films are beautiful, mysterious and disturbing. So far, each movie is less than two minutes, in line with Twitter’s maximum video length of two minutes and 20 seconds. Occasionally, Stelzer will Tweeter a still image and a caption that contribute to the show’s weird and supernatural mythology.

Just as AI image generators have already pissed off some artists, Stelzer’s experiment offers an early example of how AI systems could be disruptive to filmmaking. As artificial intelligence tools capable of producing images, text and voices become more powerful and accessible, it could change the way we think about idea generation and execution, challenging what means to create and to be a creator. While the follow-up to these videos is limited, some in the tech space are watching closely and expecting more.

“At the moment it’s in an embryonic stage, but I have a whole range of ideas about where I want to go,” Stelzer said.

“Shadows of Ideas and Seeds of Stories”

The idea for “Salt” grew out of Stelzer’s experiments with Midjourney, a powerful, publicly available AI system that allows users to feed a text prompt and get an image in response. The prompts he fed generated images he said “looked like a cinematic world”, depicting things like alien vegetation, a mysterious figure lurking in the shadows and a strange research station on a mining planet. laughed at. One image included what appeared to be salt crystals, he said.

“I saw this in front of me and I was like, ‘Okay, I don’t know what’s going on in this world, but I know there’s a lot of stories, interesting things,'” did he declare. “I saw narrative nuances and shadows of story ideas and seeds.”

Stelzer has a background in artificial intelligence: he co-founded a company called EyeQuant in 2009 which was sold in 2018. But he doesn’t know much about filmmaking, so he started learning with software and created a “Salt” trailer, which he tweeted on June 14 without a written introduction. (The tweet did include a salt shaker emoji, however.)

This was followed by what Stelzer calls the first episode a few days later. He has released several so far, as well as many stills and a few short film clips. Eventually, he hopes to cut the “Salt” pieces into a single feature film, he said, and he’s building a related company to make movies with AI. He said it takes about half a day to make each movie.

The vintage sci-fi vibe is partly an homage to a genre Stelzer loves and partly a necessity due to the technical limitations of AI image generators, which are still not good at producing images with high textures. loyalty. For the AI ​​to generate the footage, it creates prompts that include phrases such as “a sci-fi research outpost near a mining cave”, “35mm footage”, “dark atmosphere and beige” and “salt crusts on the wall”.

The film’s look also suits Stelzer’s editing style as an amateur auteur. Because it uses AI to generate still images for “Salt”, Stelzer uses simple techniques to make scenes appear animated, such as shaking parts of an image so that it appears to move or perform. zoom in and out. It’s crude, but effective.

“Salt” goes to college

“Salt” has a small but charming online following. As of Wednesday, the film series’ Twitter account had about 4,500 followers. Some of them asked Stelzer to show them how he makes his films, he said.

Savannah Niles, director of product and design at Magnopus, builder of AR and VR experiences, followed “Salt” on Twitter and said she sees it as a prototype of the future of storytelling – when people actively participate and contribute to a narrative that AI helps build. She hopes that tools like those used by Stelzer can eventually make it cheaper and faster to produce movies, which today can involve hundreds of people, take years and cost millions of dollars.

“I think there will be a lot to come, which is exciting,” she said.

It is also used as a teaching aid. David Gunkel, a professor at Northern Illinois University who watched the films via Twitter, said he once used a sci-fi short titled “Sunspring” to teach his students about computational creativity. Released in 2016 and starring “Silicon Valley” actor Thomas Middleditch, it’s believed to be the first movie that used AI to write its script. Now he plans to use “Salt” in his fall semester communications technology classes, he said.

“It creates a world that you feel engaged in, immersed in,” he said. “I just want to see more of what is possible and what will come out of it.”

Stelzer said he has a “somewhat coherent” idea of ​​what the overall narrative structure of “Salt” will be, but he’s not sure he wants to reveal it — in part because community involvement has already twisted the story in some ways. what he had expected.

“Actually, I don’t know if the story I have in mind will turn out like this,” he said. “And the charm of the experience for me, intellectually, is driven by the curiosity to see what I, as a creator and the community, can find together.”

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10 Movies And TV Shows You’ve Seen The Cast In

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Having debuted a few weeks ago on Freevee, the crime comedy On springs received critical and public acclaim. The sitcom is set in the early months of the pandemic as a group of delinquents with petty crimes to their name are released and forced to readjust to a new life.


As Greg Garcia serves as showrunner, alumni from his previous shows are returning, especially cast members from Bringing Hope like Garret Dillahunt and Martha Plimpton. Other names include actors who have played major supporting roles in popular streaming titles.

VIDEO OF THE DAY

ten Garret Dillahunt – Raising Hope (2010-2014)

Stream on Freevee

Garret Dillahunt plays protagonist Jack, a criminal who has served his sentence for two decades and now wishes to reform himself with a new opportunity. Dillahunt has appeared in supporting roles in awards season favorites such as No country for old men, Looper, and 12 years of slavery. However, he is more prevalent among viewers, especially in his Critics Choice nominated role in Bringing Hope.

The 2010s sitcom deals with coming of age a single father as he raises his daughter while his wife serves a life sentence. Dillahunt’s Burt is the titular baby’s paternal grandfather and is brimming with naive, optimistic energy.

9 Shakira Barrera – GLOW (2017-2019)

Stream on Netflix

Gloria, Jack’s ex-girlfriend and a con artist who grew up with a passion for scamming people, is played by Shakira Barrera. The actress is popular for playing Yolanda (aka the Junkchain wrestler) in GLOW (aka Gorgeous Ladies of Wrestling).

The short-lived Netflix original comedy series parodied the state of women’s wrestling in the 1980s by dealing with the making of the titular show and the chaotic drama that followed. Introduced in season two, Shakira Barrera’s Yolanda plays a crucial role on the team as she enters into a relationship with fellow wrestler Arthie. This relationship forces both partners and the rest of the crew to rethink big life decisions.

8 Phillip Garcia – Criminal Minds (2005-2020)

Stream on Hulu

Jack’s cellmate Rooster is played brilliantly by Phillip Garcia. This isn’t Garcia’s first time playing a delinquent, however, as he appeared as the recurring character of convicted criminal Luis Delgado in Criminal minds.

The investigative crime thriller series starred Garcia as Luis Delgado, a suspected innocent criminal frightened by the life of a prisoner. Criminal minds sets itself apart from the usual batch of procedural crime shows by focusing more on criminals and their victims rather than the police-dominated main set. That’s why Garcia gets enough space to show off her dramatic prowess this time in multiple episodes.

seven Martha Plimpton – The Goonies (1985)

Stream on HBO Max

Bringing Hope actress Martha Plimpton returns to On springs as Barb, the mother of one of the convicts. Prison comedies about reform benefit significantly from those family arcs that these characters conjure up and Plimpton certainly doesn’t disappoint.

The Emmy-winning actress from The good wife had her big break as a child actress with roles in iconic 80s comedies like The Goonies and Parenthood. The former is an adventure comedy that finds a gang of misfit children battling criminals for a 17th century pirate’s treasure featuring several future stars like Corey Feldman and Josh Brolin. Plimpton plays Stef, a high school student who unexpectedly joins the titular Goonies on their adventures.

6 James Earl – Scream Queens (2015-2016)

Stream on Hulu

An opportunistic con on the criminal set of Sprung, the character Melvin is played by James Earl who has had screen credits as Narcos: Mexico and evening school to his name.

Earl also had a starring role in Ryan Murphy’s black comedy series Scream Queens. The story unfolds around an elite college fraternity that witnesses chaos and violence when it opens its doors to everyone. Earl joins the cast of the slasher genre satire as a hospital worker who later uncovers dark secrets when a serial killer is on the loose. This is Earl’s second collaboration with Ryan Murphy as he also had a recurring role on Joy.

5 Kate Walsh – The Umbrella Academy (2019-)

Stream on Netflix

In addition to prisoners, On springs also includes characters in the upper reaches of administration such as MP Paula Tackleberry who is played by Kate Walsh.

In addition to playing a main character in Grey’s Anatomy, Walsh is a popular face associated with several popular Netflix original series such as Emily in Paris, 13 reasons whyand The Umbrella Academy. In the latter, she plays the Handler, the antagonistic leader of a time-traveling organization. His dramatic rivalry with Number Five adds to some pivotal scenes in the surreal superhero action-comedy.

4 Chris Bauer – The Devil (2017-2019)

Stream on HBO Max

Thread former student Chris Bauer is invited in On springs like Stan. Although her character may have an indictment, Bauer has played several authority figures, particularly police detectives, on shows like American Crime Story, Law and Order, Unsolvedand Elementary. One of his recent starring roles included the period comedy series The devil.

Set in the emerging years of the American porn industry, The devil deals with the sleazy side of the business as well as character-specific arcs about sex workers and creative wannabes in the porn industry. In this context, Bauer emerged as one of the opportunistic leads, a construction worker who turns into a mob associate for a little extra cash.

3 Susan Ruttan – American Vandal (2017-2018)

Stream on Netflix

Susan Ruttan plays a guest character on On springs called Helen. The four-time Emmy nominee is a seasoned veteran of decades on television, best known for her time as the main cast of ’80s and ’90s legal drama. LA Law.

More recently, she was seen as the mother of the prime suspect in the mockumentary crime series. American Vandal. Both seasons of the Netflix original focused on a series of eccentric high school crimes (like causing massive diarrhea or drawing phallic pictures on all the teachers’ cars) and the students who passionately investigate the cases. For viewers who are tired of real crime shows and their cliches, they should definitely try American vandal.

2 David Wells – Ratchet (2020-)

Stream on Netflix

David Wells is another of the many guest stars of On springs. Playing both positive and sinister roles, the character actor played a clergyman in at least four appearances, including Shameless, Freddie, demon hunter, and most recently the Netflix psychological thriller Ratched.

The series serves as a prequel to Flight over a cuckoo’s nest as it focuses on the twisted life of the titular nurse before she takes over the asylum in the 70s classic. Appearing in the pilot episode, Wells’ Father Murphy is one of the unfortunate murdered pastors of composure in the shocking opening scene.

1 Mark Christopher Lawrence – Afraid of a Black Hat (1994)

Stream on Showtime

Guest starring as Hank’s character, Mark Christopher Lawrence joins the set of On springs in the seventh episode. With popular titles like Terminator 2 and The pursuit of happiness to his name, a major highlight of his career has to be the underrated musical satire Afraid of a black hat.

Parodying rap groups such as NWA and Run DMC, the film revolved around a journalist and her pursuit of such a rap collective. As she captures their eccentric artistic behavior on camera, the group also performs iconic parody songs. Lawrence joins the team as Tone-Deaf, a DJ who can scratch records with his butt.

Next: 10 Movies & TV Shows Where You’ve Seen The Imperfect Cast

Anna Friel: Soul of the North Now Starring as Queen of Nashville | Television

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Anna Friel began to sing. Now she’s back, doing it again, for all of America to hear. As a child in Rochdale, she listened to her Irish father play folk tunes on his guitar, and together with her friends Clare and Louise started Cal, a band named after their initials.

This month, Friel’s image is on the rise on billboards across LA because she’s at the center of Monarcha new small-screen drama while singing about another musical family – fictional country music stars the Romans.

Friel, 46, plays Nicky, or Nicolette, the daughter of Susan Sarandon’s Dottie Cantrell Roman, the matriarch who reluctantly steps down as queen of the Grand Ole Opry stage in favor of her child. The tension in the drama, which premieres on Fox and was created by rising screenwriter Melissa London Hilfers, stems from the fact that Dottie’s other daughter, played by Beth Ditto, thinks she is the most natural heir to the throne. And then there is also an unexpected murder.

Long-awaited, as the show was pushed back due to the pandemic, it has so far received mixed critical reception. Hailed by some as a rhinestone-studded show, with big hairstyles and cowboy boots, others wondered if it could fulfill its ambition of doing for country music what Fox’s show Empire made for hip hop.

Friel with Timothy Spall in the BBC Two adaptation of Our Mutual Friend (1998). Photography: Peter Lea/Shutterstock

Monarch however, marks another push into the US entertainment market for one of Britain’s most recognized stars. And Ray Panthaki, his co-star in the hit British crime drama marcellabelieves any new attention is well deserved: “Anna is a fearless leader and her instincts are on par with anyone I have worked with,” he told the Observer This weekend. “Whether she believes it or not, I don’t think there’s anything she can’t do as an actress. Really. She immerses herself deeply in the characters, emotionally, physically – she puts the work in and goes in. And I keep telling her: with that kind of instinct and taste and commitment to truth, she needs to make movies in addition to being in it.

Monarch is not Friel’s first major role on American television. She was in black comedy grow daisies and starred in the second series of The girlfriend experience, as well as appearing in several big-budget films. But early in her career, she gave up living in Los Angeles because she wanted to raise her daughter Gracie in Britain, near actor David Thewlis, Gracie’s father. “My agents would love for me to go back, but you choose a career in America and you take your child away from his father. I had to sacrifice that,” she said shortly after the move.

The show is the latest sign of mainstream interest in the country music world. The genre has earned some accolades since Taylor Swift decided to move away from it in favor of pop, with Jessie Buckley strutting onstage in the British flick wild rose and the TV series Nashville belatedly derived from Robert Altman’s acclaimed 1975 drama.

But maybe more important is luck Monarch allows UK viewers to look back on Friel’s career and how thrilled it was during her long time in front of the cameras.

When she began performing as a teenager in the 1990s, her direct expression and serious manner were her mark of youth. She was on the TV magazine program 8:15 from Manchesterappears in Emmerdale Farm and coronation streetand got a role in Alan Bleasdale’s TV drama GBH.

Then followed the part that earned him those first newspaper headlines. Like Beth Jordache in Brookside, Channel 4’s Liverpudlian soap opera, she pushed the boundaries of early evening viewing in a famous scene where she kissed another woman, then challenged the audience with the line: “Well, none of us have yet been struck by lightning.” From then on, Friel’s outspokenness was reframed as sexually provocative and her romantic life was seen as fair game for redtop reporters. A relationship with handsome West End musical chef Darren Day was bait for columnists. A Good morning! the cover of splash magazine saw them promising “to make it work” at all costs. And when that romance ended, a brief interlude as Robbie Williams’ girlfriend saw a swerve into the grim end of the limelight specter.

Although she had some serious good roles, including in a BBC Two serialization of Our common friend in 1998 opposite Paul McGann and David Morrissey, and a role in a star-studded 1999 film by Dream of a summer night, his image as a person with a sexual interest persisted. When she was cast in the Broadway production of Patrick Marber’s play Closerit was part of the deal. Variety critics called her the “real find here” – she was “the nihilistic core of the play” due to her combination of toughness and fragility.

Friel wearing a dark blue raincoat looking serious standing next to a taller man in a suit
Friel as Marcella, co-starring Nicholas Pinnock, in the hit British crime drama. Photograph: Amanda Searle/ITV

These qualities have often defined Friel’s performances and yet it’s the emphasis on his appearance over the years that is fascinating to look back on. Now, as a star of marcella, Friel is considered an established talent. At the time, it was her slim figure, smoking habit, clothes, and childish looks that were her main claims to fame. When she was 22, a veteran journalist commented on her “cheeky” nose and “more or less perfect skin”, then summarized: “She is really beautiful, in a way that appeals to lewd women and men alike. . He went on to say that even her direct language didn’t stop her from being attractive. Clearly, Friel was one to make jaded men feel…invigorated.

This perception may have helped her land the lead role in an Almeida production of Frank Wedekind’s dark classic. Lulu who went on to play in New York. At 24, she took on the role of the doomed, promiscuous waif, though she failed to convince several critics that she was as comfortable onstage as she had been on the set of the Merseyside fence. “Anna Friel never looks less than delicious,” wrote the Observer criticism, “but the understatement that made her look natural in Brookside makes her seem flat here: her voice is fine and her gestures mechanical.

The Daily Mail simply delighted with her skimpy costumes and noted her apparent discomfort on opening night. “As she bowed for the last time, she smiled nervously and waved to friends and family in the audience, covering her miniskirt and crop top with a dress.”

Actors, like models, are used to being judged that way, but it’s a tough job. When Friel is gone Brookside she said she had “felt incredibly undervalued”, although the experience had empowered her “because I realized that as long as I do this job, I will be a commodity”.

In truth, there has been an increasingly benevolent tone in the coverage of Friel’s life. A rather cutesy wish to see her settle down has given a somber tone to reports about the end of her time with Thewlis and her subsequent relationship with Welsh actor Rhys Ifans.

Dealing with such personal scrutiny while remaining emotionally open as an actor must be difficult. Friel admitted as much when talking about his role in marcella. “You have to go to pretty dark places,” she said. “So I go to a corner, put my headphones on, listen to music, and get really sad. Sometimes I bring up hurtful things that I’ve been through, almost like negative meditation. Normally, meditation take me to a quiet place, but I relive a trauma and it is filmed.

There’s an unwavering determination that characterizes this kind of star – more, perhaps, than their ability to change persona for an audience. Unlike the chameleon type of actor, they are goal-oriented performers. His teacher parents, Des and Julie, spoke of Friel’s high ambition as a child, first settling on law, then taking acting lessons three nights a week and all day on Sundays.

Friel, thankfully, remains a divisive screen presence, a sort of Sigourney Weaver of northern England. She has an aura of boldness, even bravery, that makes a person stand out.

Experimental Age Movies Ranked – What’s On Disney Plus

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Disney’s Experimental Animation Era ran from 1999 to 2008. During this time, Disney moved away from the musical formula that had worked so well during the ’90s Renaissance and continued to try new types of animation and narration. Also referred to as Post Renaissance, Dark Age of Animation or Second Dark Age of Animation, Disney had a tough time at the box office, but the changes made during this period paved the way for the Disney Revival of the 2010s. Let’s rank the 11 films from the experimental era of animation.

11. HOUSE ON THE RANGE

It’s not just the worst movie of the experimental era of animation, it’s the worst Disney movie I’ve ever seen. This is possibly the worst movie I have ever seen. The cattle rustling plot had potential, but this film completely wastes the talents of Dame Judi Dench. She tries to make it work, but anything with Roseanne voicing the title character is hard to come by.

10. DINOSAUR

This is the movie where Disney went all out with 3D animation. By 2000 standards, this film was magnificent. By 2022 standards, some parts are still beautiful while other parts have aged poorly. While the animation has its bright spots, the plot does not. It’s too thin to distract you from the parts that have aged well, and the animation isn’t good enough to distract you from the bad plot.

9. SMALL CHICKEN

It’s a beautifully animated film, but like the two lower-tier films, its plot is thin. “Chicken Little” has a lot more potential than “Home on the Range” or “Dinosaur,” but it stretches too much by combining the alien invasion plot with the adult father-son bonding plot.

8. TREASURE PLANET

This movie should be so much better than it is. The animation looks good overall, though some of it hasn’t aged well. It is based on one of the best books of all time, “Treasure Island”. It has the potential to be a great futuristic twist on a literary classic, but it falls flat. It’s better than I thought it would be when I was 17 and got out of theater because I hated it so much back then. But, that still leaves a lot to be desired.

7. LILO AND DOT

Disney combines Polynesian heritage, the story of sisters who choose each other and an alien adventure and gives us a fun, but still disappointing film. Disney would enhance the Polynesian story in “Moana” and the sister story in “Frozen”. This extraterrestrial adventure is still better than the one offered in “Chicken Little”.

6. FANTASY 2000

Disney’s return to classical music is vastly superior to its predecessor but could still be better. The presentation is more viewer-friendly in “Fantasia 2000”, with better animation and better song choices. Still, “Sorcerer’s Apprentice” is a classic version of Mickey, and it makes sense that it’s the only segment from the original “Fantasia” to be brought back. It’s a solid outing during an otherwise dark time for Disney.

5. BROTHER BEAR

Now we get into the five movies from this era of animation that I enjoy the most. “Brother Bear” takes another excellent Phil Collins soundtrack and adds a coming-of-age story about brothers, love, and caring for nature. This movie does everything “Chicken Little” tried and failed to do. It is perfectly blended to make a gripping story.

4. MEET THE ROBINSONS

It’s a fun adventure that doesn’t get enough love, in my opinion. It’s definitely fast paced and it may lose some people, but I think it does a great job of mixing that fast pace with a likeable protagonist and an engaging story. It’s a movie from this era that Disney should release more often.

3. ATLANTIS: THE LOST EMPIRE

The very slogan of this film tells you that you are no longer in the Renaissance. “Less songs, more explosions.” This film also offers a good story and excellent voice acting. This might be Jim Varney’s best performance and it’s a shame he never got to see it. The movie failed to deliver at the box office, but it delivers every time I watch it.

2. THE EMPEROR’S NEW GROOVE

“KUZCO!!!!” This film delivers on all counts. It has great music without really being a musical. It has incredible performances from David Spade, John Goodman, Patrick Warburton and Eartha Kitt. It gave us one of the biggest supporting characters in the Disney canon in Kronk. It may not be a box office hit, but it’s a cult favorite for a reason.

1. BOLT

This is my favorite movie from the experimental era of animation. This is the movie where it looked like Walt Disney Animation Studios could constantly compete with Pixar. “Bolt” tells a great story with great animation and great voice acting. There’s a reason this is the last movie of the experimental era. It was the gateway to Revival.

This is my ranking. The 2000s had some great movies, but there were also some duds. Let’s throw it to you. How would you classify the films of Disney’s Experimental Age of Animation?


Jeremy Brown

Jeremy has been a huge Disney fan since he was a kid during the Disney Renaissance. One day, he hopes to visit every Disney park in the world.


5 Best Payday Loans No Guaranteed Credit Check and Same Day Instant Cash Approval in 2022

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No credit check payday loans can be a lifesaver for anyone who cannot cover the cost of something important. Whether you need to pay bills or want to go on vacation, payday loans without a credit check have you covered. Do you know if there are payday loans near me without a credit check in your area? Here’s what we found while researching the top picks!

Best Payday Loans No Credit Check – Quick Overview

  1. Viva Payday Loans – Best Payday Loans Overall No Credit Check
  2. Green Dollar Loans – Best for Online Payday Loans with No Credit History Required
  3. Big Buck Loans – Best for No Credit Check Loans
  4. Credit Clock – Best for Quick Loans Same Day Approval
  5. Money Lender Squad – Guaranteed Approval for No Credit Check Loans

General Eligibility Requirements for Payday Loans

If you answered yes to each of the statements below, you can apply for a payday loan online today.

  • You must be 18 years or older
  • Be a US citizen or have permanent residency
  • Have a minimum income of $800
  • Have your own bank account
  • Have a valid ID

Payday Loans No Credit Check Guaranteed Same Day Approval – Editor’s Review

1. Viva Payday Loans – Best Payday Loans Overall No Credit Check

Our number one pick for the best online payday loans with no credit check broker is Viva Payday Loans. Viva Payday Loans is a well-designed and easy-to-use website where you can apply not only for small payday loans online without credit check, but also for personal loans.

Advantages:

  • Repayment period from 2 to 24 months
  • Fast approval times
  • Cash payments within the hour

The inconvenients:

  • You could be charged up to 35.99% interest (rates start at 5.99%)

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2. Green Dollar Loans – Best for Online Payday Loans with No Credit History Required

Even if your credit rating is bad, Green Dollar Loans will have a payday loan for you. Your income to expense ratio is the main thing that will be considered in your application, so be honest with all of your information. As long as you earn at least $1,000 per month, you can apply for a payday loan between $100 and $5,000 with an interest rate no higher than 35.99%.

Advantages:

  • Easy to repay loan terms
  • Borrow any amount up to $5,000
  • Connects you to multiple lenders

The inconvenients:

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3. Big Buck Loans – Best for No Credit Check Loans

If anyone can help you, it’s Big Bucks Loans. No hassle, no fuss, you can apply for a no credit check payday loan up to $5,000 on Big Buck Loans. You will need an income of $1,000 or more and be at least 18 years old to apply. You will receive an interest rate of 5.99% to 35.99% and a repayment period of up to 24 months.

Advantages:

  • No application fees
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4. Credit Clock – Best for Quick Loans Same Day Approval

Credit Clock connects borrowers to some of the most reputable lenders in the United States. This site will connect you with lenders who can provide you with no credit check loans between $100 and $5,000. Interest rates vary from lender to lender; however, Credit Clock will not match you with a lender who charges you more than 35.99% interest.

Advantages:

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5. Money Lender Squad – Guaranteed Approval for No Credit Check Loans

Money Lender Squad is a reputable loan finder website that takes all inquiries seriously. It’s one of the easiest websites to use and lets you choose between payday loans no credit check from $100 to $5,000 and how long you want to pay it back (maximum of 24 months). Plus, you can expect to receive an interest rate of up to 35.99%.

Advantages:

  • Simple and straightforward application
  • Loans up to $5,000
  • Access to many reputable lenders with one app

The inconvenients:

  • Interest rates vary by lender

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What are no credit check payday loans and how do they work?

Online same day payday loans without a credit check are small loans ranging from $100 to $5,000. Generally, the application process is very simple and easy to understand. Plus, it can be done online, so there’s no need to wait in long lines or be stuck on hold trying to speak to a representative.

How did we choose the best payday loan providers with no credit check?

Here are the factors we considered:

• What interest rates you will be charged

The most important thing we consider is the amount of interest that will be added to your loan. We want you to get the best deal possible after all!

• How easy is the application process?

The application process should be simple and quick. No one wants to spend years filling out forms only to find they’ve been declined.

• How quickly you will receive your money

A quick payment term is crucial when you are in urgent need of funds. The speed with which companies pay you is therefore an essential factor for us.

• What factors do they use to consider granting you credit?

We don’t want to send you to a provider who will only consider your credit history to decide whether or not you deserve a loan. After all, we all make mistakes and we want you to have the chance to rebuild your credit.

Conclusion

If you’re looking for a regulated and well-reviewed place to acquire a payday loan, look no further than the five options we’ve listed above. Viva Payday Loans is a great all-around provider that can not only get you the financial help you need, but it can do it in an easy and affordable way.

FAQs

1. Can you get a payday loan without a credit check?

When you apply for a loan, you will be required to consent to a credit check. But that doesn’t mean the lender will only consider your credit history when deciding whether or not to give you a loan. They will consider other factors such as how much you can afford to pay, your monthly expenses, how much you have left each month after paying your bills, etc.

2. How much do payday loans cost?

There is no definite payday loan cost as the cost depends on many factors. These factors include: how much you borrow, who you borrowed from, and how long you will pay it back.

3. Is a payday loan good for my credit?

Payday Loans Near Me No Credit Check is a great way for people with bad credit to rebuild their credit rating. If you pay your installments on time and in full, you will receive positive points on your credit score. However, if you fail to make installments or pay one late, it can hurt your credit.

Disclaimer: This is paid advertising. The loan websites reviewed are loan matching services, not direct lenders. Therefore, they are not directly involved in the acceptance of your loan application. Applying for a loan with the websites does not guarantee acceptance of a loan. This article does not provide financial advice, please seek the assistance of a financial advisor if you need financial assistance. Loans available only to US residents. The owner of the loan website(s) may be paid by a third party if you apply for a loan. start here.

Every MCU Phase One Movie Ending, Ranked

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Every movie needs a good ending. If the audience is satisfied with the last moments before the end credits, they will forgive any missteps made throughout the film. The Marvel Cinematic Universe installments have often gone on a high. The very first entry into phase one, Iron Manhas one of the most memorable movie endings of all time, with Tony Stark ignoring SHIELD’s request because he can’t help but take credit for his superhero antics.


The MCU movies that followed had unforgettable endings, from Bruce Banner teasing a controlled transformation at the end of The Incredible Hulk to Steve Rogers finding himself projected into a futuristic world that he does not recognize at the end of Captain America: The First Avenger.

VIDEO OF THE DAY

6 Thor

The first one Thor the film ends too cleanly for its ending to be effective. No one has to give up anything to save the day. Loki sacrifices himself in the final battle, but still somehow survives. Thor admits to Odin that he is not king of the material yet, reverting to the status quo from the start of the film.

The end of Thor establishes nothing significant for the future. Jane Foster begins work on opening a portal to Asgard from Earth, but this plot point ultimately went nowhere. At the start of the next Thor movie, Jane left her romance with the God of Thunder and only rekindles it when he opens a portal to Earth, not the other way around.

5 iron man 2

The final battle of iron man 2 culminates in an all-too-convenient “deus ex machina” as Tony Stark and James Rhodes attempt a Hail Mary by firing their repulsors at each other and hoping that defeats Whiplash and, oh surprise, it’s the case. For their bravery in this battle, Tony and Rhodey are rewarded with a pair of medals by Senator Stern. Introduced at the start of the film trying to convince Tony to donate his Iron Man armor to the US government, Stern is quite reluctant to give him a medal in the final scene.

It’s not as memorable as the ending of the first “I am Iron Man” movie, but the great and late Garry Shandling nailed the reluctant smile Stern put on for the photoshoot.

4 The Avengers

In the final scene of The Avengers, Earth’s Mightiest Heroes go their separate ways following the Battle of New York. Thor returns to Asgard with an imprisoned Loki, the Science Bros. set off in a sports car to make daring new discoveries, and Cap, Black Widow, and Hawkeye all return to SHIELD. This ending closes the current story while leaving the door open to future adventures. At the time, it was unclear if the ambitious crossover would pay off. But, of course, it paid off handsomely and the avengers team-up films became some of the highest-grossing films ever made.

The first one avengers The film ends with a tantalizing shot of Stark Tower with the letters S, T, R, and K all burned onto the sign during the skirmish, leaving behind a prominent “A” for “Avengers.” This image set up a bright future for the team.

3 The Incredible Hulk

The Hulk’s Only Solo MCU Movie To Date – The Incredible Hulk, starring Edward Norton as Bruce Banner – culminates in the green villain having an unusually quiet, tender, and peaceful moment with Betty Ross following her brawl in Harlem with the Abomination. The Hulk quickly leaves New York, and the final scene catches up with Banner hiding out in British Columbia a month later. With a smirk on his face, Banner begins a controlled transformation into the Hulk.

This final twist set up Banner’s arc in The Avengers (when the role was recast with Mark Ruffalo). Before the decisive battle of The AvengersBanner confesses that he is “always angry”, which allowed him to overpower the Hulk.

2 Captain America: The First Avenger

The final scene of Captain America: The First Avenger completes the origin story of Steve Rogers. The majority of the movie is a pulpy WWII actor. Throughout the first and second acts, Steve takes the super soldier serum, gains superpowers, and becomes a war hero who frees POWs and defeats Hydra bases. In the third act, he takes control of a plane full of WMD and smashes it into ice to save the world.

Before the plane hits the ice, Steve finally musters up the courage to tell Peggy Carter how he feels. Steve and Peggy arrange a date just before his apparent death. When Steve wakes up in modern times and rushes into contemporary Times Square, Nick Fury informs him that he is 70 years late. It’s a huge bombshell for Steve, but the only thing on his mind is that he “had a date”.

1 Iron Man

The very first MCU film, Iron Man, not only has the best ending in phase one; it’s still one of the most memorable endings in the entire franchise. To cover up Tony’s superhero antics, S.H.I.E.L.D. asked him to hold a press conference where he claims the ironclad superhero is his personal bodyguard.

But, Tony being Tony, he can’t help but take credit for it. He walks out in front of the reporters, rejects the script SHIELD gave him, and boldly declares, “I am Iron Man.” According IndieWirethis line was improvised by Robert Downey, Jr., eradicating secret identities from the MCU (Donald Blake who?) and making superheroes the celebrities of this world.

NEXT: The Biggest Plot Of Every MCU Phase One Movie, Ranked

Neil Gaiman explains why there’s still no The Sandman season 2

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The creator of The Sandman, Neil Gaiman, explains why there is still no renewal news from Netflix for The Sandman Season 2. This is despite the support the series has received from its viewers and fans.

After the long wait for its live-action adaptation, The sand man finally started streaming on Netflix last month. News about the live-action adaptation of The sand man started over 30 years ago. Originally, the goal was to make an adaptation on the big screen. But after years of setbacks, it became a live-action TV series.

The show premiered in full force on the global streamer. It even reached No. 1 on Netflix’s Top 10 TV list for two consecutive weeks. Due to the show’s popularity, the show’s creators released a two-part anthology episode. This added an additional episode to the original ten episodes of the season.

And yet, despite the show’s attention and support from fans and regular viewers, Netflix hasn’t made an announcement regarding The sandman season 2. The lack of news about the renewal of the dark fantasy series has left fans confused and worried about the future of the series.

The sand man follows the story of Morpheus, more commonly known as Dream. The series begins with humans capturing Dream for over a decade, trying to harness its powers to their advantage. The show’s first season chronicles Dream’s intention to restore balance to The Dreaming after 100 years of absence.

Neil Gaiman originally created The sand man as part of DC Comics in 1989. Since then, the fantasy series has become an audience favorite, due to its incredible writing and storytelling. The show received a positive reception from viewers, with an average score on rotten tomatoes 87% among critics and an 80% score among audience members.

But despite the warm feedback the show got, there is still no news for Netflix renewal and the go-ahead for it. The sandman season 2. Neil Gaiman gives a brief explanation for this.

netflix

Will there be a The Sandman season 2?

In a recent tweet, the creator and executive producer of the series, Neil Gaiman, mentioned this possibility. He shares the possible explanation why Netflix didn’t greenlight the show for its second season. Gaiman explains that the “data harvesting” for the show has just ended. And it will take time for the streamer to decide the future of the series.

“Sandman Season 1 dropped on August 5th. The data collection has only just finished – and is complicated by the fact that many people aren’t binge-watching it, but streaming it, letting episodes sink in before watching the next one. Narrative @netflix rushing will not make decisions any faster.

Fans’ concern over the show’s renewal is understandable, given that Netflix tends to shut down shows that haven’t done well. Similarly, Netflix renewed shows that attracted fewer viewers than popular series.

Gaimen pointed out that the show is different from other popular shows on Netflix that got solid streaming numbers, like Strange things. The show’s status for its second season got complicated after the show’s viewers tended to watch it at a slow pace. It’s clear at this point that Netflix values ​​the hours viewers spend watching their shows. This is also one of the factors they look at when renewing shows.

Moreover, the production cost of each episode of the first season of The sand man costs about $15 million. This fact could even complicate matters further and affect the renewal of The Sandman season 2.

On a positive note, showrunner Allan Heinberg confirmed Weekly entertainment that he had already begun to hold writers’ rooms to work on the script for subsequent episodes of the series.

While the schedule of The Sandman season 2 is still in obscurity, the possibility of its renewal is very positive. You can watch the first season and its special episode exclusively on Netflix.

Paul is many things. He is a fan of anime, superheroes and everything in between. He spends his free time annoying his cats and his dog.

Review of FX’s “Atlanta” Season 3, Episode 1 “Three Slaps”

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Review of Season 3








After a wait of almost four years, FX Atlanta opened its third season with “Three Slaps”, a standalone episode that featured no one in the main cast aside from a cameo appearance by Donald Glover (Solo: A Star Wars Story, Community), the creator of the series, as his character Earn. The episode felt much more like a short film than part of the episodic show and took advantage of thematic connections to provide an exciting and engaging story about Loquareeous, played by Christopher Farrar (Home Team, Chicago Med), a black boy who has discipline problems in school.

The episode opens with two unnamed characters, a white man and a black man, fishing together on a lake in the middle of the night. The black man remembers how he almost drowned in this lake as a child, and in response the white man tells him that there is a city below them filled with black souls who were probably trying to train him. The white man goes on to ramble on about whiteness and how it’s something that can be bought with blood and money, before a horror sequence ensues in which the face of the white man becomes demonic as he says, “we are also cursed” and countless black arms pull the black man down into the lake. This is supposedly a dream of Loquareeous, who slept in class. Loquareeous gets in trouble for dancing at school after news of a school trip to see the new Black Panther movie. His mother, played by Nicole Lockley (The Last Days of Ptolemy Gray), and his grandfather, played by Timothy Tinker Sr. (Supported), come and chat with the director and the guidance counsellor. After quickly concluding that Loquareeous just needed more restraint and leaving the meeting, she forces her son to dance and warns him that if he continues to act the way he does, the white people are going to kill him. His grandfather then slaps him three times in the face. All this is attested by the guidance counselor who promises to get him out of there.

Children’s services show up at Loquareeous’ house where there are minor ailments, including a lack of milk and being banned from watching television. His mother immediately throws him out, thinking he was the one who called child services. It was then that Loquareeous found himself with his two new mothers: Amber, played by Laura Dreyfuss (Joy, Travelers), and Gayle, played by Jamie Neumann (The devil, Sunday water). He is renamed “Larry” and finds himself with three other young black children who keep quiet under hostile conditions. They have a dog named Cornpop who is treated better than the kids. The house smells of homemade kombucha and undercooked organic food which makes him vomit when he consumes it. He attempts to escape, but the white policeman only takes his gun as Loquareeous approaches before assuming his mothers aren’t abusing him. He is sent home with them. There are constant racist remarks and mistreatment of him which is vindicated by comments from delusional mothers who believe they are helping to protect him from an even crueler world.

A child services worker shows up and inspects Loquareeous’ new home where she is shocked by the smell, the sickness and hunger of the children, and everything about the place. Gayle and Amber are also clearly in financial trouble and deliberately avoid debt collectors. The second worker’s visit triggers a spontaneous road trip to the Grand Canyon that Loquareeous immediately perceives as a lie. He locates the child care report in the trash. Gayle and Amber discuss how things have gotten out of hand for them, as they release Cornpop into the wild, before leaving a bridge and heading into the same lake where the episode began. They think all of their adopted children are in the car with them, but Loquareeous jumps out of the car at the vital moment and frees the other children as the mothers talk. He returns home and is grateful for the simple comfort of spaghetti in the fridge and cartoons. That’s when Earn wakes up in a hotel room next to a random white woman.

The introduction to the relationship between blacks and whites in the opening sequence is brilliant and expertly introduces the theme of white guilt into the episode. Despite harsh treatment from his mother and grandfather, Loquareeous was walked out of his house not on his own, but rather by the white student counselor. Amber and Gayle then take this concept to the extreme by using their adopted children for work and social media while believing that they act as saviors. It may frustrate some fans to have watched an episode so far removed from the characters they were used to watching, but this digression was well and truly justified by a compelling story and expertly crafted social commentary.

Rating: 9.0/10












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New York Film Festival 2022: 18 must-see films

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More prestigious and well established than the “coolest” Tribeca Film Festival, co-founded by Robert De Niro in the early 2000s, the New York Film Festival is about to start.

The 60th edition of the cinema festival, presented by Film at Lincoln Center, will take over theaters in the five boroughs from September 30 to October 16.

There’s a lot to see, so we’ve broken it all down for you.

Here are the 18 must-see movies at this year’s New York Film Festival.

White noise

Noah Baumbach adapts Don DeLillo’s 1985 novel of the same name for the big screen, playing Adam Driver as Jack Gladney, a professor of “Hitlerian studies” and father of four married to the secretive Babette, an impeccable Greta Gerwig. In the aftermath of a toxic accident that could lead to an environmental disaster, the Gladney family struggles to find peace in this oddly funny exploration of the horrors of consumerism.

All the beauty and bloodshed


This documentary by Oscar winner Laura Poitras, Citizenfour Fame explores both the downfall of the Sackler family, the founders of the pharmaceutical companies many associate with the opioid epidemic, and the life and career of artist Nan Goldin, who fought against said companies .

Inspection


In his first film role, actor Jeremy Pope stars as Ellis French, a gay Marine Corp at a boot camp on Parris Island in South Carolina who becomes the target of training instructor hazing practices. Leland Laws (Bokeem Woodbine) and recruits Laurence Harvey (Raúl Castillo) because of his sexual orientation. Gabrielle Union stars as Ellis’ mother, Inez French.

armageddon time


armageddon time is set in 1980 Queens, when sixth grader Paul Graff (Banks Repeta) dreams of becoming an artist while forming a friendship with his black classmate Johnny (Jaylin Webb), who is dealing with a racist teacher. Jeremy Strong and Anne Hathaway star as Graff’s parents, worried about their son while trying to navigate their Jewish-American identities in New York. The great Anthony Hopkins plays Graff’s grandfather, with whom he shares a very close bond.

After Sun

After Sun
Photography: Courtesy of A24

Scottish director Charlotte Wells’ debut is inspired by her beautiful relationship with her father. The whole film takes place in a seaside resort in Turkey, where a divorced father and his daughter spend an entire weekend and where they are often mistaken for siblings.

A couple

A couple
Photography: Courtesy of Zipporah Films

Although based on a true story, A couple is a work of fiction based on Countess Sophia Behrs’ own diaries and her husband Leo Tolstoy’s letters to his beloved. Structured as a series of monologues, the play focuses on the couple’s 48-year marriage, which began when he was 34 and she was 18, their 13 children, and Behrs’ own identity as an artist.

Decision to leave


When a middle-aged businessman mysteriously falls and dies during a rock climbing expedition, Busan detective Hae-joon can’t seem to shake the case off. Add to all this the fact that the detective begins to fall in love with the businessman’s abused wife, a Chinese national, and you have a thriller not to be missed.

master gardener


Joel Edgerton is Narvel Roth, the head horticulturist at Gracewood Gardens, the historic estate of a certain Norma Haverhill (a great Sigourney Weaver). When Haverhill’s great-niece Maya (Quintessa Swindell) appears, however, the balance between the two characters shifts, potentially affecting the future of Gracewood Gardens.

A nice morning


A nice morning follows the life of Sandra (Léa Seydoux), a single mother and professional translator, who cares for her aging father (Pascal Greggory) while being romantically linked to a clearly unavailable married father (Melvil Poupaud).

To show up

To show up
Photography: Courtesy of A24

Michelle Williams returns to the big screen as Lizzy Carr, a sculptor about to have an artistic breakthrough while working on her latest gallery show and busying herself with her job at art school, a family fragmented and more. This is the fourth collaboration between Williams and director Kelly Reichardt. The two have previously worked together on Wendy and Lucia, Meek Cut and Some women.

TAR


Cate Blanchett is stunning in this portrayal of the fictional Lydia Tár, one of the world’s most renowned conductors and the first-ever female conductor of a major German orchestra. Noémie Merlant plays Tár’s assistant while Nina Hoss plays concertmaster Sharon Goodnow, also Tár’s wife.

triangle of sadness


This rather funny film won Swedish director Ruben Östlund his second Palme d’Or at this year’s Cannes Film Festival and for good reason: the film follows two attractive young models as they embark on a satirical romance that will eventually lead them to a cruise for the very rich. The film is also Östlund’s first English-language feature film.

bones and all


call me by your name director Luca Guadagnino reunites with Timothée Chamalet in this adaptation of the eponymous novel by Camille DeAngelis. The film also stars Taylor Russell as Maren, a teenager who moves to small town Virginia with her father (Andre Holland) but soon runs away on her own again.

Personality Crisis: One Night Only

One night only
Photography: Courtesy of Showtime

Martin Scorsese does it again, this time focusing his camera on iconic American singer-songwriter David Johansen, the frontman of 1970s punk band The New York Dolls. But Johansen is much more than his music, as seen in the opening minutes of Scorsese’s documentary, which features new and archival interviews, concert recordings and more.

She says


Chronicling what many consider to be the start of the #MeToo movement, She says stars Zoe Kazan and Carey Mulligan as New York Times journalists Jodi Kantor and Megan Twohey, who broke the story for the newspaper in 2017. Based on the best-selling book written by the journalists themselves, the film examines the decades of sexual harassment and assault that have defined the Hollywood industry.

Solaris


The New York Film Festival celebrates 50 years of the legendary science fiction film Solaris with a special screening with live musical accompaniment. Expect a newly created score specially ordered for the event. As a reminder, the film focuses on scientist Chris Kelvin (Donatas Banionis) as he travels to a space station “whose inhabitants attempted to make contact with the mysterious planet Solaris”, reads a synopsis. official.

Until


Nigerian-American Chinonye Chukwu directs this harrowing film that tells the true story of Mamie Till-Mobley (Danielle Deadwyler), the American activist and educator who fought for justice after the 1955 lynching of her 14-year-old son, Emmett Till (Jalyn Hall). Whoopi Goldberg, Frankie Faison and Haley Bennett round out the cast.

women who talk

women who talk
Photography: Courtesy of United Artists Releasing

Among the many highlights of Sarah Polley’s film women who talk is the excellent cast, which includes Jessie Buckley, Claire Foy, Rooney Mara and Frances McDormand, among others. The film is an adaptation of Miriam Toews’ novel of the same name about a group of women in a remote religious community dealing with the aftermath of sexual assaults perpetrated by the men in the group.

Malcolm McDowell and Richard Roundtree talk about new film Moving On at TIFF

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Paul Weitz, Malcolm McDowell and Richard Roundtree also discuss the film and its theme of letting go.

TIFF-2022-Interview-Moving-On-Paul-Weitz-Malcolm-McDowell-Richard-Roundtree-social-feature


Paul Weitz assembled a cast of veteran actors for its Toronto-bound dark comedy Move on. Although it features two stellar tracks in Jane Fonda and Lily TomlinWeitz recalled one of his old favorites from Mozart in the Jungle in Malcolm McDowell and another big one in Richard Roundtree to add some star power. With literally hundreds of roles under the belts of McDowell and Roundtree, and dozens of films under Weitz, the three industry veterans turned to the Collider Supper Suite and Media Studio in Marbl during the Toronto International Film Festival. for a conversation with Collider Editor-in-Chef Steve Weintraub. They shared some war stories from their years on set and detailed how their new comedic tale of letting go came about.

COLLIDER VIDEO OF THE DAY

Move on brings together Grace and Frankie leads Fonda and Tomlin as a pair of friends brought together by a terrible tragedy. Separated by dark secrets and horrific events, Claire (Fonda) and Evvie (Tomlin) reunite for the funeral of their old friend Joyce. What should be a bittersweet reunion just turns bittersweet as Claire threatens to kill Joyce’s husband, Howard (McDowell), with Evvie helping her plan his disappearance. As they discuss how to get him six feet under, everything that tore the group of friends apart and motivated Claire to murder him is revealed as they process what happened decades ago. years.

Before embarking on the film, Weitz, McDowell and Roundtree reflected a bit on their careers and how they got to the point where they made a film together. McDowell and Roundtree in particular told heartwarming and humorous stories about their families seeing them on screen and on set, as well as when they realized they had gotten to where they could make a living from acting. . The three remarked on the special feeling of being at TIFF with Weitz appearing for the last time with AntsMcDowell previously assisted with the late Robert Altman, and Roundtree having never appeared in the festival. They then get into the nitty-gritty of the film, including how Weitz got involved through Fonda. and Tomlin as well as their experiences on set and how they personally deal with the film’s central theme of getting over it when someone wrongs them.

RELATED: ‘The Fabelmans’ and ‘Weird: The Al Yankovic Story’ Win TIFF People’s Choice Awards

Check out the full roundtable with Weitz, McDowell and Roundtree above to hear more fun stories from their careers and their time together on set for Move onincluding:

  • What would they want viewers who have never seen them before to watch first and why?
  • When did McDowell and Roundtree feel like they could make a living as actors?
  • Which of Weitz’s films changed the most in the editing room?
  • What does it mean for all of them to be at TIFF with the film?
  • What was in the project that made Weitz want to write the film?
  • Are they able to let go when someone has wronged them and when they are angry?
  • What is the day or two of filming that they will always remember how fun and/or difficult it was to film?

Special thanks to our TIFF 2022 partners A-list Communications, Belvedere Vodka, Marbl Toronto, COVERGIRL Canada, Tres Amici Wines, Toronto Star and Blue Moon Belgian White beer.

All TV Shows and Movies Coming or Leaving Streaming

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October is almost here, which means only one thing: spooky season is upon us. And if you’re looking for new things to add to your Halloween watchlist, Netflix is ​​here to help. The full list of movies and TV shows coming to Netflix in October is here, and whether you want scary new movies or prefer to avoid screaming in your living room over a jump scare, the streaming service got you covered.

A host of exciting and nostalgic new films are coming to Netflix this month, including the premiere of Kerry Washington and Charlize Theron The School of Good and Evil. If you feel feedback vibrations, both sex and the city movies, the oceans franchise, and the Peak hour the trilogy will debut on the platform this month. And if you’re in the mood to pass out, Zac Efron’s post-musical high school romantic comedy 17 again and the seminal film by Timothée Chalamet call me by your name will also be coming to Netflix.

On the television side, Netflix will preview the third seasons of empire bling, Derry Girlsand perhaps scariest of all, Love is blind. Unfortunately, all these newcomers mean that many titles are also leaving Netflix, including both Miss Conviviality movies and all seasons of the beloved Schitt’s Creek. Luckily, fans won’t have to wait long to watch. Schitt’s Creek elsewhere, as the show will move to Hulu starting Oct. 3.

Here’s the full list of everything leaving and arriving on Netflix in October.

What’s New in October

HBO

October 1st

  • 17 again
  • 30 minutes or less
  • 60 days in: Season 3
  • Any Sunday
  • Barbie: It Takes Two: Season 2
  • call me by your name
  • Charlotte’s web (2006)
  • Chocolate
  • city ​​dwellers
  • The purple color
  • Gladiator
  • How to lose a guy in 10 days
  • I love you man
  • Labyrinth
  • Land of the Lost
  • Last seen alive
  • Mr. and Mrs. Smith
  • National Lampoon’s European Vacation
  • National Lampoon’s Holiday
  • Ocean’s Eleven
  • Ocean’s Thirteen
  • Ocean’s Twelve
  • Breaking point (1991)
  • Risky business
  • Robin Hood
  • bride on the run
  • Peak hour
  • Rush hour 2
  • Rush Hour 3
  • scooby-doo
  • Scooby-Doo 2: Monsters Unleashed
  • Sex and the City 2
  • Sex and the City: The Movie
  • Teenage Mutant Ninja Turtles
  • Teenage Mutant Ninja Turtles II: The Secret of Slime
  • Teenage Mutant Ninja Turtles III
  • Teenage Mutant Ninja Turtles: The Movie
  • Vacation in Las Vegas
  • Walk with your head held high
  • wedding crashes
  • Yes man

October 2

October 3

  • Chip and potato: Season 4

October 4

  • Hasan Minhaj: The King’s Jester

October 5

  • empire bling: Season 3
  • high water
  • Jump from heights
  • Mr. Harrigan’s phone
  • Nailed it!: Season 7
  • The fight for justice: Paolo Guerrero
  • The Trapped 13: How We Survived Thai Cave
  • Go

October 6

  • Aftershock: Everest and the earthquake in Nepal
  • The Joys and Sorrows of Young Yuguo

October 7

  • Conversations with a Killer: The Tapes of Jeffery Dahmer
  • Derry Girls: Season 3
  • doll house
  • Problem
  • Kev Adams: The Real Me
  • The luckiest girl in the world
  • Man on break
  • The Midnight Club
  • The mole
  • Oddballs
  • The elderly
  • The Redeem Team
  • TIGER AND RABBIT Part 2

October 9

October 10

  • lego ninjago: Season 4 Crystallized – Part 2
  • Spirit Rangers

October 11

  • The cage
  • DEAW #13 Udom Taephanich Stand Up Comedy Show
  • Iliza Shlesinger: Hot Forever
  • Island of the Sea Wolves

October 12

  • Belascoran, PI
  • Blackout
  • Easy Bake Battle
  • The mad boy
  • Territory of the wild crocodile

October 13

  • Impasse: paranormal park: Season 2
  • Exception
  • The reading list
  • The Sinner: Season 4: Percy
  • someone borrowed
  • Sue Perkins: perfectly legal

October 14

  • black butterflies
  • The Curse of Bridge Hollow
  • Everything calls for salvation
  • Holy family
  • Mismatched: Season 2
  • Take 1

October 15

  • Blippi Halloween’s Spooky Spell
  • Under the queen’s umbrella

October 16

  • Unspeakable Dracula
  • Toni Morrison: The Pieces I Am

October 17

  • Waffles + Mochi’s Restaurant

October 18

  • Gabriel Iglesias: Stadium Fluffy live from Los Angeles
  • LiSA Another great day
  • Somebody Feed Phil: Season 6
  • Unsolved mysteries: Volume 3

October 19

  • The Green Glove Gang
  • Love is blind: Season 3 (new episodes weekly)
  • Our Lady
  • The School of Good and Evil
  • the stranger

21st of October

  • 28 haunted days
  • Barbarians II
  • Descending
  • from zero
  • High: Confessions of an Ibizan Drug Mule
  • ONI: Tale of the God of Thunder
  • Ultimate Pokemon Journeys

October 22

  • LOL Surprise! winter fashion show

October 23

  • Franco Escamilla: eavesdropping

October 24

October 25

  • Barbie epic road trip
  • Blade of the 47 Ronin
  • Fortune Feimster: good fortune
  • Cabinet of curiosities by Guillermo Del Toro
  • Unsolved Mysteries: Volume 3

October 26

  • Fugitive: The Curious Case of Carlos Ghosn
  • The good nurse
  • hell hole
  • Love is blind: Season 3 (new episodes weekly)
  • Stealing Mussolini

October 27

  • Here
  • Bewitched Daniel
  • Dubai Bling
  • earth storm
  • Family meeting: Part 5
  • Hotel Transylvania 2
  • romantic killer

October 28

  • In the west, nothing is new
  • The bastard son and the devil himself
  • Big mouth: Season 6
  • Beverage Masters
  • I AM A STALKER
  • If only
  • My encounter with evil
  • Wendell and savage
  • Wild is the wind

October 29

What’s left in October

popular television

October 1st

  • Schitt’s Creek: Seasons 1-6

October 7

  • sofia the first: Seasons 1-4

October 8

October 13

  • Apocalypse Now Redux
  • Everything must go
  • Little Italy
  • Scary Movie 4
  • The girl next door

October 14

  • Bleach The Movie: Fade to Black
  • Bleach the Movie: Hell Verse

October 15

21st of October

October 22

  • hemlock grove: Seasons 1-3

October 26

October 27

  • Metallica through the ever

October 31

  • 8 miles
  • Bridget Jones Diary
  • Ferris Bueller’s day off
  • Free from all ties
  • Friday
  • Friday after the next
  • Johnny Mnemonic
  • Leah Remini: Scientology and the Consequences: Seasons 1-3
  • Lemony Snicket, A Series of Unfortunate Events
  • Miss Conviviality
  • Miss Congeniality 2: Armed and Fabulous
  • monster in law
  • naruto: Seasons 1-9
  • Notebook
  • rock of ages

Deserted by Kadri Kõusaar crowned best film at the Estonian Film and Television Awards

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– Other winners of this year’s edition include Rainer Sarnet’s documentary Vaino Vahing’s Diary and Priit Pääsuke children of the night

EFTA 2022 winners (© Erlend Štaub/EFTA)

On September 16, at a special gala ceremony held in Tallinn, the winners of the Estonian Film and Television Awards (EFTA) have been announced. The awards, created in 2017, aim to honor achievements in national cinema and television and are organized by the Estonian Film Institute, the Cultural Foundation of Estonianational broadcaster ERR, Elisa and Telia.

(The article continues below – Commercial information)

This year, the prize for best film went to Kadri Kousaarit is Deserted. Co-produced with Finland and Sweden, the hostage drama stars Ali Suleiman, Jessica Grabowsky and Leanne Katkhuda. The story begins when a Swedish photojournalist, Ingrid, is kidnapped by a gang of Palestinian men while she was on a mission on the Sinai coast. Soon, Ingrid falls in love with the friendliest of kidnappers, Ali. Ali’s boss, Moussa, suspects something is up and becomes increasingly dangerous and violent. The film also won the Best Cinematography gong.

Meanwhile, Rainer Sarnetit is Vaino Vahing’s Diary [+see also:
film review
film profile
]
won the statuettes for best documentary and best director. It focuses on the titular writer’s diary, written from 1968 to 1984, and zooms in on the cultural life of Tartu, as well as the love affairs, bohemian feasts and intellectual pursuits of the time.

Finally, three prizes – best actor, best actress and best screenplay – were awarded to Priit Pääsukeit is children of the night. Set in Tallinn, the comedy aimed at young people tells the story of three sisters who have all reached a different breaking point in their lives.

Here is the list of this year’s main winners:

Best film
Deserted – Kadri Kõusaar (Estonia/Sweden/Finland)

Best Documentary
Vaino Vahing’s Diary [+see also:
film review
film profile
]
– Rainer Sarnet (Estonia)

Best Animated Film
‘Til we meet again – Ülo Pikkov (Estonia)

Best Short Film
Mia & Liki – Katrin Tegova (Estonia)

Best Actress in an Fmovie
Alice Siil – children of the night (Estonia)

Best Actor in a Motion Picture
Peeter Oja- children of the night

Best Director
Rainer Sarnet – Vaino Vahing’s Diary

Best Scrip
Ewert Kivi and Mart Raun – children of the night

Best Cinematography
Sten Johan Lill – Deserted

Best Editing
Ivar Murd– uQ [+see also:
film review
film profile
]
(Estonia)

best sound
Markku Tiidumaa – uQ

Best score
Mati Uprus – Pingeväljade aednik (Estonia)

Best Production Design
Anu Laura Tuttelberg – ‘Til we meet again

Best Costumes
Anu Lensment – Sandra gets a job [+see also:
film review
film profile
]
(Estonia)

Best TV Series
Sassi (Estonia)

Best Actress in Television Sseries
Ragne Pekarev – Sassi

Best Actor in Television Sseries
Egon Nuter – ENSV (Estonia)

(The article continues below – Commercial information)

Ocean Institute will host film screenings and interviews with filmmakers

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By Breeana Greenberg

As of this month, the Institut de l’Océan, in partnership with Blue Water Film Festivalwill host a series of film screenings and interviews with the filmmakers until December 1st.

Each film shown explores marine and environmental topics ranging from ocean biodiversity and the need to protect fish species to illegal whaling during the Cold War. All four films were winners of this year’s third annual Blue Water Film Festival.

The Blue Water Film Festival aims to encourage participants to think about how climate change is affecting the planet. The festival showcases a variety of independent films – feature-length, short, narrative, documentary and animated – from around the world.

soul of the oceana feature-length documentary that delves into complex ocean ecosystems and the importance of biodiversity in a healthy ocean ecosystem, will be screened Thursday, September 22 at 6:30 p.m.

Aquariums: the dark hobby looks at exotic fish endangered by the aquarium trade. The feature film will be screened on October 19 at 6:30 p.m.

Antarctica: microplastics and machine learning, a short film, explores the integration of microplastics science and artificial intelligence technologies in hopes of finding solutions for a healthier planet. The film will be screened on November 17 at 6:30 p.m.

The witness is a whale is a feature-length documentary that investigates the secret and illegal Cold War slaughter of whales by Japan and the Soviet Union, and post-whaling recovery. The film will be screened on December 1 at 6:30 p.m.

All films will be screened at the Ocean Institute until December 1st. Food and beverages will be available for purchase.

Tickets are $20 per movie or $75 for a general pass. Series passes must be purchased by September 22. A VIP experience is also available for $100 per movie, or $350 for a VIP series pass.

A VIP ticket includes a private reception with filmmakers, drinks and light appetizers, plus front-row seats for the film screening and filmmaker interview.

Breeana Greenberg

Breeana Greenberg is the city reporter for the Dana Point Times. She graduated from Chapman University with a Bachelor of Arts in English. Prior to joining Picket Fence Media, she worked as a freelance journalist for the Laguna Beach Independent. Breeana can be reached by email at [email protected]

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Are you making mistakes trying to get out of debt?

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One of the best things you can do for yourself is to be debt free. Along with feeling greater freedom without a constant financial burden hanging over your head, you also have the freedom to buy certain things that you have always wanted. Getting out of debt isn’t always easy, but it will be even harder if you make the following mistakes.

Pay off debt with lowest interest rate first

If you want to get out of debt fast, you need to put your money where it will reduce your debt the fastest. Paying off your biggest debt first may not be the best way to reduce your debt quickly. Instead, put extra money on the debt with the highest interest rate. Low-interest debt, such as your mortgage, is considered “safe” debt.

Credit cards often have notoriously high interest rates. This is where your interest is likely growing the fastest, and paying it off – or at least reducing it quickly – will slow down the interest you owe each month. If you only pay the minimum balance due, financial advisor Suze Orman says you could easily end up paying up to four times as much for your purchases.

Not eliminating payday loans quickly

One type of debt you want to avoid altogether or pay off as quickly as possible is a payday loan, if you have one. Interest on a payday loan is ridiculously high – perhaps as high as 400% – and worse if you miss a payment.

Payday loans can make you dependent, especially if you don’t have good spending habits. Learning to control your spending can help you break your addiction to not having enough money each month.

Budgeting can reveal where your money goes each month and what you have left to spend in each category. After spending money in a particular category, such as food, entertainment, gas, etc., do not take money from other categories unless absolutely necessary.

Pay more than one debt at a time

Instead of trying to pay extra on all your debts, Fool.com advises you to focus on one debt at a time. Of course, you still have to pay the minimum on all your bills. After paying off a debt, you have more money to spend on the next bill. You will be encouraged when each bill is paid, which will allow you to continue and reduce all your debts.

Continue to spend the same way

Unless you change the way you spend your money, you will remain in debt. Setting a budget will help, but if you don’t stick to it, you will never be debt free. Once a credit card is paid, don’t charge it anything else. Pay cash only until your debt is under control.

Not taking advantage of debt consolidation options

If you have several debts to repay and some of them have a high interest rate, you have two options:

  • A balance transfer credit card

If your credit score is still in good shape and you don’t have a lot of debt, getting a new balance transfer credit card could help. These credit cards can be the best way to get rid of credit card debt because they allow you to transfer other credit card debt to the new card and will give you 12 to 18 months without charging interest. .

Although it does not eliminate debt, the advantage is that you can reduce your debt faster during the interest-free period, and it also allows you to make one payment per month. You won’t pay any interest during the introductory offer period, but you need to make sure you don’t miss any payments during this period or your interest rate could reach 29% or more.

  • A debt consolidation loan

You can also take out a personal loan to help reduce your debt. RocketLoans says that all your debts can be paid off with this type of loan and allows you to make one monthly payment. It can be very advantageous for you if you can get a loan with a lower interest rate than the interest rate on your current debt. Do not place any debt with lower interest rate under this loan.

Do not reduce additional expenses

You can get out of debt faster by knowing where your money is going each month. Eliminate unnecessary expenses and adopt a minimalist budget. Save some cash for a few simple pleasures (your kids will appreciate it, too), because making it too tight will make you want to ditch the strict budget before long.

Not increasing your income

If you can get a side job or increase your income in some way, Forbes says it can help you get out of debt fast. Even a temporary job will help you reduce your debt faster. At the same time, be sure to create a budget and stick to it so that the extra money is used to reduce your debt rather than to buy new things. Bringing in a little more money each month can also help you avoid getting into debt later on.

Not having an emergency fund

Although an emergency fund won’t help you pay off your debt, it can keep you out of debt when an immediate need for cash increases. Setting aside enough money for at least three to six months of expenses allows you to deal with many emergencies without having to take on more debt. Without this fund, says Fool.com, you could be setting yourself up to stay in debt in a cycle that never ends.

Knowing how to get out of debt and doing it are two different things. You can do this if you give it some thought and think about how being debt free would allow you to do more desirable things with your money. Following the recommended steps above will help you on your way to a debt-free life.

The Epoch Times Copyright © 2022 The views and opinions expressed are those of the authors. They are intended for general informational purposes only and should not be construed or construed as a recommendation or solicitation. The Epoch Times does not provide investment, tax, legal, financial planning, estate planning, or other personal finance advice. Epoch Times assumes no responsibility for the accuracy or timeliness of the information provided.

The classic ‘Hocus Pocus’ movie has a sequel coming to Disney+ on September 30

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The classic ‘Hocus Pocus’ movie has a sequel coming to Disney+ on September 30

Like many of my millennial colleagues, the Disney Halloween movie “Hocus Pocus” has been a staple of my life since its release (or at least since it started playing on the Disney Channel).

I have a distinct memory of first seeing it as a child, alone in my parents’ bedroom when they had company downstairs. The spell book with the wiggly eye is what stuck with me – I loved books, how bad could one be?

As I got older, of course, the film became less scary and I started to understand the jokes and the somewhat bizarre sexual dynamic between the witches and the heroes of the film.

In recent years, “Hocus Pocus” has become a true classic for my generation, and the endless calls online for a sequel have finally found an answer.

“Hocus Pocus 2” enters our lives at the end of this month. Here’s what you need to know:

Where can I watch ‘Hocus Pocus 2’?

“Hocus Pocus” will premiere on the Disney+ streaming service.

When is ‘Hocus Pocus 2’ coming out?

The film will be released on Friday, September 30.

Where was ‘Hocus Pocus 2’ filmed?

Most of the filming took place in Providence, Rhode Island, although the film is again set in Salem. Time will tell how well they captured the spirit of the North Shore town – we’ll let you know.

Is ‘Hocus Pocus 2’ on Disney+?

It will be! “Hocus Pocus 2” rides a broomstick (or two Roombas) on Disney+ on Friday, September 30.

Who plays in “Hocus Pocus 2”?

Bette Midler, Kathy Najimy, and Sarah Jessica Parker reprized their roles as the Sanderson sisters, and Doug Jones also returns as zombie Billy Butcherson. The new film also stars Whitney Peak, Lilia Buckingham, Belissa Escobedo, Hannah Waddingham, Tony Hale and Sam Richardson.

As the Sanderson sisters, from left, Kathy Najimy, Bette Midler and Sarah Jessica Parker return for more wizarding fun in

Are any of the original cast members returning for ‘Hocus Pocus 2’?

The three Sanderson sisters, played by Bette Midler, Kathy Najimy and Sarah Jessica Parker, will be back, as will Billy Butcherson, played by Doug Jones.

Beloved Cat Character Thackery Binx in ‘Hocus Pocus 2’?

Probably not. Those watching the film’s trailer are right to point out that a black cat features prominently, but according to the filmmakers, it’s not everyone’s favorite feline. It makes sense, because the end of the first movie saw Thackery Binx’s story come to an end when his soul was freed from the cat prison he had been trapped in for 300 years.

His spirit says he was freed because the witches were ultimately dead, and the new film’s premise brings the witches back to life, so it’s possible audiences will be surprised by a return. We will have to wait until September 30 to find out!

Will Max be in ‘Hocus Pocus 2’?

Again, probably not. Max, played by Omri Katz in the original “Hocus Pocus” (igniting the hearts of many 90s kids), won’t be in the new movie, nor will Thora Birch, who played her sister Dani, or Vinessa Shaw, who played Allison and her famous “yabbos”.

The Sanderson witch sisters – Sarah (Sarah Jessica Parker, L-R), Winifred (Bette Midler) and Mary (Kathy Najimy) – go wild on Salem again in the Disney+ sequel

How are the Sanderson Sisters coming back?

In the first film, 300 years after being hanged, the witches are revived after Max lights the “black flame candle” in the Sandersons’ house on Halloween night. Above all, and referenced several times in the film, a virgin must light the candle – seriously, this film has a strange message. If you want to learn more about this aspect of the film, and much more, I recommend Aaron Wallace’s book “Hocus Pocus in Focus”.

From what we see in the trailer for the new movie, it seems like once again, lighting a candle will resurrect the creepy sisters. We will know more once the film is released.

Is ‘Hocus Pocus’ based on a true story?

Nope? I do not think so? Who’s to say? Please don’t come after me, Sanderson sisters! I mean no harm, only party!

Gray Television, Inc. (NYSE:GTN) Brief Update on Interests

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Gray Television, Inc. (NYSE: GTN – Get a rating) was the target of a significant drop in short interest in August. As of August 31, there was short interest totaling 4,210,000 shares, down 9.5% from the total of 4,650,000 shares as of August 15. Based on an average daily volume of 772,000 shares, the day-to-cover ratio is currently 5.5 days. Currently, 5.7% of the company’s shares are sold short.

Institutional investors weigh in on gray TV

Institutional investors have recently changed their stake in the company. First National Bank of Omaha purchased a new stake in Gray Television stock during the first quarter at a value of $711,000. WINTON GROUP Ltd bought a new stake in the shares of Gray Television during the first quarter at a value of $673,000. First Hawaiian Bank bought a new stake in shares of Gray Television during the first quarter worth $520,000. Blueshift Asset Management LLC purchased a new stake in shares of Gray Television during the first quarter at a value of $492,000. Finally, the New Jersey State Joint Pension Fund D purchased a new stake in shares of Gray Television during the first quarter at a value of $2,715,000. 80.61% of the shares are held by hedge funds and other institutional investors.

Gray TV trade down 1.4%

NYSE GTN opened at $18.47 on Monday. Gray Television has a 12 month minimum of $16.13 and a 12 month maximum of $25.24. The stock has a market capitalization of $1.72 billion, a P/E ratio of 14.43, a P/E/G ratio of 0.42 and a beta of 1.66. The stock’s fifty-day moving average price is $18.89 and its 200-day moving average price is $19.67. The company has a current ratio of 2.54, a quick ratio of 2.54 and a debt ratio of 3.64.

Gray TV (NYSE: GTN – Get a rating) last released its results on Friday, August 5. The company reported EPS of $0.91 for the quarter, beating analyst consensus estimates of $0.87 by $0.04. Gray Television had a return on equity of 9.66% and a net margin of 5.73%. The company posted revenue of $868.00 million for the quarter, versus $854.97 million for analysts. In the same period a year earlier, the company posted earnings per share of $0.27. The company’s quarterly revenue increased 58.7% year over year. As a group, stock analysts expect Gray Television to post an EPS of 4.45 for the current fiscal year.

Gray Television announces dividend

The company also recently announced a quarterly dividend, which will be paid on Friday, September 30. Investors of record on Thursday, September 15 will receive a dividend of $0.08 per share. The ex-dividend date is Wednesday, September 14. This represents an annualized dividend of $0.32 and a dividend yield of 1.73%. Gray Television’s dividend payout ratio (DPR) is currently 25.00%.

Analyst upgrades and downgrades

Separately, StockNews.com upgraded Gray Television from a “sell” rating to a “hold” rating in a Thursday, September 8 report.

About Gray Television

(Get a rating)

Gray Television, Inc, a television broadcasting company, owns and/or operates television stations and digital assets in the United States. It also carries secondary digital channels affiliated with ABC, CBS, NBC and FOX, as well as various other networks and program services, including CW Plus Network, MY Network, the MeTV Network, Justice, This TV Network, Antenna TV, Telemundo, Cozi, Heroes and Icons, and FILMS! Network; and local news/weather channels in various markets.

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Six Spanish films to watch in San Sebastián | Features

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2022 is a strong year for Spanish cinema. At Carla Simon’s Alcarras won the Golden Bear at the Berlinale in February and did well at the local box office.

Now on their home turf at the San Sebastian International Film Festival, around 20 local feature films are screened throughout the festival. They include Isabel Coixet’s gender paper El Sostre GocCarlota Pereda’s Sundance Star porcineAlberto Rodríguez new action thriller Jail 77et Elena Lopez Riera The waterentry into the Cannes Directors’ Fortnight this year.

Filter selects six others with good international potential.

Kindergarten
Dir: Pilar Palomero
Palomero’s second feature film after Goya’s winner schoolgirls, is about a 14-year-old girl living in the countryside who has a difficult relationship with her mother. When she realizes that she is pregnant, she goes to stay in a shelter for young pregnant women called La Maternal. Like with schoolgirlsthe film is produced by Valérie Delpierre at Inicia Films and BTeam Productions. Kindergarten is screened in the official selection.
International Sales: Elle Driver

Suro1

Suro
Dir: Mikel Gurrea
Barcelona’s Lastor Media, which co-produced Alcarras, and Malmo Pictures, and San Sebastián’s Irusoin produced Gurrea’s highly anticipated feature debut. Suro plays in the official selection and stars Vicky Luengo and Pol López. The Catalan-language drama-thriller tells the story of a couple about to have their first child who decide to leave the city and move to the countryside to work in the family business. she inherited. Gurrea made a name for himself with the short film Foxes.
International Sales: Reason8 Films

The Rite of Spring

The Rite of Spring
Dir: Fernando Franco
This is the third feature film by director-editor-producer Franco, who received a special jury prize at San Sebastián in 2013 for his debut. Wounded. Produced by director’s Ferdydurke Films along with Kowalski Films and Lazona, the film stars newcomer Valeria Sorolla as a female student in Madrid who forms a complex relationship with a child with cerebral palsy and his mother, played by Emma Suárez, best known for Pedro Almodóvar Juliet. Also in the official section.
International Sales: Film Factory

Tobacco barns1

tobacco barns
Dir: Rocio Mesa
Screening of New Directors, tobacco farms is the fictional debut of Granada-born, Los Angeles-based Mesa. This is the story of a young child who spends her summers on her grandparents’ farm, specifically in their tobacco barn. The film is produced by La Claqueta d’Olmo Figueredo and blends and mixes the traditional with the psychedelic, set against a countryside backdrop.
International Sales: Latido

To Books And Wonen I Sing

To the books and the women that I sing

Dir: Maria Elorza
This creative 72-minute documentary follows four women who have spent their lives reading and studying. To the books and the women that I sing explores family ties and explores literature, poetry and cinema by depicting the daily lives of these women, It is produced by Marian Fernández and Koldo Almandoz at Txintxua Films, whose credits include Arantza Santesteban 918 nights. Elorza is a rising star of Basque cinema. The film is screened in New Directors.
International sales: to be confirmed

Wildflowers1

Wild flowers
Dir: Jaime Rosales
Anna Castillo stars in this film about a woman trying to find romantic love while raising her children. Rosales, whose credits include The hours of the day and beautiful youth, said he hoped Wild flowers will have wider appeal than his earlier work. It is produced by Fresdeval, A Contracorriente, Oberon and Luxbox from France and is screened in the official section.
International Sales: Film Factory

Could it be related to the new Karate Kid movie?

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We recognize that there is no official authority Cobra Kai The Season 6 renewal is currently complete at Netflix, but we remain optimistic. How can we not? The karate comedy turned out to be very fantastic, and it even redeemed some of the more controversial Karate Kid movies like Part III.

With all that in mind, we imagine there were a lot of surprised people when news broke that Sony was considering a new Karate Kid movie for 2024. What will it be, and does it tie into what executive producers Jon Hurwitz, Hayden Schlossberg, and Josh Heald have done with their own story?

Well, we don’t have any good news on the subject at the moment. In a new post on TwitterHurwitz had the following to say about the just-announced movie:

The guys and I would love to do Karate Kid and Cobra Kai movies and hope to one day. But this one isn’t from us or focused on the Cobra Kai cast. I don’t know much about it, but I wish him good luck.

After hearing that, our answer is quite simple: what’s the point of a movie, then? Make a separate Karate Kid the film at this point seems to ignore the legacy that already exists, and we don’t know what value there would be in getting a separate audience elsewhere. It’s also similar to what Sony is doing with the world of Spider-Man, allowing the main character to be in the MCU while creating all these weird spin-offs that are their own thing and not as connected as they should be. be at anything. We just prefer to wait Cobra Kai end and use at least some of its cast as a template for something more. This show is loved; Why not enjoy it ?

Related – Get more news about Cobra Kai and the future

What do you think of a new Karate Kid the film being apparently separated from Cobra Kai?

Be sure to share in the comments now! Once you’ve done that, come back for more updates that we don’t want you to miss. (Picture: Netflix.)

This article was written by Jessica BunBun. Be sure to follow her on Twitter.


Best movies and TV shows on Disney+ and Paramount+ (September 17-18, 2022)

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Paramount+ and Disney+ are offering a glimpse of the real world this weekend. Paramount+ has revived several reality TV shows that have done well on MTV, YouTube, and CBS. Disney+ is releasing a new documentary film about two women with undocumented parents. The platform also adds the first season of the National Geographic series Early Alaskans.


Ghosted: Love Gone Missing S2 came to Paramount+ on September 14

MTV’s reality show Ghosted: love is gone helps people find former friends or lovers who have fallen silent online. Sadly, those ties were severed without explanation, leaving people shocked by their disappearance. Hosts Rachel Lindsay and Travis Mills track down the absentee and work to uncover the truth about their whereabouts. This show follows a similar format to another successful MTV reality show, Catfish, which has helped friends and lovers find out if their long-distance connections are legitimate. For those looking for a bit of mystery and drama this weekend, Phantom could serve as essential entertainment.

RELATED: Disney+ CEO Bob Chapek Is ‘Much Undervalued’ Ahead of Planned Increase

Teen Mom: Young and Pregnant S2 was added to Paramount+ on September 14

Another MTV reality show is making its way to Paramount+ this weekend as Teen Mom: Young + Pregnant Season 2 becomes available. The show follows a group of teenage mothers and the hardships they overcome in their daily lives. The show is a spin-off of the MTV series teen mom which is also a reality spin-off of the original 2009 series 16 and pregnant. The show contains realistic drama as these young mothers navigate life with different challenges than most of their peers.

The first Alaskans S1 became available on Disney+ on September 14

Early Alaskans serves as a spin-off series from the original National Geographic broadcast life below zero. The previous series featured Alaskans on their daily and seasonal activities in remote areas of Alaska. This new series follows Alaska Natives who thrive in the brutal cold of the state’s sub-zero temperatures. Alaska Natives have centuries of experience in these intense conditions, so they have become experts in how to survive and live fulfilling lives. For survival enthusiasts, Early Alaskans would be an intriguing series to watch this weekend.

RELATED: Captain Marvel’s Brie Larson Stars in Interactive Disney+ Short

Run & Gun joined Paramount+ on September 15

Run and shoot is an action-thriller distributed by Paramount Pictures and released in late 2021. The film features a reformed good guy, Ray, who has been removed from his quieter life and sent back to the world of crime and violence from which he s was previously distant. . Ray finds himself running for his life as a group of assassins try to track him down. The film is set in the Wild West (aka the desert) as Ray struggles to find his way back to his ordinary new life in the suburbs.

My Dream Quinceañera Premieres on Paramount+ September 16

My dream quinceañera premieres on Paramount+ this week and is based on an AwesomenessTV series of the same name. The series follows young women planning their 15th birthdays with the help of expert quinceañera planner Maria Perez. The show mirrors the 2005 MTV reality series My sweet 16, which was hugely popular in the 2000s. Many event goers can enjoy planning these extravagant affairs and the hard work that goes into making a young lady’s dream come true.

RELATED: Former Disney CEO Says Many Streaming Services Are Doomed

Mija premiered on Disney+ on September 16

The Disney+ documentary film mija is an inspiring story about two young women, Doris Muñoz and Jacks Haupt, who are striving to break into the music industry. While facing the reality that their family could be deported at any moment, these two work to achieve their dreams as they feel there is no other choice. Muñoz and Haupt serve as each other’s emotional support system as they navigate the music scene and make a name for themselves in the industry. This movie would be a great watch for anyone looking for some real inspiration.

48 Hours adds S35 to Paramount+ September 17

48 hours is a crime investigation series that follows various cases, including wrongfully convicted and cold cases. The series began in 1988 and still reports on important issues that occur in people’s daily lives. Season 35 aired earlier this year on CBS and will be available on Paramount+ on September 17. This series serves to shed light on the stories of crime and justice in the American criminal justice system, providing help and information to those in need.

RELATED: Disney Celebrates Disney+ Day With Free Ears For Theme Park Guests

60 Minutes S54 becomes available on Paramount+ on September 18

The iconic and most successful show in television history, 60 minutes, brings Season 54 to Paramount+. The show features a variety of news-related content ranging from feature segments to investigative reports. Additionally, this season offers stories on multiple cultural and environmental issues of today. For people who want to dive deep into the news, 60 minutes could be a great form of programming for this weekend.

SEAL Team S6 premiering on Paramount+ September 19

The Military Drama Series SEAL Team returns to Paramount+ again with season 6. The show started on CBS and originally premiered in 2017. SEAL Team follows the team of US Navy SEALs as they undertake life-threatening missions around the world. The central drama of the series relies heavily on the burdens this position places on their lives and families. Plus, the show is an authentic series filled with real-life experiences from veterans who have collaborated on the show.

AEW Rampage Live Coverage (09/16)

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Welcome to Wrestling Inc.’s live coverage of “AEW Rampage” on September 16, 2022!

Ring Of Honor World Television Champion Samoa Joe will put his title on the line against Josh Woods. Woods, along with bandmate Tony Nese and “Smart” manager Mark Sterling, interrupted Joe on last week’s show and told him that while he was in Hollywood filming his new Peacock show, Twisted Metal, they were busy. Sterling then offered the challenge on Woods’ behalf and Joe accepts.

Danhausen will face “All Ego” Ethan Page in singles action. In a behind-the-scenes segment of “Dynamite” last Wednesday, Page said that in order to achieve his ultimate goal of becoming the self-proclaimed “king of the Atlantic,” he wanted to start as the jester of AEW.

On the women’s side, Penelope Ford will face Willow Nightingale. Ford has picked up wins on “Dark” and “Dark: Elevation” since returning from injury on the Aug. 15 edition of “Dark: Elevation.” Nightingale has not been seen since defeating Allisyn Kay on Death Before Dishonor’s Zero Hour pre-show.

Darby Allin will also face Matt Hardy after Hardy took the challenge on Wednesday. He stated that as part of his efforts to rise to the top of AEW, he wants to prove to himself that he is capable of defeating Allin.

“Reflect,” a triumphant new short from “Short Circuit Experimental Films” Season 2, is now streaming on Disney+

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Experimental films in short circuit is back Disney+ will be a brand new short titled Reflect.

Official Reflect/Disney+ press release

“Reflect,” the latest original addition to Season 2 of “Short Circuit Experimental Films” from Walt Disney Animation Studios, premiered on Disney+ today, September 14.

The short film is directed by Hillary Bradfield, a Disney Animation (“Frozen 2,” “Encanto”) story artist since 2017, and focuses on Bianca, a ballet dancer who battles her own self-reflection, overcoming doubt. and fear by channeling his inner strength, grace and power.

RELATED: EXPO D23 2022: PIXAR REVEALS MORE FANTASTIC DETAILS ABOUT THE 2023 FILM AND THE STUDIO’S TV SERIES PREMIERE

“Reflect” features an original score by Jake Monaco (“Cars on the Road”, “Jerry and Marge Go Large”). Jennifer Newfield (“Ralph Breaks the Internet”, “Short Circuit”) served as production manager and veteran Disney Animation cinematography, lighting and compositing expert Brian Leach (“Ralph Breaks the Internet”, “Zootopia”) lent its expertise as a project advisor.

“Short Circuit” is an experimental and innovative program where anyone at the Studio can submit an idea and be selected to create their own short film. The first season launched in 2020 with 14 shorts and “Reflect” will be the sixth second season title to appear on Disney+.

About Walt Disney Animation Studios

walt-disney-animation-studios

Combining masterful art and storytelling with groundbreaking technology, Walt Disney Animation Studios is a filmmaker-led animation studio responsible for creating some of the most beloved films ever made. WDAS continues to build on its rich heritage of innovation and creativity, from the first fully animated feature film, 1937’s “Snow White and the Seven Dwarfs,” to 2019’s “Frozen 2,” the greatest animated film of all time, to our 60th animated feature, “Encanto”. Among the studio’s timeless creations are “Pinocchio”, “Sleeping Beauty”, “The Jungle Book”, “The Little Mermaid”, “The Lion King”, “Frozen”, “Big Hero 6 ” and “Zootopia”.

About Disney+

disney+ summer logo

Disney+ is the dedicated streaming home for movies and shows from Disney, Pixar, Marvel, Star Wars, and National Geographic, plus The Simpsons and more. In select international markets, it also includes the new general entertainment content brand, Star. The Walt Disney Company’s flagship direct-to-consumer streaming service, Disney+ is part of the Disney Media & Entertainment Distribution segment.

RELATED: CARS ON THE ROAD: WHY LARRY THE CABLE GUY RETURNED AS THE HILARIOUS MATER AFTER 5 YEARS

The service offers ad-free streaming alongside an ever-growing collection of exclusive originals, including feature films, documentaries, live-action and animated series, and short-form content. With unprecedented access to Disney’s long history of incredible film and television entertainment, Disney+ is also the exclusive streaming home for the latest Walt Disney Studios releases. Disney+ is available as a standalone streaming service or as part of The Disney Bundle which gives subscribers access to Disney+, Hulu, and ESPN+. To learn more, visit disneyplus.comor search for the Disney+ app on most mobile and connected TV devices.

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What do you think about this? Do you plan to check Reflect being part of short circuit season 2 on Disney+? Let us know in the comments below. Also be sure to follow The Illuminerdi on social media to be notified of more anime news and updates like this in the future!

KEEP READING: PINOCCHIO REVIEW: A FINE IF SLIGHTLY WOODEN REMAKE

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The True Story Behind ‘The Silent Twins’ Movie Starring Letitia Wright

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They were identical twins, two black girls in a white world with a bond so fiercely strong no one else could enter. Now their fascinating – and unsettling – story is about to hit the big screen.

“It definitely blew my mind,” Letitia Wright told The Post about filming her new movie “The Silent Twins,” which hits theaters Friday.

When June and Jennifer Gibbons were born, it was clear to their parents early on that something was unique about them. Or, more precisely, between them.

“They started talking late and when they finally spoke their words came out garbled. They chirped and squeaked, saying the wrong syllables,” Marjorie Wallace, author of the 1986 book “The Silent Twins,” told NPR in 2015. “No one else could understand them. It was as if they were speaking a foreign language. They both evolved in a sort of synchronicity.

Wright (“Black Panther”) and Tamara Lawrance (“Kindred”) star in “The Silent Twins,” the stranger-than-fictional story of the Gibbons twins; they play adult June and Jennifer in director Agnieszka Smoczynska’s tale of their puzzling life story, adapted from Wallace’s book.

Twins Jennifer (left) and June Gibbons with journalist Marjorie Wallace, author of ‘The Silent Twins’.
PA Images via Getty Images

Jennifer and June’s parents were from Barbados and the twins were born in 1963 on a British military base in Yemen, where their father was stationed. In the early 1970s, the family moved to Wales, where the girls were the only black children in their primary school.

The bullying they experienced seemed to increase their bond and reluctance to communicate with others, earning the girls the nickname “silent twins”.

“Although the family spoke English at home, young June and Jennifer Gibbons began speaking another language, considered an accelerated version of Bajan Creole,” reported All That’s Interesting.

As shown in the film, June and Jennifer were talking animatedly to each other until another person entered the room, then fell passive and silent with their heads bowed.

“Their silence was a protest against racism — the systemic racism they experienced as kids that they couldn’t fully understand,” Wright told the Post.

Leah Mondesir-Simmonds (left) and Eva-Arianna Baxter play the Gibbons sisters at an early age in
Leah Mondesir-Simmonds (left) and Eva-Arianna Baxter play the Gibbons sisters at an early age in ‘The Silent Twins,’ which premieres Friday.
Focus characteristics

The twins’ bond, while inseparable, wasn’t always one of love.

According to Wallace’s book, Jennifer once attempted to strangle June with the cord of a radio, while June once attempted to drown Jennifer after competing for the attention of certain boys.

The girls became increasingly isolated as they grew older, retreating into their own world, eventually turning to criminal behavior. In 1981, they burned down a tractor dealership, which later caused the injury of a firefighter; soon after, they were caught vandalizing and trying to set fire to a technical college.

In 1982, the teenage twins were arrested and sentenced to Broadmoor, a maximum-security UK facility for those convicted of being ‘criminally insane’. In the years leading up to the arrest, they had dropped out of school, hiding in their bedrooms to speak in their common language and to write. They filled countless notebooks with their stories and bought a typewriter so they could submit their work to magazines.

Tamara Lawrence (left) and Letitia Wright bring June and Jennifer Gibbons' disturbing story to the big screen in
Tamara Lawrance (left) and Letitia Wright bring June and Jennifer Gibbons’ disturbing story to the big screen in ‘The Silent Twins,’ in theaters Friday.
Focus characteristics
Tamara Lawrance (left) and Letitia Wright share an unusual bond in
Tamara Lawrance (left) and Letitia Wright share an unusual bond in ‘The Silent Twins’.
Characteristics of Lukasz Bak/Focus

“If they were born in this era, they would be New York Times best-selling authors and prodigies,” Wright said.

The film brings their fantastical, melancholic writing to life in stop-motion animation sequences.

Wallace heard about the twins from a fellow journalist and began visiting them in Broadmoor.

To his surprise, she befriended them, telling them that their parents had let her read their notebooks. They broke their silence to ask her if she liked their writing and told her that they dreamed of becoming writers. But the things they had written, she found, included furious screeds about their own relationship. Wallace shared a clip of Jennifer with NPR:

“We have become mortal enemies to each other,” the twins wrote. “We feel the irritating death rays coming out of our bodies, pricking our skin. I say to myself, can I get rid of my own shadow — impossible or not possible? Without my shadow, would I die? Without my shadow, would I earn a living, would I be free or left for dead?

Marjorie Wallace with the Gibbons twins during a visit to Broadmoor in 1993.
PA Images via Getty Images

Wallace, one of the only people June and Jennifer would talk to, ended up reporting in detail about the behavior that allegedly scared Broadmoor staff. The twins alternated which of them ate food while the other was hungry. For a time they were separated and staff discovered that the two girls, although held in cells far apart, were immobile, frozen in the same position.

Wright said reenacting the young women’s time in Broadmoor was the hardest part of filming.

“It was really hard for us to do these things every day, but I dedicated myself to it alongside Tamara, because it was the truth of the experience, and I wanted people to see,” said she declared. “So, yes, it bothered me, but I gave myself to be a vessel. When you see this movie, you will see what they went through.

A poster for
A poster for “The Silent Twins”, featuring Tamara Lawrance (left) and Letitia Wright. The film tells the true story of June and Jennifer Gibbons.
Focus characteristics

Finally, the twins were eligible for transfer to another hospital, one that would allow them to be eligible for parole. Before leaving, they met Wallace. Jennifer told him, “Marjorie, I’m going to have to die. The reporter laughed it off, but the twin insisted, telling her they made the decision together.

As a bus left Broadmoor with the twins inside, Jennifer reportedly fell onto June’s shoulder and fell into a coma. The 29-year-old was pronounced dead later that day with swelling around her heart.

‘Doctors at the Caswell Clinic concluded that the drugs given to the Broadmoor girls must have challenged Jennifer’s immune system – although they also noted that June had been given the same drugs and was completely healthy when she arrived’ , reported All That’s Interesting.

After her initial shock at Jennifer’s death, June reportedly thrived, coming out of her shell. She is alive today, lives in West Wales and is a writer. “The Pepsi-Cola Addict” – a novel she wrote when she and Jennifer were 16 and which was originally printed by a vanity press – is due for publication next year.

Mo Amer: Bringing the Palestinian Experience to Television | TV shows

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Thursday, September 15 at 7:30 p.m. GMT:
Comedian Mohammed Amer’s new Netflix series “Mo” brings the Palestinian experience to the masses. The program was inspired by some of the challenges the 41-year-old Palestinian American faced in his own life, including losing his father at a young age, moving from the Middle East to Texas and navigating the system. US immigration complex as a refugee.

So far, “Mo” has received a resounding reception from fans and a 100% score on Rotten Tomatoes from TV critics who say the show is “often hilarious” and a “thoughtful portrayal.” of the immigrant experience that is light on its feet”. He has also been praised by the Palestinian community for humanizing the frequently marginalized group in a way that is not “traumatic pornography”.

In a recent interview, Amer explained one of the reasons for Mo’s success: “The subject matter is absolutely universal. It’s not just for refugees, asylum seekers. It’s for anyone who wants to fit in, who feels like they have to work four jobs at once to support their family, who’s lost spiritually… It’s for people who feel less than, who wish to be able to provide more for Their families.”

In this episode of The Stream, we talk to Mohammed Amer about the show’s groundbreaking depiction of an ordinary Palestinian American family, how he finds balance with the many facets of his identity, and why chocolate hummus is a “war crime”.

On this episode of The Stream, we are joined by:
Mohammad Amer, @realmoamer
Comedian and co-creator, “Mo”

Amadeus and Uplift Launch BNPL Travel Payments for US and Canada

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Provider BNPL Uplift has announced a partnership with electronic payments processor for the travel industry Amadeus to boost the travel user experience for US and Canadian customers.

Amadeus is partnering with travel specialist Uplift to bring BNPL services to its popular Amadeus Xchange (XPP) payment platform, as part of a multi-vendor BNPL ecosystem dedicated to travel.

XPP is used by hundreds of airlines and travel agencies to power all aspects of their payments, from fraud prevention to payment acceptance. Through this partnership, airlines, travel agencies and hotels can easily add BNPL options to their sales channels through a single connection to Amadeus, making “Uplift” BNPL options more easily accessible to travelers across the United States and Canada. Travelers can choose to pay for their trip in a series of installments over six, nine or twelve months.

Tom Botts, Chief Commercial Officer of Uplift, said travelers increasingly prefer the option of paying for a trip in instalments, more than two-thirds of Uplift users have chosen BNPL as it reduces the financial stress of paying over time rather than all at once. BNPL has become a standard means of payment for travel. Now, travel providers that rely on the Amadeus Xchange payment platform can add Uplift’s flexible payments, immediately benefiting from greater customer loyalty and increased bookings.

Amadeus officials said in the company’s official press release that “BNPL’s growth across all sectors has been remarkable and the message from travelers is clear: they want the choice of paying for travel in installments. time”. These payment options will aid the resumption of travel by easing pent-up demand for higher value vacations as travel restrictions are lifted.

Amadeus data on BNPL travel payments

Already common to the retail sector, BNPL is particularly well suited to the travel industry due to the common requirement of upfront payments at the time of booking. Amadeus research of over 5,000 travelers suggests that 68% would spend more on travel if BNPL options were available, with 49% confirming they would be more likely to purchase ancillary airline services.

Travel remains an important item for consumers, especially when planning a family or long-haul trip. Buy Now Pay Later (BNPL) options have emerged in recent years as a way to spread the cost of a purchase over multiple monthly payments, providing additional flexibility for travelers.

According to an Amadeus study published in August 2022, 75% of respondents were more likely to opt for Buy Now, Pay Later (BNPL) plans to finance their travels, compared to only 44% who are more likely to put their expenses on their own. credit cards, and 26% who are considering opting for payday loans.

Besides BNPL payments, 48% of survey participants said they were more likely to try prepaid debit cards with room for different currencies to avoid huge FX trading fees when they pay abroad, while 49% of them declared their interest in co-branded products. cards offering loyalty points.

Netflix prepares the 2nd Tudum event

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Netflix’s Tudum Event returns on September 24, with the streaming platform promising exclusive news and reveals from over 120 series and movies.

The 24 hour event will be hosted by and a top cast including Jamie Foxx, Millie Bobby Brown, Noah Centineo, Choi Min-ho, Cho Yi-hyun, Zakir Khan, Prajakta Koli, Maite Perroni, Sheron Menezzes, Maitreyi Ramakrishnan and more .

New Netflix titles and games from around the world that will be featured include School for Good and Evil, Wednesday, Alice in Borderland, Stranger Things, Bridgerton, Money Heist, Slumberland, Enola Holmes 2, Glass Onion: A Knives Out Mystery, Emily in Paris and much more.

Tudum will be available to stream via Netflix YouTube Channels worldwide in 29 different languages.

The details of the development:

  • At 11 a.m. KST (7 p.m. PT on September 23), Tudum kicks off with a show outside of Korea.
  • At 11 a.m. IST (10:30 p.m. PT, September 23), viewers will be treated to a fun preview of what lies ahead in India.
  • At 10:00 a.m. PT, Tudum kicks off as a two-part show with Part 1 outside the US and Europe, and Part 2 at 11:30 a.m. PT outside Latin America, including surprises from others country.
  • At 1pm JST on September 25 (9pm PT on September 24), Japanese Netflix stars will close Tudum with a celebration of our Japanese entertainment.

At this Toronto film festival, women are talking

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TORONTO — “TIFF is exploding with the power of women! »

Those are the words programming director Anita Lee used to introduce Hillary Clinton on Saturday at the Toronto International Film Festival, where Clinton represented not just one but two projects: the Netflix documentary “In Her Hands,” about one of the few women in Afghanistan to become mayor of her city, and “Gutsy,” an Apple TV Plus series that Clinton co-produced with her daughter, Chelsea.

As Lee noted, women’s power had already exploded before the Clintons came on the scene. The previous night, “The Woman King,” a rousing action-adventure starring Viola Davis as a fierce warrior in 19th-century Africa, had electrified a packed festival audience at the cavernous Roy Thomson Hall. Earlier Saturday, the more low-key but no less galvanizing “Women Talking” played to delight viewers. Adapted from the novel by Miriam Toews by Sarah Polley, the dialogue-driven drama stars Claire Foy, Jessie Buckley and Rooney Mara as members of a religious cult who come together to discuss how to respond to years of gender-based violence and oppression. (In the time it takes them to debate the terms of their release, Davis’ fierce General Agojie would undoubtedly have beheaded and disemboweled anyone foolish enough to underestimate them.)

Viola Davis reigns in “The Woman King”

Women Who Talk proved to be an apt description for this year’s edition of TIFF, the first to be held entirely in person since the coronavirus pandemic hit in 2020, which featured a notable number of films made by and centered on women. Five years on from #MeToo’s post-Weinstein toll, with Hollywood more attuned to giving women artists a voice, it turns out they have a lot to say — about the vagaries of men’s power and rights, about the fact to be heard and silenced and, above all, about what it feels like to be habitually ignored and enlightened. “They made us doubt ourselves,” a “Women Talking” character says of the generational abuse she and others have suffered. “It was worse.”

The filmmakers too really meant mothers – theirs, ours and everyone else’s. Joanna Hogg’s “The Eternal Daughter,” a sequel of sorts to her Souvenir films, stars Tilda Swinton in a shrewd double performance in a gothic tale of grief and artistic inspiration. Steven Spielberg’s self-fiction magnum opus “The Fabelmans” casts Michelle Williams as the anarchic presence in his life that allowed him to become a director. (Williams’ Mitzi Fabelman and Julianne Nicholson’s Mary Yankovic in “Weird: The Al Yankovic Story” are portrayed as crucial bulwarks between their sons’ creative genius and fathers who didn’t understand them.) Motherhood takes a decidedly older turn. dark in Diop’s Alice “Saint Omer”, which arrived in Toronto after winning the Silver Lion at the Venice Film Festival. Diop’s absorbing but ultimately confusing film, about a novelist attending the trial of a woman accused of infanticide, features a riveting performance by Guslagie Malanga as the alleged killer.

Maternal instinct is not reserved for the nuclear family, as two of TIFF’s strongest films have proven: in “Other People’s Children” by Rebecca Zlotowski, Virginie Efira delivers the luminous portrait of a heroine of middle-aged taken aback by her affection for her divorced lover’s 4-year-old daughter. Florence Pugh is equally captivating in “The Wonder,” Sebastián Lelio’s elegant adaptation of Emma Donoghue’s novel, about an English nurse caring for a young religious ascetic in 19th-century Ireland.

In “The Wonder,” as in so many of the offerings at TIFF this year, to scratch out dramatic conflict was to find generational trauma, which is just as true for men as it is for women. The concept could be deployed opportunistically and with maximum manipulation, as in “The Son,” Florian Zeller’s underwhelming follow-up to 2020’s “The Father.” Or it could be tackled in a more artful (if not more subtle) way. , as in Martin McDonagh’s “The Banshees of Inisherin,” a fable set in 1920s Ireland brimming with the writer-director’s elixir of acid, lyrical profanity and skeptical humanism.

As McDonagh noted during his brief introduction at the film’s North American premiere on Monday, it was at TIFF that his film “Three Billboards Outside Ebbing, Missouri” began its march to the Oscars in 2017.” The Banshees of Inisherin” proved to be equally enthusiastically received this year, joining a batch of true crowd pleasers that included “The Woman King,” the raunchy gay romcom “Bros,” Brendan’s triumphant comeback vehicle. Fraser’s “The Whale” and “Glass Onion,” Rian Johnson’s cheeky all-star sequel to his 2019 living room mystery smash hit “Knives Out.”

The coveted TIFF People’s Choice Award won’t be announced until the end of the festival on Sunday, and most of these films will be released by Christmas. As the voting continued this week, pole position seemed to belong to Spielberg, who at Saturday’s premiere of ‘The Fabelmans’ reminded the cheering crowd that it was the first film he had ever pitched at TIFF. . Chances are he will be duly rewarded.

As a celebration of films through the lens of the man who makes them, “The Fabelmans” reinforces a familiar but increasingly dubious form of auteur worship. On Monday, “Empire of Light” gently put that trope on its head. Set in a faded but gloriously deco movie palace in an unnamed English seaside town, Sam Mendes’ cinematic valentine pays tender homage not just to the magic of the movies, but to the cinephiles who complete their alchemy circuit. The following day, news broke at TIFF that French New Wave director Jean-Luc Godard had died aged 91. girl and a gun. The most emotional and memorable moments in Toronto this year proved that what you really need is an audience.

Developer seeks to turn abandoned movie theater into affordable housing in SF – NBC Bay Area

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An abandoned movie theater could determine how much more affordable housing comes to a key San Francisco neighborhood.

Some say it’s an eyesore that needs to be torn down to make way for more homes, but others say it’s history and needs to be preserved, even if it means fewer affordable homes.

Developer Brookfield Properties has submitted a proposal to the city to build approximately 2,900 homes where the United Artists Theater is located. But some argue the theatre, which opened in 1970, should be protected as historic property.

The theater was essentially abandoned at the start of the COVID-19 pandemic in 2020. If the developer is forced to preserve either the facade or the whole building, it could mean a reduction in housing on the project.

This idea has generated many opinions from heads of state, city supervisors and neighbors who pass by the building almost every day.

Some say the building should be razed, others say it is historic and at least part of it should be saved.

“We definitely need more housing, and there’s only limited space in San Francisco,” said San Francisco resident Tom Chan.

If only the facade is kept, the dwellings would have to be reduced by 70 units.

If the decision is to save the entire building, the developer is proposing a significantly reduced project with only 10 units in total.

Not an acceptable option for Historic Preservation Commissioner Chris Foley who spoke at last week’s regular meeting.

“The idea of ​​keeping this building and keeping 10 units, in my mind, is pretty ridiculous,” he said.

Whatever they ultimately decide is all part of an often long and costly process that slows down nearly every effort to build more housing in San Francisco.

City supervisors will eventually decide whether the 52-year-old abandoned theater is worth saving, partially preserved or completely razed and how much housing will be approved to be built there.

10 One-Season TV Shows That Deserve A Reboot

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Netflix Series Fans Archives 81 were crushed to learn of the show’s cancellation after its first season. Based on the 2016 podcast of the same name, the series is a mix of supernatural and horror elements. It had achieved what any series craves, which is an impressive comeback and solid numbers, but that did nothing to secure a second season.


Many factors can contribute to the cancellation of a show. Inconsistent ratings, mixed reviews, or even the networks forcing the decision to make room for bigger names on the primetime lineup. A few shows with a sizable sequel have been lucky enough to receive a series revival, but some shows canceled after just one season deserve a chance to play the reboot games.

VIDEO OF THE DAY

Upright

Archives 81 wouldn’t be the only single-season Netflix show in 2022. Another surprise cancellation was the French series Upright. The comedy-drama followed four friends living in Paris navigating the trials and tribulations of everyday life while pursuing careers in stand-up comedy. The show received positive reviews, but Netflix canceled the series anyway.

RELATED: 10 Drama Series With The Best Rewatch Value

Foreign series can be a hit or a miss, but it’s a market with untapped potential. Upright has an original story combined with well-written characters and beautiful scenery. Perhaps a rebooted version of the series could pave the way for longevity.

Revolt of the good girls

Adapted from Lynn Povich’s 2012 book The revolt of the good girls, the eponymous drama series revolves around the abuse of a group of women working in a magazine. The show is based on the 1970 discrimination lawsuit filed against Newsweek by its employees, including writer/director Nora Ephron.

Revolt of the good girls is a spectacle worthy of a second chance. The show could serve as a retrospective on the #MeToo movement, highlighting how far back the struggles of working women go, in addition to showing the indomitable spirit of the pioneers who paved the way to the present day.

Hindsight

Long before her career-defying role as the likeable Sally Reed in barrySarah Goldberg played Lolly Lavigne, the coolest BFF around and deuteragonist on VH1 Hindsight. Becca Brady (Laura Ramsey), an almost 40-year-old woman disenchanted with life, travels back in time to 1995 via a magical elevator. Hindsight was wrapped in comedy, 90s nostalgia, and heartfelt drama.

Although it was renewed for a second season, the show was abruptly canceled by VH1. Fans were disappointed with the cliffhanger ending. The show deserves another shot for its unique premise and for establishing a satisfying conclusion.

Dietland

Dietland was it a nice mix of social commentary and murder mystery. Adopted from the debut novel of the same name by Sarai Walker, the story revolves around Plum (Joy Nash), a woman struggling with body image insecurities. Having decided to have surgery to lose weight, Plum becomes entangled with Jennifer, a murderous group targeting misogynistic men.

RELATED: The 10 MCU Movies & TV Shows With The Best Musical Scores

Although the show was critically acclaimed, it was not a ratings goldmine, resulting in a cancellation. A show like Dietland should be rebooted to more reflect the struggles women face due to ever-changing beauty standards within mainstream media.

Vinyl

Starring Bobby Cannavale, Olivia Wilde, James Jagger and Juno Temple (before her evolving character Kelley Jones in Ted Lasso), HBO Vinyl was an underrated gem. The drama series centers on the ups and downs of the 1970s music industry, with sex, drugs and rock ‘n’ roll.

Similar to VH1 Hindsightthe show was renewed for a second season, only to be dropped by HBO months later due to a network rebrand. Vinyl needs a reboot for its intriguing subject matter and groovy aesthetic, making it a dream of a period piece.

Little Britain United States

Of Key and Peele at Portlandia, various sketch shows are well appreciated. A series that broke the international mold was that of HBO Little Britain United Statesadapted from the BBC show by David Walliams and Matt Lucas little britain. The series had goofy characters, from British originals Carol Beers (Walliams) to American additions like the sweet but rude Ellie Grace (Lucas).

In 2008, HBO decided not to move forward with second season plans. Little Britain USA would benefit immensely from a second chance. American audiences have been deprived of genius comedy, and with a little attention to sensitive subject matter, this series would stand out.

Studio 60 on the Sunset Strip

2006 was the year of NBC’s workplace sitcom in the entertainment industry. The first would be Studio 60 on the Sunset Striptitled by Friends alum Matthew Perry, and the second would be 30 Rockfeaturing SNL veteran Tina Fey. To the surprise of the network, the latter ran for seven seasons while the former was canceled after one season.

Workshop 60 was a refreshing balance of comedy and drama without getting lost in its own material. A reboot set to the present day would do just fine. Regardless of the cancellation, the show is still considered one of creator Aaron Sorkin’s finest works.

The baker and the beauty

Inspired by the 1997 romantic comedy Notting HillIsraeli romantic drama Beauty and the baker is a pure diamond, but its American adaptation pales in comparison. Despite a startling score of 89% on Rotten Tomatoes, the show’s lackluster writing, flat chemistry, and low ratings led to its cancellation.

RELATED: 10 Times Dwight Schrute Was Surprisingly Healthy

The baker and the beauty deserves a chance to shine for American audiences, but missed the mark. A sincere overhaul in originality while staying true to its source material would increase viewership and popularity.

Marvel’s Inhumans

Originally planned to be a film adaptation, Marvel’s Inhumans was ported to television instead. The 2017 series revolves around the Inhuman Royal Family, a group of superhumans who first appeared in Marvel’s Agents of SHIELD..

The show’s impressive cast wasn’t enough to secure a second season, which was canceled by ABC in May 2018. Renewed interest in the characters came when Anson Mount reprized his role as Black Bolt’s protagonist in Doctor Strange in the Multiverse of Madness. With a proper reboot, this could become a major Marvel Disney+ show in the MCU.

Flashforward

Based on Robert J. Sawyer’s 1999 novel of the same name, Flashforward had a really special concept, as the 2009 series centered on a group of Angelenos who experience a “flashforward” of future events. Alas, a great cast and desirable timeslot aren’t enough to keep the show from being a one-season wonder.

The cancellation prompted dramatic protests from fans outside ABC’s headquarters, but the overzealousness did nothing to sway a renewal. Rebooting a show to fit into the 2020s landscape would be best, as the genre has gained new appreciation in recent years.

NEXT: 10 Shows That Had A Satisfying Finale Even Though They Was Suddenly Canceled

Jean-Luc Godard, flagship director of the New Wave, died at the age of 91

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PARIS, Sept 13 (Reuters) – Director Jean-Luc Godard, godfather of the French New Wave, died on Tuesday at the age of 91, the newspaper Liberation and other French media reported.

Godard was one of the world’s most acclaimed directors, known for classics such as “A bout de souffle” and “Contempt,” which pushed cinematic boundaries and inspired iconoclastic directors decades after his 1960s heyday.

His films broke with the established conventions of French cinema and helped launch a new way of making films, with handheld camera work, jump cuts and existential dialogue.

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For many cinephiles, no praise is high enough: Godard, with his tousled black hair and thick-rimmed glasses, was a true revolutionary who made artists out of filmmakers, putting them on a par with the masters. painters and literary icons.

“It’s not where you take things – it’s where you bring them,” Godard once said.

Godard was not alone in creating the French New Wave, a credit he shares with at least a dozen peers, including François Truffaut and Eric Rohmer, mostly hip, bohemian Left Bank pals from Paris to the late 1950s.

However, he became the child star of the movement, which spawned offshoots in Japan, Hollywood and, more unlikely, in what was then communist-ruled Czechoslovakia as well as Brazil.

“We owe him a lot,” former French culture minister Jack Lang wrote in an emailed statement. “He filled cinema with poetry and philosophy. His sharp and unique eye made us see the imperceptible.”

Quentin Tarantino, director of the cult films “Pulp Fiction” and “Reservoir Dogs” of the 1990s, is part of a more recent generation of filmmakers who have taken up the torch of the tradition of going beyond borders initiated by Godard and his acolytes of the Left Bank of Paris.

Earlier came Martin Scorsese in 1976’s “Taxi Driver,” the disturbing neon-lit psychological thriller about a Vietnam veteran-turned-cab driver who drives the streets through the night with a growing obsession with the need to clean up the environment. seedy state of New York.

Godard was not everyone’s idol. Canadian wild children director Xavier Dolan, who at 25 shared an award with an octogenarian Godard at the 2014 Cannes festival, courted controversy just as much as Godard, but called him “the grumpy old man” and “none of my heroes”. “.

NEW WAVE, NEW WAYS

Godard was born into a wealthy Franco-Swiss family on December 3, 1930 in the sumptuous seventh arrondissement of Paris. His father was a doctor, his mother the daughter of a Swiss founder of Banque Paribas, then an illustrious investment bank.

This upbringing contrasted with his later pioneering ways. Godard came across like-minded people whose dissatisfaction with mundane films that never deviated from convention sowed the seeds of a dissident movement that came to be called the New Wave.

With its more outspoken and offbeat approach to sex, violence, and its explorations of counterculture, anti-war politics, and other changing mores, the New Wave was about innovation in filmmaking.

Godard was one of his most prolific peers, producing dozens of short and feature films over more than half a century from the late 1950s.

“Sometimes reality is too complex. Stories give it shape,” Godard said.

Most of her most influential and commercially successful films were released in the 1960s, including “Vivre Sa Vie”, “Pierrot le Fou”, “Two or Three Things I Know About Her” and ” Weekend”.

He moved on to making films steeped in leftist anti-war politics in the 1970s before returning to a more commercial mainstream. Recent works, however – among them 2014’s Au Revoir au Langage and 2018’s Le livre d’images – were more experimental and largely reduced audiences to Godard geeks.

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Reporting by Brian Love, additional reporting by Ingrid Melander, Sudip Kar-Gupta; Editing by Raissa Kasolowsky

Our standards: The Thomson Reuters Trust Principles.

Cash Advance Apps vs Payday Loans: Which is Better?

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Young man working from home

If you’re asked to imagine a payday lender, you might think of a storefront in a mall with green signs and neon slogans like “everyday payday.” You probably wouldn’t imagine a mobile app that advertises on TikTok and sports a colorful logo.

But cash advance apps like Earnin and Dave provide advances with the same borrowing and repayment structure as payday lenders, and consumer advocates say they carry similar risks. Both are quick, no-credit-check options for closing an income gap or easing the pressure of inflation.

Neither is an ideal first choice for borrowing money quickly, but knowing their differences can help you save money and avoid hurting your finances.

Cash advance apps work like payday loans

Like most payday loans, a cash advance or paycheck app lets you borrow money without a credit check. You are also required to repay the advance, plus any fees you have agreed, on your next payday.

One payment cycle is usually not enough for borrowers to repay a payday loan, so many people fall into the habit of getting another loan to pay off the previous one, says Alex Horowitz, senior director of The Pew Charitable Trusts.

App users may find themselves in a similar cycle. A 2021 study by the Financial Health Network found that more than 70% of app users get back-to-back advances. The study doesn’t say why users re-borrow, but Horowitz says the behavior is particularly similar to payday loans.

“Direct-to-consumer payday advances share DNA with payday loans,” he says. “They’re structured the same, they have repeat borrowings, and they’re scheduled based on the borrower’s payday, which gives the lender strong collectability.”

Apps can offer more flexibility

Payday lenders and payday advance apps collect repayment directly from your bank account. If your account balance is too low when funds are withdrawn, you could incur overdraft fees, says Yasmin Farahi, senior policy adviser at the Center for Responsible Lending.

An application may try to avoid overcharging your account. Mia Alexander, Vice President of Customer Success at Dave, says the app reviews users’ bank accounts before withdrawing the refund. If the refund puts the balance close to zero or negative, the app may not withdraw the funds, she says.

However, apps typically include language in their user agreements that while they try not to overcharge your account, they aren’t liable if they do.

In states where payday loans are allowed, a payday lender is unlikely to offer a free, unsolicited payment extension, as some apps say. Some states require payday lenders to offer extended payment plans at no cost to troubled borrowers, but a 2021 report from the Consumer Financial Protection Bureau says some lenders are misrepresenting plans or not disclosing them.

Unlike payday lenders, the apps don’t make collection calls. If a user revokes access to their bank account to avoid a refund, the app will not attempt to collect the funds. The user simply cannot get another advance until they repay the previous one.

Payday loans cost more

Payday loans tend to have high mandatory fees, unlike apps. Instead, they charge a small fee that users can accept throughout the borrowing process. These fees can add up, but they are usually lower than those charged by payday lenders.

For example, an app might charge a monthly subscription fee or a fee for instant access to funds. Most cash advance apps also ask for a tip for service.

The charges on a $375 payday loan are most often about $55 over a two-week period, Horowitz says. Since the cash advance application fee is mostly optional, you can easily keep the cost below $10.

Earnin user Sharay Jefferson says she’s used payday loans in the past, but switched to a cash advance app because it’s a cheaper way to cover bills and unexpected expenses.

“If you get a $200 payday loan, you might be paying something back three times over,” she says. “With Earnin, I’m going to have to pay that $200 back, plus whatever I decide to give them. It’s much cheaper. »

Technically, apps are not lenders

Regulators like the CFPB have not classified payday advance apps as lenders, despite their similarities to payday loans.

Earnin CEO and Founder Ram Palaniappan says the app is more like a payroll service or an ATM because it makes it easier to access your own funds. Earnin asks users to upload a timesheet showing they worked enough hours to earn the cash advance amount. Other apps scan a user’s bank account for income and expenses to determine if they qualify for an advance.

Farahi says applications should be treated like creditors, meaning they would follow the Truth in Lending Act, which requires creditors to disclose an annual percentage rate. An APR allows consumers to compare costs between financing options. For example, users can compare the APR of a cash advance app to that of a credit card and choose the most affordable.

“People still need to know what the real cost of credit is and to be able to assess it and really compare that cost with other options,” she says.

Applications should also comply with applicable state lending laws. Currently, 18 states and Washington, DC, have maximum interest rate caps that could limit application fees, she says.

Cash Advance App vs Payday Loan: Which is Better?

If you’re in dire need of cash, you may have better alternatives than payday loans and advanced apps, Farahi says.

Local charities and nonprofits can provide basic food and clothing needs. A family or friend could lend you money at no additional cost. If you have a few hours to spare, a side gig could generate as much money as a typical payday loan or cash advance application.

If you have the choice between an app and a payday loan, the app is probably the best option because:

  • It is less expensive.
  • It may not trigger overdraft charges.
  • If you don’t pay it back, the app won’t send you to collections.

A cash advance from an app is unlikely to leave you in a better financial position, Farahi says. But it may be a little less likely than a payday loan to make things worse for you.

‘Jujutsu Kaisen 0’: Stream the anime on Crunchyroll in September

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Jujutsu Kaisen 0 hit Japanese theaters in 2021 before landing on US screens in March 2022, but you might be looking forward to watching the previous film at home. Cartoon Fans will have to wait until next year for the new season of the anime series, but the film is making its streaming debut in North America on Crunchyroll September 21.

Produced by Mappa Studios and Toho Animation, the film is based on the manga series by Gege Akutami and follows Yuta Okkotsu, a cursed young high school student. After the death of her friend Rika Orimoto, Yuta is haunted by her spirit and struggles with grief and loneliness. His path leads him to sorcery as a means of controlling Rika, whose presence often saves him or puts him in precarious situations.

Jujutsu Kaisen 0 isn’t the only movie coming to Crunchyroll this month. The streaming service also announced that it will be adding a new movie every Thursday in September. Titles include The Girl Who Leapt Through Time (September 15), Black Butler: Book of the Atlantic (September 15), and High Speed! Free! Departure days (September 22). Movies with Haru and Rin from Free! Timeless Medley, including The Bond, The Promise and Road to the World: The Dream, will air on September 22. Fans can also check out the Code Geass movies on September 29.

Read more: Best Anime Streaming Services for 2022

Ways to Avoid Defaulting on a Personal Loan

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Recently, I hosted some friends at my home. One topic that quickly took up most of our chat time was the pros, and of course, the cons of having so many downloadable loan application software floating around in the ether.

During this conversation I revealed how I had to access a personal loan from one of them and although the interest rate was, in my opinion, unreasonably high, at the moment i announced that i paid it back quite easily, a friend of mine looked surprised and commented with an almost high-pitched exclamation, “How could you pull it off so easily?”

I asked him, “Withdraw what? Take the loan or pay it?”, he replied to the latter of course, to which I gave him a confused look. He then complained that he was so in debt to two applications, family and friends, that he could no longer go to either for a line of credit to cancel any loans outside of his usual pay, especially from one of the apps that had already started issuing late payment penalties.

This was really confusing to me and my other friends, as we had always assumed that this friend was not only quite well off, but had a bigger and more consistent stream of income than the rest of us. Further investigation into why he was having such difficulty repaying not just one, but multiple loans, sheds some light on what his challenges were. And while some may consider this a trivial subject, it’s important to note that, like my friend, many are struggling with the pressure of loan repayments and may need some of the advice this article may have to offer. So, without necessarily disclosing my friend’s private affairs, we are going to think seriously about personal loans, and above all, how to make them easy to repay.

Applying for a loan or otherwise, we’ve all had one need or another, requiring a quick financial solution, and in more cases, than it took to access any kind of credit facility, no matter what. The source. To be clear, there is no crime or shame in taking out a loan or accessing a personal credit facility, the challenge is almost always, not the interest rate or its duration, but how we use the loan and the repayment itself.

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Now, from a purely business perspective, and if you’re even a little familiar with how accounting works, you should understand that the moment you accept a loan, personal or otherwise, this facility goes on someone else’s books as an asset since you are now indebted to that institution or person not only for the loan, but also for the interest to be incurred on it. Likewise, this loan enters your own books as a liability, regardless of the good intention of your use of the funds, and for the same reason.

Passives are always a pain, and it’s best to get rid of them as quickly as possible to avoid incurring further passives, mostly in the form of penalties or worse, foreclosures. A good reason is that they prevent us from achieving other, sometimes more important goals, and on a more psychological level, it just helps you sleep better at night. So here are some strategies to consider when considering repayment plans that could help you clear your personal loans faster.

Do you really need to take this loan to start?

Although this is a slight deviation from the actual topic, this should be the very first step to accessing a personal loan. Ask yourself the all-important question if, to begin with, you really need to take it. Having easily liquidated savings or wealth answers this question very quickly. Obviously, the more money you can set aside for a rainy day and resist the temptation to steal very often, especially on non-essential things, the more, if not more, you’ll have when you really do. need. Thus, you must learn to adopt a strict savings culture and even if you earn a salary today, ask yourself a crucial question before accessing a loan, “Let’s say I lose my job tomorrow, have- I have enough reserves to repay my debt, and over the agreed period?” If the answer is “yes”, then by all means, however, if the answer is “no”, then hope does not is not a strategy you should rely on to pay off your debts.

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It’s time to change your lifestyle

It’s easy to think that if your answer to the above question about being able to easily repay your loan means business is business as usual, then think again. Murphy’s Law states that “if something can go wrong, it will…”, and as another common saying goes, “even the best-laid plans sometimes go to extremes”. Accessing a loan means you have to discipline yourself enough to understand that until the debt is paid, you should keep luxury spending at bay. Even if you take out a personal loan for a luxury vacation, as soon as you answer yes to the question of whether you can repay the loan if something goes wrong, you should immediately seek to erase that liability from your books by reducing any other excesses. , yes , even cable, Netflix subscription and restaurant meals, until the current debt is paid, and in full.

This way, not only will you have more confidence in your eligibility to access another loan, but if the need arises, your creditors will also be willing to grant you another line.

Try to pay more than the minimum payments, and regularly

Before accessing a loan, always be sure to check whether you have a prepayment break or bonus. While some lenders charge penalties for prepayments due to interest payment charges they stand to lose if they no longer have your loan as an asset on their books, most of them appreciate more than well and even offer rewards for it. So if, for example, your loan is to have a repayment period of 30 days, rather than waiting until the very last day and minute to repay, break it up into blocks of 4 weeks and allocate a minimum amount to be paid to a particular day of each week then add a little something on top of that. So on the day of last week, you pay less than the previous weeks. The same strategy can also apply if you are indebted to an individual even without an interest rate tied to the credit terms.

Look for ways to earn extra income

Let’s face it, the main reason you had to access a loan in the first place was that your current income simply didn’t match your financial needs at the time. If you’re the type that doesn’t like being limited in particular on what and how you spend money, it might be time to increase your revenue stream by a pipeline or two. Several articles on this site have been exhaustive on this subject, so we will move on…

Do not use one loan to repay the other

As tempting as the idea may seem at first glance, in more than one case, taking out one loan, interest-free or interest-free, to pay off another, simply leads to sinking deeper into more debt and more headaches. head than at the start. In some foreign cases this may be an acceptable step to take, but don’t make a habit of it, remember, “even the best-laid plans…”

Consider the “snowball” method of paying off debt

This is a great tactic if you have more than one loan to repay. This usually involves starting with your smallest loan, paying it off, then rolling that same payment schedule over to the next loan, then working your way up to the largest. This method can help you build momentum as each balance is paid off and eventually, once you are debt free, you can finally start saving.

On the other hand, you can try the “Avalanche” method

The Avalanche method focuses on paying off the largest loan, especially with the highest interest rate first. Similar to the Snowball method, when the higher interest rate debt is paid off, you put that same money towards the next high interest rate loan and so on until you are done. Focusing on loans that are more expensive to carry, in the long run, would effectively mean you would have to pay less over time and eventually have more to appropriate.

Refinance your loan if you have to

If it becomes clear that you still can’t meet your loan deadline, it may be time to discuss refinancing terms with your creditor and ask for an extended repayment term. Be warned, however, despite the extended period, refinancing also carries heavy interest charges.

Restructure your debt if you have to

Unlike refinancing which simply gives you an extended repayment period on your loan, it not only helps you negotiate an extension but also a lower interest rate. Be warned that this is however only accepted by creditors, in more than one case when it has become clear that insolvency is imminent, in cases such as you lost your job or other scenarios. Creditors will give you time to get your affairs in order, but for a slightly longer term and will only reduce the previously agreed interest rate when they have to.

Drop the old cargo

We sometimes have things or items of some value that have been lying around our homes or office for some time and with no apparent use. Auctioning these old items is also a great strategy for raising enough money to offset your debt without necessarily having to rely on payday to come to your rescue. Plus, it’s a good way to declutter your surroundings while you’re at it.

Conclusion

There have been several laudable initiatives by regulators and financial institutions to promote inclusion in our financial ecosystem, such as digitizing access to credit facilities. In a way, this is a good thing because it increases our awareness of loans and other financial matters. Above all, however, responsible borrowing must be ingrained in borrowers to help them build a healthy credit score and a balanced life, without being overly dependent on borrowing.

Borrowing, especially on the now popular online creditor apps, certainly helps you meet some short-term priorities, even if your current financial situation may not be up to scratch, but it also means properly assessing your needs and your ability to repay, before you even take the loan, then by adhering to the simple practices above to help you stay on schedule when it comes to clearing your loans without anyone knocking on your door or not. ‘call your friends and loved ones to report your credit default.


Essien Brain is a business consultant, with expertise in digital marketing, crowdfunding, pitch decks and business plan/proposal formulation and design.

[email protected] +234703-444-6041

All the movie/TV news we learned from Marvel, Lucasfilm and more – Deadline

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Disney film and television studios including Marvel Studios, Lucasfilm, Walt Disney Studios, Pixar and Walt Disney Animation Studios, 20th Century Studios and Disney Branded Television revealed plenty of news at the D23 Expo, which took place September 9-11 in Anaheim, near Disneyland. Congress Palace.

Highlights included cast and creative-laden panels behind almost every major Disney property, giving fans new looks at everything from Indiana Jones 5 at Disillusionedand Black Panther: wakanda forever at The little Mermaid. Presentations included new announcements including Disney Animation’s ambitious next project To wishwith Ariana DeBose, and Christian Slater joining the willow remake.

Disney D23 Expo 2022 Photo Gallery: Marvel, Star Wars and More

The biennial exhibit comes as Disney kicks off its 100th anniversary celebrations in 2023.

Below is a summary of what’s new. Click the links to read Deadline’s coverage.

D23: complete coverage of the deadline

LIVE ACTION MOVIE

Theatrical

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Ant-Man and the Wasp: Quantumania: Crowds saw new footage of the trio featuring Paul Rudd, Kathryn Newton, Evangeline Lilly and Jonathan Majors. It opens February 17 in theaters.

Black Panther: Wakanda Forever: Crowds were thrilled with footage from the MCU sequel starring Angela Bassett as Ramonda. It opens November 11 in theaters.

Captain America: New World Order: Shira Haas and Tim Blake Nelson have joined the cast of the sequel along with Anthony Mackie. It hits theaters on May 3, 2024.

The Fantastic Four: Kevin Feige has confirmed that Matt Shakman will direct the reboot pic which hits theaters on November 8, 2024.

Love at first sight : Multiple castings have been announced for the Jake Schreier-directed film which will close out MCU Phase 5 on July 26, 2024. They include David Harbour, Julia Louis-Dreyfus, Wyatt Russell, Florence Pugh, Sebastian Stan, Hannah John-Kamen, and Olga Kurylenko .

lucasfilm

Indiana Jones 5: A trailer was shown to the crowd for the fifth installment in the lucrative 41-year-old franchise. Star Harrison Ford addressed the room and also revealed that this would be his last time playing America’s favorite archaeologist. “I’m done,” he said. “I won’t fall for you anymore.”

Willow: A new trailer for the reimagining of the 1988 fantasy classic has been shown, and Christian Slater has been revealed as a cast member. He joins an ensemble that includes Warwick Davis, Joanne Whalley, Ruby Cruz, Erin Kellyman, Ellie Bamber, Dempsey Bryk, Amar Chadha-Patel and Tony Revolori.

20th century

Avatar: The Way of the Water: The crowd was treated to a slew of footage from James Cameron’s long-running sequel to one of the highest-grossing films of all time.

Disney Live Action

Mufasa: The Lion King: The title of the prequel was announced and a preview was shown in the room. It will be released in 2024.

The little Mermaid: New teaser trailer unveiled. The release date is summer 2023.

Disney+

Hocus Pocus 2: New trailer revealed for the sequel which will stream exclusively on Disney+ from September 30.

Disillusioned: First trailer for the sequel which will stream exclusively on Disney+ from November 24th.

Peter Pan and Wendy: Coming to Disney+ in 2023.

ANIMATION FILM

Theatrical

Elementary: The main cast has been revealed, and the Pixar film’s release date is set for June 16.

Elio: The new Pixar feature about 11-year-old dreamer Elio (Yonas Kibreab) will also star America Ferrera. Adrian Molina is director and Mary Alice Drumm is producer. The parcel: Elio is artistic, creative and a passionate INdoorsman who struggles to fit in. Meanwhile, Mom Olga, who runs a top-secret military project, works to decode a strange signal from space. But it’s Elio who makes contact, is teleported into space, and is then mistaken for an intergalactic ambassador for Earth. It will be released in the spring of 2024.

Upside down 2: Pixar sequel confirmed with return of Amy Poehler. Expected summer 2024 release.

Strange world: New trailer released for Disney Animation’s feature film. Released in theaters November 23.

To wish: Walt Disney Animation Studio’s next original feature film is revealed, as is its fall 2023 release. Directors Chris Buck and Fawn Veerasunthorn described the story, which takes place in Rosas, the kingdom of wishes where wishes can literally happen. It centers on 17-year-old Asha (Ariana DeBose), who makes an impassioned plea to the stars, which is answered by a cosmic force, a small ball of limitless energy called Star. Together, they face the most formidable of foes to save their community and prove that when a brave human’s will connects with the magic of the stars, wonderful things can happen. Alan Tudyk will voice a goat named Valentino. Julia Michaels writes all the songs. The film is written by Jennifer Lee; Peter Del Vecho produces and Juan Pablo Reyes co-produces.

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Fall premiere dates for new and returning TV series on broadcast, cable and streaming

TELEVISION

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Stone heart: Shakira Barrera joins the cast of the Disney+ series with Dominique Thorne as Riri Williams. The premiere date is TBA.

Secret Invasion: Full trailer for the Disney+ series starring Samuel L. Jackson as Nick Fury due out in 2023.

Armor Wars: Don Cheadle reprises his role as Colonel James Rhodes in a standalone series that will show the character in a whole new light. The premiere date is TBA.

Loki: Ke Huy Quan joins the cast of season 2 of the Disney+ series with Tom Hiddleston, Owen Wilson and Sophia Di Martino. Production is ongoing, but the premiere date is TBA.

Echo: Cast members Alaqua Cox, Vincent D’Onofrio, Devery Jacobs, Graham Greene, Cody Lightning and Chaske Spencer hosted a special look at the upcoming series which also stars Tantoo Cardinal and Zahn McClarnon. The premiere date is TBA.

Daredevil: Born Again: Kevin Feige and co-star Vincent D’Onofrio discussed the upcoming Disney+ series were eager to discuss the new Disney+ series starring Charlie Cox. Production will begin in 2023.

Night Werewolf: The Halloween-themed program starring Gael Garcia Bernal and Laura Donnelly – Marvel Studios’ first TV special – has been revealed, along with a trailer and an October 7 premiere date on Disney+.

lucasfilm

Andor: The final trailer for the Disney+ series starring Pedro Pascal has been released. The star wars The out-of-universe drama premieres September 21 on Disney+.

The Mandalorian: A trailer for season 3 of the Disney+ series with Pedro Pascal has been released.

Star Wars: The Bad Batch: Disney+ Season 2 star wars The universe’s animated series about the Bad Batch’s experimental elite and clones has been pushed back from September 28 to January 4.

Tales of the Jedi: The abridged anime anthology series set in the star wars the universe has revealed the first trailer and a premiere date of October 26.

Disney+

Chinese born American: First look at the original series from Disney Branded Television and 20th Television. To be published in 2023.

big hat: Season 2 episodes of the Disney Branded Television and ABC Signature series starring John Stamos will air on October 12.

Iwaju: An all-new long-running original series created in collaboration with pan-African comics entertainment company Kugali will air in 2023. Kugali filmmakers Olufikayo Ziki Adeola, Hamid Ibrahim and Tolu Olowofoyeku introduced the series setting: a letter love in Lagos, Nigeria.

The chaos of the Muppets: The comedy series from Disney Branded Television and ABC Signature will hit the streamer in 2023.

National Treasure: On the Edge of History: Trailer released for Disney Branded Television and ABC Signature Original Series premiering with two episodes on December 14.

Prom Pact: First look at the new movie from Disney Branded Television.

The Proud Family: Stronger and Prouder: Season 2 begins in February. New trailer posted.

Santa Clauses: First teaser released for the original series starring Tim Allen, from Disney Branded Television and 20th Television. It begins on November 16.

Win or lose: Pixar’s first-ever long-running series has announced that Will Forte will be joining the voice cast. Broadcasting on Disney+ in fall 2023.

Zootopia+: New trailer presented for the short series. Launching on Disney+ on November 9.

New Unscripted Holiday Specials

Best in snow: Hosted by Tituss Burgess, featuring teams from around the world transported to a magical snowy village, Snowdome, and thrown into a spirited competition to compete for the title of Best in Snow. No premiere date set.

Pentatonix: Around the world for the holidays: Superstar a cappella band Pentatonix are struggling to find inspiration for their annual holiday album, and time is running out. No premiere date set.

Hip Hop Nutcracker: Run-DMC’s Rev Run takes us on a hip-hop reimagining of the Nutcracker ballet set in New York City. No premiere date set.

disney channel

Moon Girl and Devil Dinosaur from Marvel: First trailer unveiled for the Disney Television Animation series, which revealed it had added Alison Brie to the guest voice cast. Debuts February 10 and later on Disney+.

Under Wraps 2: The sequel from Disney Branded Television and MarVista Entertainment premieres September 25 (streaming on Disney+ September 30).

Disney Junior

Star Wars: The Adventures of the Young Jedi: Jamaal Avery Jr. and Emma Berman have joined the cast of the Lucasfilm animated series which will be released in 2023.

Capital One College Bowl: Season 2 Ranking – Canceled + Renewed TV Shows

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(NBC)

The College Bowl competition first aired on NBC Radio in 1953, then moved to television where the game had a bumpy ride. The competition continued for many years but was not always televised. The game returned to NBC last year and was poor in ratings. Since it is heavily sponsored, Capital One University Bowl be renewed for a third season as long as Capital One wants to finance it? Or could it be cancelled? Stay tuned.

A series of quizzes Capital One University Bowl The TV show is hosted by former NFL quarterback Peyton Manning, with his brother Cooper Manning as his sidekick. The series challenges students outside the classroom and puts their knowledge to the test as they compete for scholarships. In each episode, teams of three represent some of the top schools in the country and compete in a four-round bracket tournament. Teams must work together to answer questions on a wide variety of topics. The top two schools advance to the final game where they compete for the Capital One College Bowl trophy and a scholarship to spend on their education. Capital One will award $1 million in scholarships, providing all competing students from the above institutions with tuition assistance for their participation.

Ratings are usually the best indication of a show’s chances of staying on the air. The higher the odds, the better the chances of survival. This table will be updated as new ranking data becomes available.

September 10 update: You can see last night’s notes in context.

To note: If you don’t see the updated chart, try reloading the page or check it here.

For comparisons: First season of Capital One University Bowl on NBC averaged a 0.39 rating in the 18-49 demographic and 2.44 million viewers in Live+ Same Day Ratings.

To note: These are the final national rankings, including all Live Views + Same Day and DVR Playback (until 3:00 a.m.). Early Affiliate Quick Ratings (Estimates) are marked with an “*”. Although these numbers do not include delayed or streaming viewing, they are a very good indicator of a show’s performance, especially when compared to others on the same channel. There may be other economic factors involved in a show’s fate, but the highest-rated series are usually renewed and the lowest-rated ones are canceled.

What do you think? do you like it Capital One University Bowl TV shows on NBC? Should it be canceled or renewed for a third season?

Discover our CNB status sheet to track new collections, renewals and cancellations of Peacock Network series. You can find lists of canceled shows here.

MCLAUGHLIN SET FOR SUPERCARS TV ROLE

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Scott McLaughlin. Photo: Team Penske

SUPERCARS champion Scott McLaughlin will return to the paddock for the first time since his time in IndyCar.

McLaughlin hinted at the development this afternoon, posting a photo of a 2022 Supercars All Zones Access Pass under the Supercars Media banner.

Supercars Media is the arm producing the championship broadcast, indicating that he will appear in a television role on the pitch at some point this year.

It is not yet known which event(s) McLaughlin will be competing in, with three rounds remaining after this weekend: the Repco Bathurst 1000 October 6-9, Boost Mobile Gold Coast 500 (October 28-30) and VALO Adelaide 500 (December 1-2). 4).

McLaughlin left Supercars in October 2020 to pursue his dream of IndyCar full-time in the United States.

He is now a three-time race winner in the American open-wheel series and an outside shot at the title.

The 29-year-old signed a multi-year contract extension with Team Penske during the week.






Connor O’Brien joined V8 Sleuth in 2022 as Website Editor. He won the Supercars Media Award in 2017 while working as a sports journalist at the Gold Coast Bulletin, before becoming a journalist at Supercars.com and editor of Speedcafe.com.


Disney Showcases New Animated Film at D23 Expo – Deadline

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Walt Disney Studios previewed its next animated offering strange world at D23 Expo today.

The film features characters voiced by Jake Gyllenhaal, Dennis Quaid, Jabouki Young-White, and Lucy Liu, all of whom were in attendance. It’s about a legendary family of explorers whose differences threaten to scuttle their latest crucial adventure. The film is directed by Don Hall and written by Raya and the Last Dragons Who Nguyen.

Hall called the film “a family affair [and] the ardent desire to leave them a better world. The director described the driving inspiration behind the film as “our children”.

Nguyen said the story involves a hidden world, unique creatures, and “environments full of surprises and dangers.”

strange world marks Gyllenhaal’s first time in an animated Disney film. He plays a character called Searcher.

“Being here is so cool and sharing this trailer for the first time,” he said. “I’ve always wanted to be in a Disney animated movie, so it’s kind of a dream come true.”

Quaid agreed.

“I love being part of the Disney family. It’s been really, really good for me. I play Jaeger Clade. I’m Searcher’s dad and he’s a really different kind of character for me. He’s got calves huge, for one thing. Jaeger is a world famous explorer in his weird world, an adventurer. He’s stubborn but he’s a lot of fun – opinionated but, you know, take it as it is.

Liu said she was “excited to play such an amazing character because Callisto is tough. She’s fearless. A leader.” She also calls the character “someone I would aspire to be” because she wants to protect others.

“I like the idea of ​​being considerate of other people,” she said.

Young-White, who plays Searcher’s son, Ethan Clade, describes his character as “an amazing kid. Super excited for adventure like his grandfather, not like his father. I feel a part of myself in him.

Ranked: Every David Fincher Movie Ranked From Worst To Best

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If you’ve read an interview with the myriad of actors who have worked with director David Fincher over the years, you’ll likely come away with a version of the same story. Not only does he make actors work harder than most of his peers, he likes to do a lot of takes. And by “a lot” we mean a lot. Actors such as Jake Gyllenhaal and Rooney Mara went into detail about the volume of each scene, with Mara revealing that she’s already done the same scene 99 times while filming The Social Network. (opens in a new tab)

Still, that doesn’t seem to stop Fincher from getting work or attracting good actors, and Mara, who you can imagine must have dreamed of the clapperboard sound for months afterwards, returned to work with the director on his next movie. Why? Well, unless he makes a great cup of tea, we imagine it’s because they’re happy with the final film.

Fincher started life as a cameraman, but cut his teeth doing commercials for Converse, Nike and Pepsi, before moving into music videos where he oversaw a number of high-profile music videos for Madonna, Sting and Michael Jackson. Earning a reputation for getting results and staying on budget, Fincher was parachuted in to direct Alien 3 after Vincent Ward was fired weeks before filming began.

It turned out to be a rocky start (more on that in a minute), but it gave Fincher the break he needed and from there he grew and grew in stature, director-like who has earned the right to take endless takes.

So far he has directed 11 feature films and we decided to rank them from worst to best. Let’s dive in…

11.Alien 3

Alien 3

(Image credit: 20th Century Fox)

Fincher’s film debut was a true baptism of fire as, to use a football term, he received a hospital pass with Alien 3.

Alien’s third installment went through countless writers and actually went into production without a finished script. In fact, the filming was such a mess that star Sigourney Weaver, who had shaved her head for the film and, after finishing production, started growing it back, was then told she would be needed for reshoots and that she had to shave yet again, something for which she was reportedly paid $300,000. (opens in a new tab)

The film’s plot follows Weaver’s Ripley, who, after escaping at the end of Aliens, crash lands on Fiorina 161, a dark wasteland inhabited by former inmates of the planet’s maximum security prison.

Unfortunately, beside him on the escape pod was an alien, who quickly begins to stalk prisoners and guards.

There are some good action beats here and some classic alien terror bits, but this was the first of many negative notes for this franchise. Now, even though Alien 3 is by no means the worst Alien movie (it’s actually at number 3 on our ranking), it was all uphill from here for Fincher.

10. The Curious Case of Benjamin Button

Benjamin Button

(Image credit: Paramount)

It’s a testament to the strength of Fincher’s back catalog that The Curious Case of Benjamin Button, a film that was nominated for 13 Oscars and cost nearly $350 million at the box office, is second to last. of this summary.

Loosely based on the 1922 short story of the same name by F. Scott Fitzgerald, the film stars Brad Pitt as the titular character, a man who ages backwards.

While well-told, the film’s 166-minute runtime sags somewhat, and it’s far more schmaltzy than Fincher’s other work. A technical marvel, the film ended up winning Oscars for Best Art Direction, Best Makeup, and Best Visual Effects.

That sums up Benjamin Button, a marvelous technical feat, but not a stellar story.

9. Panic Room

panic room

(Photo credit: Sony Pictures)

A tight, claustrophobic thriller, Fincher brought together Jodie Foster and a young Kristen Stewart to tell this home invasion drama.

Foster played Meg Altman, a new divorcee, who moves in with her 11-year-old daughter, Sarah, to a four-story house on New York’s Upper West Side. They discover by looking around the house that the previous owner, a reclusive millionaire, has installed a “panic room” to protect the occupants from intruders.

On their first night in the house, three men break in, forcing Meg and Sarah to hide in the panic room. Unfortunately, the thing men want is hidden inside.

Cleverly scripted, full of tension and well acted, this is a classic action thriller, the kind you see mostly on Netflix and Prime Video now. It holds up really well.

8. The Game

The game

(Image credit: Polygram)

Fincher followed his hugely acclaimed and hugely lucrative second effort, Se7en, with The Game, a 1997 thriller starring Michael Douglas and Sean Penn in key roles.

Douglas plays Nicolas van Orton, a wealthy investment banker, who, seeming bored with everyday life, receives a mysterious gift from his brother, a voucher for a game donated by a company called Consumer Recreation Services, promising that he change his life

It turns out the game merges with van Orton’s real life in an all-too-real way and he gets drawn into a plot.

Twisty, twisty, thrilling and full of scares, it’s very much in the classic 1990s thriller genre, but fun nonetheless.

7. Man

man

(Image credit: Netflix)

Fincher and Netflix have come together to produce Mank, a love letter to old Hollywood, based on a screenplay by her late father Jack.

Shot entirely in black and white, the film stars Gary Oldman as screenwriter Herman J. Mankiewicz. We meet Mankiewicz in 1940, where the flush movie studio RKO hired rising star Orson Welles under a deal that gives him full creative control of its movies.

For his first film, Welles decided to call on Mankiewicz, a sort of exhausted alcoholic at this stage of his life, to write the screenplay. This film? Citizen Kane.

Directed by Oldman but with a supporting cast that also includes Amanda Seyfried, Lily Collins, Arliss Howard, Tom Pelphrey, Sam Troughton, Ferdinand Kingsley, Tuppence Middleton, Tom Burke and Charles Dance, the film is probably Fincher’s weirdest, but also one of his most compelling. No wonder he was nominated for 10 Oscars.

6. The girl with the dragon tattoo

The girl with the dragon tattoo

(Photo credit: Sony Pictures)

Fincher’s 2011 adaptation of Stieg Larsson’s bestselling novel didn’t do enough at the box office to earn the green light for a planned trilogy, but that doesn’t take away from the fact that it’s a damn good thriller.

For the film, Fincher reunited Daniel Craig and Rooney Mara, with Craig playing journalist Mikael Blomkvist and Mara as Lisbeth Salander, the damaged, eccentric but brilliant computer hacker with an eye for spotting crime.

The Girl With The Dragon Tattoo tells the story of Blomkvist’s investigation to find out what happened to a girl from a wealthy family who disappeared 40 years before, a job given to him after his failed career as a journalist.

Shot with style, unflinchingly violent, and beautifully scored (as so many Fincher movies have been) by Trent Reznor and Atticus Ross, it may not have started a trilogy, but it’s still worth watching. to be revisited.

5. Zodiac

Best Netflix UK Zodiac Movies

(Image credit: Paramount Pictures)

Fincher’s 2007 drama is one of the most underrated films of the past 20 years and still holds up incredibly well if you sit down to watch it now.

The film, which stars Mark Ruffalo, Jake Gyllenhaal and Robert Downey Jr, follows the still unsolved case of the infamous Zodiac Killer, a serial killer who terrorized the San Francisco Bay Area in the late 1960s and in the early 1970s.

With the murder still unsolved. it’s not about the case, it’s about the reporters and police detectives scrambling to try and crack the case.

Sleek, captivating and incredibly well put together, it’s a meaty watch at 157 minutes, but well worth the effort.

4. Fight Club

fight club

(Image credit: 20th Century Studios)

Fincher’s 1999 adaptation of Chuck Palahniuk’s surreal novel is an exceptional work, transforming a novel that might have seemed unfilmable into a powerful and cohesive drama.

Starring Brad Pitt, Edward Norton and Helena Bonham Carter, Fight Club follows Norton’s unnamed narrator, dissatisfied with his boring daily life and forming an underground fight club.

Fincher gets Palahniuk’s love of misery and taste for random hit here and the film remains a cult classic.

3. Se7en

An image from the film Seven

(Image credit: Netflix)

Fincher’s sequel to Alien 3 shocked everyone with its power, thrill, and unwavering nature, and it’s still a powerful thriller when you sit down to take it now.

The setting is classic, Morgan Freeman’s William Somerset is a disillusioned police detective on the verge of retirement. For his latest case, he’s partnered with Brad Pitt’s short-tempered but idealistic Detective David Mills, who is new to the department.

The two men are assigned to investigate a series of murders and quickly realize that they are inspired by the Seven Deadly Sins. They must now find the man responsible before he manages to kill again.

Horrifying, beautifully plotted, and with an ending you’ll miss, Se7en is one of the great thrillers of the last 30 years. It’s almost as good as…

2. Missing Girl

missing girl

(Image credit: TSG Entertainment)

Another perfect adaptation of a best-selling book, Fincher brought Gillian Flynn’s bestseller to the big screen in 2014.

The film stars Ben Affleck and Rosamund Pike as Nick and Amy Dunne, a couple about to embark on their fifth wedding anniversary, when Amy suddenly disappears and Nick is framed for her murder.

As the plot unfolds, it turns out that Amy was quietly plotting something, with Nick struggling to come to terms with his wife’s disappearance while desperately trying to prove his innocence to a frenzied media.

Pike is in his life form here as Amy, but Fincher handles the material brilliantly and delivers an incredible thriller.

1. The social network

The social network

(Image credit: 20th Century Fox)

In the lead up to the release of The Social Network, a film that saw Fincher team up with writer Aaron Sorkin to adapt Ben Mezrich’s 2009 book The Accidental Billionaires about the founding of Facebook, the discussion focused on how the only thing more boring than Facebook itself was the prospect of a movie about it. How wrong they were.

The film traces the founding of Facebook while Mark Zuckerberg was still a student at Harvard, following the lawsuits that resulted from its launches, first by the Winkelvoss twins, who claim Zuckerberg stole their idea, and by Eduardo Saverin, the co -founder who was later ousted from the company.

Superbly cast, particularly with Jesse Eisenberg as Zuckerberg, Andrew Garfield as Saverin, and Justin Timberlake as Napster founder Sean Parker, who would play a key role in directing Zuckerberg’s early decisions, the film sizzles and crackles from the first minute.

A searing, hard-hitting, and emotionally charged drama, this is, for us anyway, Fincher’s finest work in what, as you can see, is a winners’ list.

Want another ranking? We applied the rule to all Martin Scorsese films, 25 films ranked from worst to best.

The most entertaining British reality TV shows

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There is overwhelming and resounding evidence that alcohol is a depressant, but for the few hours of dissociating and repeating the same story a dozen times in the name of “fun”, billions of people will gladly continue to trade their tomorrow’s healthy checkup, and avoiding the painful process of retracing last night’s steps for a moonlit night. We know full well it’s bad for us, but what little self-discipline we possess just isn’t enough to counter our temptation to push back a few shots of tequila. Like alcohol, we also live knowing that binge-watching reality TV has very little benefit. It’s fast food television, it tickles our taste buds before invariably leading to self-loathing and the toxicity of comparison, which, as Roosevelt wisely put it, is the thief of joy.


Yet, like alcohol, reality TV is a so-called guilty pleasure. It’s junk television designed for the very needs of entertainment and, in some cases, shock factor. Essentially, no reality TV show is “good art,” and trying to separate the terrible from the not-so-terrible is like picking from the best of a bad bunch. The best reality shows are the ones we love to hate, so here are some of the most entertaining UK reality shows…

VIDEO OF THE DAY

seven embarrassing bodies

The focus of embarrassing bodies concerns people too embarrassed to consult a doctor about (largely) superficial ailments; instead, they choose to expose themselves to doctors on national television in front of the world. From skin tags and warts to STDs, rashes and rectal exams, patients face all the problems. While it’s important to treat these things with sensitivity, the show is a reminder that you could always be worse off, and by that I mean having a micro penis…

6 The only way is Essex

The only way is Essex (Where TOWIEas it is commonly abbreviated), is essentially Made in Chelsea for the new rich. The show looks at the love lives, businesses and spray tanning of young people in their twenties in Essex County, just north east of London. It’s a program that features a shocking taste in just about everything; think, hot pink hummers, botched plastic surgery, and Oompa-Loompa fake tans.

Related: Taskmaster: How Americans Are Missing This Gamified British “Jackass”

If Adam and Eve were replaced by Barbie and Ken, TOWIE is probably what the world would look like. The show’s impact on society even led to a new word being added to the dictionary “Vajazzle”… if you’re going to Google, it’s probably best if you know how to delete your search history first .

5 geordie coast

MTV geordie coast is a version of the equally trashy American reality show jerseyshore. The English version is just grayer, more extravagant and a bit more eventful; it is also the only English reality show that requires subtitles for other English speakers to understand. Located in Newcastle, in the North East of England, geordie coast documents the lives of eight post-teen Geordies in a roommate as they party, fall in love and fight. From “Wye Aye”, “Radgy” and “Gadgee” to “Proper Mint” and “Neckin on”, the Geordie dialect is a language unto itself, and it is perhaps somewhat more understandable that translation is often required.

4 Made in Chelsea

Essentially, Made in Chelsea is “Following the Royals” because there really have been more or less tenuous ties with cast members and the British Royal Family over its 11-year run. The show, which is set in the affluent South West London neighborhood of Kensington and Chelsea, features a group of twenty-somethings driving around in their convertible sports cars, taking weekend trips to the country mansions of “Maman et Papa”, sunbathing on the beaches of Saint-Tropez and partying in chalets in the French Alps.

It’s a social experiment gone wrong…the social elite kids go wild on their own TV show. The love, drama and an unfathomable amount of bitch has unfolded before our eyes over the past decade, it feels like Gossip Girl was semi-real and the Upper East-Siders moved into Victorian mansions in London’s Royal Borough sporting awkwardly chic English accents. Watching this show is like having a very depressing but fascinating look at capitalism.

3 The apprentice

Another show in a format sold worldwide. Led by Lord Alan Sugar and his two sidekicks Claude and Karen, it offers an aspiring entrepreneur an investment of £250,000 and the chance to become his business partner. all in front, The apprentice offers the opportunity for talented business people to acquire a life-changing sum of money to start a potentially successful career in business.

Related: The True Story Of A Reality Show That Destroyed Someone’s Life

However, it is increasingly true that the candidates involved have little business acumen and are rather incompetent in their chosen field. Harsh as it is, it is particularly entertaining to watch often arrogant, self-conscious individuals squirm and capitulate at the hands of some of Britain’s best business minds. The show is a reminder that our inner schadenfreude is alive and well.

2 The dragon’s lair

Originally from Japan, The dragon’s lairWhere shark tank as it is known in the United States, is a business reality show where entrepreneurs and inventors pitch their businesses, products and ideas to a group of wealthy investors (Dragons) in hopes of securing investment for part of their businesses. Great Britain The dragon’s lair has discovered some real entrepreneurial geniuses over the years, including the Rasta Levi Roots, the creator of Reggae Reggae Sauce. Although there are many success stories, the Dragons have fished out infamous grills for those who dare enter their lair unprepared and without the proper information.

1 the island of love

the island of love achieved worldwide success, thanks in part to the sale of its format in 13 countries, including America and Australia. Primarily, the show features handsome bachelors in a luxury vacation villa where they make it their mission to find love; once “paired”, partners are frequently tested through unique new additions.

After eight weeks, the pairings are tapered off, with winners claiming £50,000 and a ton of fast fashion, charcoal teeth whitening endorsements. First aired in 2015, the series has just concluded its eighth season. Although it’s mostly full of halfwits, there’s a real public pull to the show, and the chills, spills, and love triangles have the agony aunt in all of us firmly drawn to it.

Films produced and co-produced by TVP at the Prix Europa and Golden Prague

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Polish public broadcaster TVP’s feature film “Marusarz: Tatra Eagle” (“Marusarz – Tatrzański orzeł”) and two documentaries co-produced by TVP “Lebanon: Explosion of Wrath” (“Lebanon. Wybuch gniewu”) and “Chopin: I Am Not Afraid of Darkness” (“Chopin. Nie boję się ciemności”) were among the nominees of the two prestigious international television production festivals Prix Europa and Golden Prague.

The feature film produced by TVP entitled “Marusarz: Tatra Eagle”, directed by Marek Bukowski, won a nomination for the European competition for television, radio and Internet productions Prix Europa 2022 in the “TV Fiction” category. The film tells the life story of legendary Polish ski jumper Stanisław Marusarz, whose phenomenal career was cut short by World War II.

The Polish ‘king of skis’, multiple pre-war Polish ski jumping champion and runner-up in Lahti in 1938, was a courier for the underground state during the war. He rose to fame as the hero of one of the most famous German prison escapes from the Nazi Gestapo in Krakow. The film, which premiered in 2021, stars, among others: Mateusz Janicki (in the title role), Marta Wisniewska (in the role of Marusarz’s sister Helena, later a talented skier, a participant in the Resistance Movement, assassinated by the Nazis in 1941), Mateusz Bożek, Janka Cholewa and Robert Czebotar.

Lebanon: outburst of anger

Another Polish work awarded in the Prix Europa 2022 competition is the documentary “Lebanon: Explosion of Anger”, directed by Krzysztof Dzięciołowski, nominated in the category “Television documentary film”.

The film depicts the situation in Lebanon, which is on the brink of economic and political collapse. The starting point of the story is a major disaster – a chemical explosion in Beirut in the summer of 2020, which destroyed half the city and killed and injured hundreds of people. The explosion is the culmination of the chronic political chaos, corruption and crisis that has gripped the country. The film was co-produced by TVP and Vision House Productions.

Chopin: I am not afraid of darkness

The documentary film “Chopin: I’m Not Afraid of Darkness”, directed by Joanna Kaczmarek, was nominated in the “Documentary Program” category at the 59th Golden Prague International Television Festival. The documentary weaves together the stories of three exceptional pianists, the Polish Leszek Możdżer, the Korean Won Jae-Yeon and the Syrian, half-Polish immigrant Fares, who, besides their passion for Chopin’s music, are united by the historical experiences difficulties of the countries from which they come. of.

The protagonists prepare for special concerts in places historically marked by the greatest suffering of humanity: in the former German Nazi concentration camp of Auschwitz Birkenau, near the border with dictatorial North Korea and in the center of Beirut, right after the port explosion there. These are places that need healing. The music that will resonate there is not only intended to cross the borders between cultures, but also to heal wounds.

The film was produced by InbornMedia and Play Button Media in co-production with TVP, the National Cultural Center and the Adam Mickiewicz Institute.

Golden Prague is an internationally renowned festival, organized by Czech public television and entirely dedicated to television productions with artistic themes.

The festival enjoys a worldwide reputation as the annual meeting place for the television industry, where experts and the public have the opportunity to discover the best dance, theater and music documentaries, recordings of concerts and stage productions, as well as meeting directors, producers, actors, singers and dancers in person. This year will mark the 59th edition of the festival.

The Prix Europa is an important competition for European television, radio and internet productions. It has been around since 1987. This year’s Prix Europa competition will take place October 23-29 in Potsdam.

The source:

Movies You May Not Know Were Filmed in New Mexico

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NEW MEXICO (KRQE) — Sure, we’re all familiar with Breaking Bad and its spin-off series Better Call Saul, but Albuquerque, along with the entire state of New Mexico, has been home to countless movie projects. Some of them might not immediately come to mind. Not only has New Mexico been the backdrop for parts of the puppet movie and born killers but also Clint Eastwood In any direction but in bulk and Seth Rogen’s black comedy observe and report.

Cyndy McCrossen is the film liaison for the City of Albuquerque Film Department and was actually the location scout for observe and report. She says the film’s location, an empty Winrock mall, was helpful for the filmmakers to shoot, as opposed to a busy mall when it comes to production. “As you can imagine, for the exits, all the signage must be changed [in an active mall]said McCrossen. “So it was really wonderful for a movie like observe and report which took place in a shopping mall. We had to have full control over every storefront.

The drama television series In full view ran for five seasons on the USA Network and starred Mary McCormack as a U.S. Marshal who worked in the Witness Protection Program and each episode was filmed in Albuquerque. McCrossen says that Albuquerque was not only the show’s main setting, but parts of Albuquerque would be used as stand-ins for a number of other cities or countries the Witness would flee from.

McCrossen can attest to the city’s chameleon qualities. “As a scouting director, I was asked to find places in Albuquerque and New Mexico that could be the steps of Mongolia, the mountains of Afghanistan, and even weirder – the streets of Milwaukee, Boston, Philadelphia, Hawaii,” McCrossen said.

Below is a sampling of films made, in whole or in part, in New Mexico that you might not immediately associate with the Land of Enchantment.

Superman (1978)

(Courtesy of The Associated Press)
  • Starring Christopher Reeve, Margot Kidder, Gene Hackman
  • Directed by Richard Donner
  • Shot partially in Gallup, NM

Journey to the Center of the Earth (1959)

(Original Caption) Pat Boone in the film Journey to the Center of the Earth as Alec McEwen. Courtesy of Getty Images)
  • Starring James Mason, Pat Boone, Arlene Dahl
  • Directed by Henry Levin
  • Shot in Carlsbad Caverns, Carlsbad, NM

The Muppet Movie (1979)

(HOLLYWOOD, CA – NOVEMBER 12: Kermit the Frog arrives at the Los Angeles Premiere of ‘The Muppets’ at the El Capitan Theater on November 12, 2011 in Hollywood, California. (Photo by Gregg DeGuire/FilmMagic)
  • Starring Jim Henson, Frank Oz, Jerry Nelson
  • Directed by James Frawley
  • Shot partially in Albuquerque, NM

Red Dawn (1984)

  • With Patrick Swayze, C. Thomas Howell, Lea Thompson
  • Directed by John Milius
  • Filmed in Johnson Mesa, Las Vegas and Abiquiu, NM

Twins (1988)

(FILE – In this April 15, 2004 file photo, actor Danny DeVito, left, waves as he walks through the Capitol with longtime friend, movie co-star and current governor of California, Arnold Schwarzenegger, in Sacramento, Calif. Schwarzenegger, who came to power in California’s historic 2003 election, will soon release his autobiography, “Total Recall: My Unbelievably True Life Story.”(AP Photo/ Rich Pedroncelli, file)
  • With Arnold Schwarzenegger, Danny DeVito, Kelly Preston
  • Directed by Ivan Reitman
  • Partially shot at the Rio Grande Gorge Bridge, Taos, NM

Indiana Jones and the Last Crusade (1989)

(Actors Sean Connery, left, and Harrison Ford pose before the ’34th AFI Life Achievement Award: A Tribute to Sean Connery’ at the Kodak Theater in Los Angeles, Thursday, June 8, 2006. Ford presented the Life Achievement Award to Connery The two actors starred together in the 1989 film ‘Indiana Jones and the Last Crusade’. (AP Photo/Chris Pizzello)
  • Starring Harrison Ford, Sean Connery, Alison Doody
  • Directed by Steven Spielberg
  • Filmed in part on the Cumbres & Toltec Scenic Railroad in Chama, NM

Natural Born Killers (1994)

(Woody Harrelson, L-R, Juliette Lewis and Oliver Stone attend the Beyond Fest 25th Anniversary Screening of ‘Natural Born Killers’ on Tuesday, Oct. 8, 2019 in Los Angeles. (Photo by Richard Shotwell/Invision/AP)
  • Starring Woody Harrelson, Juliette Lewis, Tom Sizemore
  • Directed by Olivier Stone
  • Filmed in Gallup, Rio Grande Gorge Bridge, Albuquerque, Farmington, Taos, Las Vegas, Shiprock and San Jose, NM

Observe and Report (2009)

(From left, director Jody Hill and actors Michael Pena, Anna Faris, Seth Rogen and Ray Liotta pose together at the premiere of “Observe and Report” in Los Angeles on Monday, April 6, 2009. (AP Photo/Matt Sayles)
  • Starring Seth Rogen, Anna Faris, Ray Liotta
  • Directed by Jody Hill
  • Filmed at Bosque Farms, Albuquerque, New Mexico

Terminator 2: Judgment Day (1991)

(LOS ANGELES – JUL 3: The movie ‘Terminator 2: Judgment Day’, (alt: T2) directed by James Cameron. Seen here from left are Arnold Schwarzenegger (as T-800 Terminator) and Edward Furlong (as John Connor) during a bonding moment. Theatrical release July 3, 1991. Screen capture. Paramount Pictures. (Photo by CBS via Getty Images)
  • Starring Arnold Schwarzenegger, Linda Hamilton, Edward Furlong
  • Directed by James Cameron
  • Shot partially in Santa Fe, NM

TV series shows the precious power of Tolkien | New

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Some of JRR Tolkien’s characters have lived for over 6,000 years. The author’s legacy may last even longer.

“The Lord of the Rings: The Rings of Power,” which began streaming Thursday on Amazon Prime, is the highly anticipated final journey to Middle-earth. Its $500 million budget for the first season makes it the most expensive TV series in history – and a bit of a gamble.

But those who sign the checks have done their homework. Two of Tolkien’s novels – “The Lord of the Rings” and “The Hobbit” – are among the top 10 best-selling novels of all time. Peter Jackson’s original film trilogy, which concluded with the Oscar-winning ‘The Return of the King’, grossed nearly $3 billion.

Viewers are the obvious next prize.

“We’ve really immersed ourselves in this literature and this world over the last three or four years, and I think we all, for one, have a feeling that it’s special, it’s different,” said the showrunner of the series, Patrick McKay. “We felt extremely humbled to be stewards of a small part of it. There’s a big responsibility to that, a responsibility we all take very seriously.”

Amazon is so convinced of the global appeal that it is showing the series simultaneously in over 240 countries.

“Tolkien is the originator of much modern fantasy. His stories are both timeless and relatable,” said Gaurav Gandhi, country manager for Amazon Prime Video India. “They continue to inspire people to this day and fuel their imaginations. That’s why people come back to them again and again. And with this series, we’re creating an epic world that our viewers would never have seen before. .”

Unlike previous screen projects, which include Jackson’s trilogy based on “The Hobbit”, this series is not a direct adaptation of a novel. It’s baked from crumbs left behind by Tolkien, alluding to events centuries earlier that laid the groundwork for the rise of the evil Sauron.

Much of the first two episodes available now – future episodes will drop weekly – deal with how characters from diverse backgrounds slowly come to realize that their peaceful lives are under threat.

But the show’s most immediate concern isn’t a Dark Lord. It’s an HBO series.

‘House of the Dragon’, the first of several planned spin-offs from the smash hit ‘Game of Thrones’, debuted last week to 10 million viewers, making it the biggest series premiere in history. of the premium channel. Some wonder if there’s enough appetite for two fantastic franchises to deliver new adventures at the same time.

“I don’t feel any rivalry,” said Robert Aramayo, who portrays elven warrior Elrond in “Power” and played young Ned Stark in the sixth season of the “GOT” series. “I love this world, I love this world. I love fantasy, and so now we can all watch more fantasy, which can never be a bad thing.”

Tolkien, who lived from 1892 to 1973, took fantasy fiction in a new direction by focusing on what can happen when various characters come together for the greater good.

Morfydd Clark, who plays Galadriel, the mightiest of all Elves, thinks the show’s chances of success are strong, especially after visiting San Diego Comic-Con last month.

“It was a really amazing moment for all of us, because it really made us realize how huge and lasting Tolkien’s effect is,” she said. “Just being in a group of people who all got a break from the world through fantasy was really wonderful.”

Jim Harbaugh has 1 bold idea for college football regarding TV deals

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Jim Harbaugh, Michigan Wolverines Football

The name, image and likeness decision has opened up a world of opportunity for college athletes. However, Michigan head football coach Jim Harbaugh thinks it’s time to take things a step further.

The Big Ten will become a super conference in 2024 when USC and UCLA join. It is plausible that a few other universities will also be added to the conference. The Big Ten television contract is therefore going to be very profitable.

Harbaugh thinks it’s time for student-athletes to get a share of the television revenue in which the respective conferences compete.

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“I think players should get a share of the revenue from huge TV deals. Don’t you agree? A big chunk should come from whoever is negotiating those TV deals. It’s 7 points something a billion. C is a lot of

It’s a bold idea, and one that will likely gain momentum in the years to come. After all, players are the product and should be compensated accordingly.

However, as college football becomes more of a professional model, there will need to be more discussion about how the sport should look.

Harbaugh and the Wolverines, meanwhile, take on Hawaii this Saturday.

Meet the Blind Director Who Makes Movies in Nigeria

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SCENES shines the spotlight on young people around the world who are breaking down barriers and creating change. The character-driven shorts will inspire and amaze as these young changemakers tell their remarkable stories.

Dennis Jonathan Dalyop has made a habit of pushing boundaries and achieving the impossible. From an early age, he suffered from keratoconus, an eye condition that causes blurred vision and blindness. Although he can only see blurry lights and colors, Dennis pursues a career as a director.

“It all started when I was two years old. The doctors couldn’t detect what was wrong with me. We tried so many hospitals, but they told us there was nothing they could do about it. There was nothing wrong with me. There are no drugs or glasses that can correct that,” Dennis recalls.

According to the National Library of Medicine in Washington, USA, more than four million adults under the age of 40 suffer from moderate to severe visual impairment or blindness in Nigeria. Dennis grew up in the poorest northern region of the country, where blindness is more common.

“It’s been hard growing up with this problem. Some people in society look at you as someone they should feel sorry for. There are times when I trip over something and people yell at me,” Dennis says. “There are times when people intentionally do things to see how I’m going to react. I’ve faced a lot of challenges in life, but I haven’t let that limit me,” he adds. .

“I feel like I can lead them to victory”

Her interest in cinema grew out of a love for theater and performance. Dennis initially had limited directing experience, but he had a burning desire to direct. “I’ve realized there’s something in me that wants a job done right. I want to lead these people, and I feel like I can lead them to victory,” Dennis told Scenes.

Filmmaking is a visual craft that generally requires a director to be able to see clearly. To see, Dennis uses his senses of hearing, smell and touch.

“My hearing is my most powerful weapon. When you move, I hear your footsteps, and I count how many steps you have taken. If you are a hundred meters from me, I smell your scent when the wind blows, and I I can tell how far you are from me. I mark points with tape, and when you cross it, I feel it,” Dennis told Scenes.

‘A leap of faith’

Dennis works closely with his team throughout the production process. He gives them detailed descriptions when casting actors and they help him select the appropriate actor. Austin Manu is an actor whom Dennis has managed in the past.

“My first reaction was, is this a joke? How can a visually impaired person direct? he had,” Austin explains.

“It’s hard enough for you to allow a blind pilot to take you where you’re going. But I took a leap of faith and allowed the pilot to fly the plane, and I didn’t. disappointed,” he added.

Dennis makes films known for their drama and suspense. Her peers praised her unique visual style and creative storylines.

“Dennis is someone I can trust”

“Dennis is a phenomenal filmmaker. He has moved past his level of disability and uses it to his advantage. I have often been disappointed in filmmaking. Directors have disappointed me. I saw Dennis as someone I could have confidence. The concept of a director like this is second to none,” says Austin.

“I’m not a motivational speaker, but I do believe you have to accept who you are to make life work for you. When you see me on the streets and in your house, you’ll swear this guy is fine. Why? Because that I choose to live rather than exist,” says Dennis.

In the future, Dennis plans to start his own production company. He hopes living a positive life will inspire other blind people along the way.

Netflix’s Surprising Rom-Com Is The Most-Watched Movie On Stream

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Picture via Netflix

The weekend saw a new contender emerge on the Netflix charts rising to the top of the charts above Kevin Hart’s borefest me time and this addition surprisingly is called Love at the Villa.

According to FlixPatrol’s daily ranking, September 4 Love at the Villa was the most-watched film on the platform, making Netflix’s fourth original production in the top 5 and ultimately dethroning me time from its first place.

Love at the Villa is a new romantic comedy from the streamer that features The Umbrella Academy star Tom Hooper alongside Kat Graham. The film was written and directed by Mark Steven Johnson.

In this romantic comedy, Graham’s character’s trip to Italy is turned upside down when her villa is double-booked, forcing her to spend her time alongside a stranger.

Although it may be on top of Netflix right now, Love at the Villa is being absolutely trashed by critics and audiences alike on Rotten Tomatoes, leading to a sour-tasting Tomatometer score of 55% and a darker Audience rating of 37%.

Love at the Villa arrives on Thursday, September 1, so it remains to be seen how its performance held up over the week compared to the other massive movies on the streaming service. Even if the film can’t reach number one for the week, it still earns a feather in its cap by snagging the weekend’s top spot.

If you’re looking to try your hand at this rom-com adventure, it’s available to stream on Netflix right now.

Rings of Power could cost $1 billion. What makes television so expensive?

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Markella Kavenagh’s experience on the set of rings of power was unlike anything she says she has worked on before. For an adaptation based on the fantastic myth of JRR Tolkien The Lord of the Rings, the Aussie actor – who plays the hobbit Elanor (Nori) Brandyfoot on the show – expected a lot of studio work, CGI and green screens.

Instead, what would be the most expensive TV series ever made did what it set out to do – went all out.

“They kind of built the foundation literally for us,” Kavenagh told CBC News of the massive on-site construction done for the Amazon Prime Video show, which premiered on Friday.

“They built all of these sets for us. They made it as real as possible, and we were able to just walk in and react to it, really.”

WATCH | Markella Kavenagh hints at Rings of Power’s big-budget scope:

Markella Kavenagh hints at Rings of Power’s big-budget scope

Amazon Studio’s Rings of Power could soon cost more than US$1 billion. Star Markella Kavenah says that cost has translated into larger-than-life ensembles.

Massive budgets changing the landscape

This level of production is hardly surprising; it’s just another big-budget series among a sea of ​​others, slowly but surely changing the television and film landscape.

Amazon CEO Jeff Bezos, an avowed Tolkien fan, had his company acquire the rights to the Lord of the Rings‘ annexes for an amount of 250 million US dollars. Appendices are extra information that Tolkien included at the end of his books, and because of that, Amazon doesn’t even have the ability to include information from the books main story or his prequels like The Hobbit.

And with the first season of a five-season run costing around US$465 million (subsequent seasons, while still very expensive, may require slightly reduced budgets as producers will be able to use existing construction and costumes), rings of power may cost the studio over a billion US dollars.

While that would put it in league with the most expensive series on the market, it’s far from the only one. According to Variety, game of thrones cost HBO around $100 million per season over its eight seasons between 2011 and 2019. The first two seasons of Netflix’s royal drama The crown cost around $130 million, which the BBC says is comparable to the real cost of the royal family for the British government.

Likewise, Netflix stranger things The fourth season cost $40 million per episode over its nine episodes. HBO Max Dragon Housewhich debuted only a week before rings of powerwas a relatively cheap $200 million according to Variety — a similar figure, although slightly lower, than Series toured in Alberta The last of us.

There is also Disney+ Wanda Vision, AppleTV See and another upcoming Amazon production, Citadel. This project, of Captain America and avengers directors of the Russo Brothers, has a budget that would reach more than $200 million for just seven episodes – the second most expensive show ever made, according to The Hollywood Reporter.

Actress Sophia Nomvete appears in this promotional photo for Amazon’s new Lord of the Rings adaptation, Rings of Power. The massive show is expected to be the most expensive series ever made. (Ben Rothstein/Prime Video)

New era for television

While the television industry has always been big business, single-season budgets that dwarf Hollywood blockbusters (for comparison, the budgets of both Top Gun: Maverick and The Batman were just under $200 million) was not the norm.

And screenwriter and University of Georgia film and television professor Neil Landau explained that it’s not just the money invested in these shows that has changed, but the way production companies — and above all, streamers – see them.

From 2010, points of sale such as the New York Times, Vulture, the wall street journal and vanity lounge noted the increasing quality of television broadcasts as breaking Bad, Thread and Mad Men on film.

But where it used to be primarily one-of-a-kind cable TV shows among mostly closed series, that’s no longer the case. Extensive serialized, cinematic shows are becoming the norm for production companies and show writers, who are beginning to view television as an entirely new genre.

“They call themselves filmmakers,” Landau said. “They shoot a feature film every week. You know, they don’t follow the formula or a model. It’s extremely cinematic television for writers.”

Finn Wolfhard as Mike Wheeler, left, Caleb McLaughlin as Lucas Sinclair, center, and Gaten Matarazzo as Dustin Henderson, right, in Season 4 of Stranger Things. The fourth season of the Netflix series cost $40 million per episode across its nine episodes. (Netflix)

That, Landau said, came from the shift from network and cable TV to streamers — who don’t need commercial breaks or strict time blocks that have often led to necessarily stereotypical storylines. They also don’t have the same risk of viewers leaving after the first few minutes of an episode, allowing them to write more cinematic stories as streaming services know audiences are likely to stick around. their ecosystem, whether or not they like a particular show.

But as streaming has become the dominant means of media consumption by the public, the field has become crowded. Since Netflix was the only option for most people looking to stream content, studios would license their content to be hosted there.

“That’s no longer true,” Landau said, noting that studios like Disney, Apple and HBO have all chosen to create their own platforms instead of turning to Netflix. “[Audiences are] on all platforms. So now it’s like, who’s going to make the most noise to get the eye’s attention when there’s over 500 choices?”

WATCH | The “Epic” Rings of Power series takes Lord of the Rings fans thousands of years in the past:

‘Epic’ Rings of Power series takes Lord of the Rings fans thousands of years in the past

Amazon spent US$1 billion on the first season of Lord of the Rings: The Rings of Power, a series CBC’s Eli Glasner calls “epic and elemental.” An incredible start.

How to “cut the clutter of streaming wars”

Matthew Belloni, former editor of The Hollywood Reporter and founding partner of media outlet Puck, says this drives studios and streamers to spend big on flagship series. The name of the game is to have something remarkable enough to bring the audience into the ecosystem.

And for Amazon in particular, Belloni said, making money on rings of power or any other series is mostly an afterthought. Bezos (who joked in 2016 that when Amazon wins a Golden Globe, “it helps us sell more shoes”) has a business that’s much more than a streaming service. It – and the vast majority of other streaming services, which are mostly offshoots of more diverse businesses – doesn’t need to make a profit on its shows.

This is what allowed Amazon to spend as much as it did on rings of powerand prompted an advertising campaign that Belloni likened to “a traditional film-style press rollout on steroids”.

As long as rings of power captures attention – either through cinematic storytelling or sheer curiosity at its high price tag – it will have done its job. And, according to Belloni, it seems to be working.

“The success of this show will validate the strategy to go big,” Belloni said. “And… if anything, everyone is learning from HBO Max’s experience with game of thrones and Dragon House, that is the way to go. That these big, big projects that get media coverage like this are the way to reduce the clutter of the streaming wars.”

Canadian independent film risks being overwhelmed

But Toronto film and television producer Marina Cordoni says success comes at a price for films, especially Canadian films.

During pandemic shutdowns, and even after, theaters have struggled to survive and turn a profit. This has made it infinitely more difficult for films to make a profit. And while blockbusters can weather the storm and successfully attract an audience, Cordoni said it’s nearly impossible for independent films to find their audience.

At the same time, the tendency for people to stay home to watch shows has led to the proliferation of mostly American, cinematic-style long series – largely to the detriment of local films.

“All I hear from the networks being the traditional networks and/or the streamers is that they are moving away from the cinema and focusing on the series,” she said. “Streamers now have a monopoly on audiences because people don’t need to leave their homes.”

If this continues, she says, it could have serious consequences for cinema.

“Otherwise,” she said, “I believe we will lose it and we will lose our place in the world, in a sense, on the world stage.”

WATCH | Amazon’s Billion Dollar Bet to Retain Subscribers:

Amazon Places Billion-Dollar Bet With New Lord of the Rings Show

E-commerce giant Amazon’s new Lord of the Rings show is a billion-dollar gamble aimed at retaining subscribers in an increasingly competitive streaming service environment.

TV Tonight: John Wilson’s Incredibly Clever Comedy Finally Hits UK Screens | Television & radio

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How with John Wilson

9:35 p.m., BBC 2

The first season of the documentarian’s smart life tutorials, told through deadpan narration over secretly filmed footage of New Yorkers, finally hits UK screens. In the premiere of tonight’s Double Bill, Wilson shares his observations on how to gossip and ends up forming an unlikely, yet touching, friendship with a college student who consumes Monster energy drinks during spring break. Hollie Richardson

Ridley

8 p.m., TVI

DI Carol Farman (Bronagh Waugh) calls the not-quite-retired Alex Ridley (Adrian Dunbar) when the body of a young woman is found in the dreary Pennine moors. It’s a moody murder drama to while away a few hours of enjoyment – and yes, Dunbar sings us along with another jazz warbler. HOUR

Capturing

9 p.m., BBC One

Is Rachel (Holliday Grainger) planning to expose the “correction” after all? And is she looking to recruit Isaac (Paapa Essiedu) as a willing accomplice? Don’t be so sure about anything just yet. The watch series’ second season continues to make a car chase of ridiculous (literally) U-turns, and it’s damn fun. HOUR

Celebrity SAS: Who Dares Wins

9 p.m., Channel 4

A new platoon of 14 celebrities arrives in Jordan to be yelled at by angry alpha males wearing tight T-shirts. The lineup is dominated by reality stars and influencers such as Pete Wicks and Amber Gill, and surely better-equipped athletes including Dwain Chambers and Jonathan Broom-Edwards. The first favorite: Fatima Whitbread, 61 years old. Jack Seale

RuPaul’s Drag Race Down

9 p.m., BBC 3

Australasian cruising at its finest. Tonight the queens are selling, selling, selling – and it’s not just their souls to hell for a place in the final. Achieving the ultimate publicity, contestants-turned-tour guides introduce their hometown – the royal road. Danielle DeWolfe

thinking about murder

9 p.m. Sky Crime

This true crime series is a deep dive into the harrowing case of the so-called Beatrice Six – a group who in 1989 were convicted of the 1985 rape and murder of Helen Wilson. In 2009 they were exonerated by DNA evidence, although five of them confessed. Director Nanfu Wang does a delicate job of unraveling a complex case. Phil Harrison

Choice of movies

The Incredibles, 3:50 p.m., BBC One

The Incredibles. Photography: DisneyPixar/Allstar

Pixar’s loving ode to superhero comics and James Bond movies gives its heroic couple arguably the toughest mission of their lives: childcare. After the “supers” are forced into retirement, Mr Incredible and Elastigirl – AKA Bob and Helen Parr – settle into a monotonous office life, fighting over three kids and trying not to use their powers to fight against The crime. It can’t last, of course, and Brad Bird’s animated adventure is having a lot of fun with their hesitant return to action, amidst secret lairs and island hideouts that Bond creator Ken Adam would have been proud. Simon Wardel

Live Sports

Premier League Football: Brighton v Leicester, 2pm, Sky Sports Main Event At Amex Stadium. Man United v Arsenal follow-up at 4 p.m.

Media Agencies Frustrated With ‘Unprecedented’ Restrictions – Deadline

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EXCLUSIVE: Major media agencies Getty, AP and Reuters held impromptu talks with the Venice Film Festival yesterday about ‘unprecedented’ new restrictions on them on red carpets and at press conferences.

We understand agencies have been frustrated with new broadcast regulations that limit the footage they can use from the red carpet to 90 seconds and their ability to film at press conferences.

The restrictions are in place for all accredited TV outlets, not just agencies, so every accredited broadcaster on the red carpet had to sign a waiver to gain access.

Agencies, which perform a vital function at festivals, have been told by organizers that the restrictions are due to ‘new laws’, but the companies say they were not told beforehand of the stipulations that affected them. clearly disadvantaged and may doubt their future attendance at the Lido. The festival declined to comment when we reached out.

The changes were revealed shortly after the festival signed a new deal with Italian broadcaster Rai (including increased access to the red carpet and press conference). Rai attended the meeting with the agencies yesterday morning, along with the general director of the Venice Film Festival, Andrea Del Mercato, and a lawyer.

We caught wind of the frustrations earlier this week. When we contacted one of the agencies, a reporter on the other side of the talks told us, “We are shocked. We have been coming here for over 10 years and this is the first time this has happened. This hasn’t happened at any other major festival. It’s a form of censorship. How are we supposed to tell the story of a press conference in 90 seconds from pool footage? We are aware that there have been discussions over the summer with the European Broadcasting Union about potential changes, but we have not received any communication about the changes on the ground.

An agency told us that the festival had recommended that they buy more Rai footage, which they had never had to do in the past.

The changes have led agencies to question their place at the festival, where their footage has been used by hundreds of international broadcasters for years.

“It negates our purpose for being here,” one of the agencies told us. “All our partners are confused. We are contacted by clients who are frustrated with the lack of images they receive from us. We are in consultation with our lawyers on our next steps.

There could also be a more direct ripple effect for films and talent, the agency told us. “A senior communications executive told us that while their talent and films get limited exposure on Venice red carpets and press conferences, they would have to hold separate, independent press conferences elsewhere in the future. the Lido.”

We also contacted the European Broadcasting Union, which mediates negotiations between agencies, broadcasters and festivals.

Movie Review: LOVE HIGHSMITH

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In contemporary popular culture, we have internalized a certain vision of the United States of the 1940s and 1950s. At the end of World War II, life seemingly descended into the uncomplicated simplicity we see in sitcoms of the era. Easy, clean, white fences throughout. We all know that’s not the truth.

At the same time, however, honest depictions of foreign and minority cultures at this time remain hard to come by. These stories have not been told. That doesn’t mean they weren’t there, though. In the new documentary Loving Highsmithfilmmaker Eva Vitija turns the lens to writer Patricia Highsmith and the experience of a certain group of queer women in the mid-twentieth century.

The documentary traces the life and career of detective novelist Patricia Highsmith through the lens of archival footage and the many women who knew and loved her. The incomparable Gwendoline Christie voices Highsmith as she really existed, but few remember her. The writer kept many diaries throughout his life. Eva Vitija is directing the film from her own script.

Patricia Highsmith, admittedly, was a figure for whom I gained a belated appreciation for the work. This despite the fact that the work of the prolific author is almost impossible to miss. For those who might need a bit of a refresher, Highsmith is best known to contemporary readers as the author of “A Price of Salt”, the novel that would eventually become known as Carol. Todd Haynes turned the novel into a 2015 feature film of the same name starring Cate Blanchett.

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Others may be familiar with his novel “The Talented Mr. Ripley,” which became an announced 1996 movie starring Matt Damon and Jude Law. Finally, classic movie buffs will certainly recognize his work on “Strangers on a Train.” His 1950 novel will be adapted for the screen by “The Master of Suspense” himself. Alfred Hitchock released the film of the same name in 1951.

I only learned of Highsmith’s name from podcasts in the last ten years, although I’ve watched some of those movies for decades. In reality, Strangers on a train is my favorite Hitchcock movie. Often, novels aren’t considered as…sexy…as feature films. Many remember these works. Talk to many millennials and I’m sure they have a memory of The Talented Mr. Ripley, be it Jude Law, Matt Damon or the stunning scenery. It’s a seminal film for those of us who grew up in the 1990s. Sadly, however, the writers are rarely remembered.

In Loving Highsmith, Vitija gives voice to the author and the delicate intricacies of his personal life. The film embraces Highsmith not only as a creative woman at a time when very specific – and conservative – gender roles were the norm, but also as a woman who identifies as a member of the gay community.

Patricia Highsmith puffs on a cigarette in a still for Loving Highsmith

The film gives a beautiful voice, through Highsmith’s own words, to the struggles many experienced during this time when the expectation was to conform to the accepted societal norm. Highsmith writes poignantly about her struggles with her sexuality. We hear about the pressure she was under from her mother to get married.

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Highsmith’s description of her attempts to form romantic relationships with men is heartbreaking. Her writing acknowledges the awareness of who she is, but also a lucid and painful sense of how much easier life would be if she could just find an attractive man. At one point in the film, through Christie’s narration, Highsmith describes kissing a teenage boyfriend as “falling into a bucket of oysters”.

The most complete interviews come from Marijane Meaker. An author herself, Meaker shared a home with Highsmith during their relationship. The women even left Manhattan for a quiet country life where they could just be together. In interviews, we hear about all facets of their romance. Meaker talks about the early joys of the relationship, from Highsmith’s struggles with alcohol, their personal dramas to the simple struggles of existing as a lesbian couple in 1960.

As mentioned, much of Vitija’s research in Loving Highsmith revolves around the women in the author’s life. These are the writers, performers and scholars who have shared intimate and personal ties with Highsmith. In these presented memories, we finally hear their voices. These are their stories. The voices of generations of LGBTQ people were silenced during the second half of the 20th century.

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Vitija, however, lets us hear these stories in all their passion, relativity and humanity. At one point in the film, Meaker vividly points out how often Highsmith tried to be “normal.” While society is often quicker to recognize alternative lifestyles in 2022, in 1960 these people often had to fight to simply exist as themselves.

Patricia Highsmith relaxes in a still for Loving Highsmith

At the same time, Vitija makes brilliant use of interviews with Highsmith’s surviving family. Originally from Texas, the author still has family in the region. Although the interviews are not confrontational, the presence of this footage shows the dichotomy that hangs over Highsmith’s very existence. The family is never overtly cold or judgmental, but for lack of a better word, they’re “Texas money.” There is an unconscious divide between Highsmith and his family who seem to see the author almost as the quirky cousin. Looking at these quaint rural scenes, there’s a deliberate sense of the struggle Highsmith must have felt to fit in, and in that, a frustration she didn’t feel.

At the end of the day, Loving Highsmith brings a unique touch to the author’s story. As mentioned, the narrative is deeply invested in Highsmith’s personal story. It’s a story that isn’t often told, even today in 2022. However, as a prolific writer deeply rooted in mid-century popular culture, this specific focus largely goes unmentioned about her creative existence ( apart from Carol.)

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As a member of the 1950s New York social scene, there is a definite lack of cultural attention around Highsmith. The nostalgia virus in me yearned for anything about that brilliant and fascinating era of entertainment and, sadly, the documentary left me wanting more.

At a time, Loving Highsmith is a largely positive portrayal of the author’s life. The filmmaker begins the documentary with her own narration and openly admits to falling in love with Highsmith through her diaries.

As mentioned, there is a discussion of his personal struggles with depression and alcohol. However, it is difficult to call this a “warts and all” analysis. A quick scan of the author’s Wikipedia page shows a discussion of complex political views and even troubling personal opinions.

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The political side of Highsmith is largely absent from Loving Highsmith. Vitija makes a brief reference to these views (especially the author’s notorious anti-Semitism) at the very end of the documentary. However, it is a passing moment and within the scope of the constructed narrative, it is largely explained by the advanced age and failing health of the author. Does a discussion of these issues fit into this constructed narrative, no. However, while this documentary aims to provide a complex examination of Highsmith the author, it is an oversight to truly get to know and understand her as a woman and a creator. Patricia Highsmith hugs a cat.

When diving in Loving Highsmith, Eva Vitija’s documentary brings a clear objective. In a society that has canceled and hesitated to tell queer stories, this film carefully and lovingly paints a portrait of Patricia Highsmith as a woman trying to live her own life in the middle of the 20th century.

The documentary has specific goals in mind and it certainly accomplishes what it sets out to do. Is this documentary a comprehensive review of Patricia Highsmith, the wife and writer? No. That leaves a lot unsaid and unexamined in its complex history. However, the story he chooses to examine is poignant and well-developed in its treatment of her experience as a queer-identifying woman in the mid-twentieth century.

Loving Highsmith played the film festival circuit throughout the summer. Keep an eye out for independent cinemas across the country from September 9.

Check out our other movie reviews, here!

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Here’s how the Hartford Public Library and its partners plan to help the city’s most vulnerable populations

Payday loans, pawnshops, check cashing services and other services that come with high costs, interest rates and fees often lead to the paradox that it is expensive to be poor.

Those living in poverty or near the poverty line are often unbanked or underbanked, which can leave them vulnerable to other scams that perpetuate the spiral of poverty.

A new program – which brings together the Hartford Public Library, Liberty Bank, the Connecticut Association for Human Services and the Cities for Financial Empowerment Fund – targets one of the most financially vulnerable populations by expanding banking opportunities for the community of immigrants and refugees from the city.

U.S. Senator Richard Blumenthal, Hartford Mayor Luke Bronin, Library President Bridget E. Quinn, and Liberty Bank Vice President of Community Development Glenn Davis were on hand at the Hartford Public Library on Friday to announce that the library has received a $487,000 federal grant to help promote and teach financial literacy to the immigrant community with the Building Social Capital: An Inclusive Approach to Immigrant Financial Immigration program.

The program will help members of the immigrant and refugee community navigate the world of financial institutions, which can be daunting for anyone.

“Immigrants may also have other specific challenges, such as fluency in English, trust issues with financial institutions or government, wondering who is trustworthy in these interactions, they may have already been subject to, perhaps, predatory lending or fees associated with other kinds of financial tools,” Quinn said. “We’re starting something new, which we hope will help communities across the country to serve this population and will strengthen our economy through the work and access this population will now have to these financial service tools.”

Blumenthal, who helped secure the grant with U.S. Senator Chris Murphy, said the grant is an investment in the community, not a cost. He also noted the important work the library does in the community.

“America has always been the land of opportunity, of equal access to uphill,” Blumenthal said. “That’s why people have come to America over the centuries. Libraries are a symbolic and practical sign of America, land of opportunity. … Libraries have been community centers, a source of learning and self-promotion.

He noted that his father immigrated to the United States in the 1930s when he was 17. Back then, Blumenthal said, the banking system was much easier to navigate.

“People today need a lot more education not only to seize opportunities… but also to avoid scams: payday loans, pawnshops, all kinds of promotions and internet promotions,” Blumenthal said. “Ultimately complicated, misleading and misleading stuff. Financial literacy has become a form of opportunity, but also a protection against some of the scams that exist. …Financial know-how is essential in today’s world to seize opportunities and avoid the pitfalls of scammers and scammers. In very difficult economic times, to ensure that consumer purchasing power keeps pace with potential price increases.

Participants in the program agree to deposit in a savings account with Liberty Bank $50 per month for five months, according to a press release. The account will be administered by the library. When the participant reaches the goal of $250, the money is transferred to an individual account in his name and he receives a match of $250, the statement said. Participants can then close the account. However, if they maintain a balance of $250 for another five months, they will receive an additional $250 from library donor funds, the statement said.

During the five months, participants meet for three hours, every two weeks, for financial education and other networking opportunities.

The program will be available to those who have been in the country for less than 10 years.

Bronin said the corresponding aspect of the program is “a powerful thing”.

“It helps solve the fact that so many residents of our community and our country in our country are unbanked,” Bronin said. “About a quarter of Americans are unbanked. You can imagine that percentage is much higher in a community where there is a concentration of poverty and in a community where there is a large immigrant community. this opportunity to connect our residents to banks, financial institutions, savings accounts and provide the educational component that goes with it is really very powerful.

American Place at the Hartford Public Library has proposed and will administer the program, which is expected to launch in the spring, Quinn said.

“This is a really essential program,” Quinn said. “We are super excited for this program.”

YMCA of Greater Hartford Receives $500,000 Grant

The YMCA of Greater Hartford also received a $500,000 grant for improvements and upgrades to its location on Albany Avenue, officials said Thursday.

Lt. Gov. Susan Bysiewicz, House Speaker Matt Ritter and State Rep. Ed Vargas touted the grant, which came from the State Bonding Commission.

“The programs and services provided by local YMCAs across our state are vital to the positive development of our young generation,” Bysiewicz said in a news release. “Children can interact with friends and have fun, learn social-emotional skills and coping mechanisms through practice and play, while being exposed to different and exciting opportunities.”

Ritter and Vargas also stressed the importance of the YMCA.

“We all recognize that the Y is a hub of enrichment programs for families and youth – the programs are essential to our community,” Ritter said.

“Summer enrichment programs are invaluable in the overall development of young people by giving them opportunities and options to learn, develop and improve the problem-solving and social interaction skills that are essential for success,” added Vargas. “I applaud the good work of the YMCA which for generations has been a cornerstone of our community and has had such a positive impact on many lives.

Canadian Museum of History: You can relive the shows of your childhood

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From Mr. Dressup to Paw Patrol, the Canadian Museum of History is launching a new exhibit featuring television shows from our childhood.

It’s like stepping back in time to the golden age of television.

Puppeteer Nina Keogh made television history working on children’s shows like The Friendly Giant and Polka Dot Door.

“I was the very first host of the Polka Dot Door in 1971,” Keogh explains. “And yes. I had to wear the Polkaroo costume.

Keogh also worked on Mr. Dressup.

“We were working under the counter when Mr. Dressup was standing at the counter,” Keogh explains. “And the puppeteers were downstairs and we were on little rolling stools with backrests. And we also had monitors under there so we could see what the camera sees.

For anyone who remembers the Today’s Special, Keogh was on that as well.

“Muffy the mouse and Sam Crenshaw the night watchman.” Says Keogh.

Another popular program in the 80s was Marie-Soleil, played by Suzanne Pinel.

“Furgus was created with my aunt’s fur coat. She gave me a fur coat,” says Pinel. “I think it was such a privilege to be able to do the Marie-Soleil TV series, with all the great people at CJOH. It brings back all the memories of the fun we had doing it.

The exhibit also includes rare puppets from a number of children’s shows.

Marigold, Humpty, Dumpty and Bear from Polka Dot Door. (Dave Charbonneau/CTV News Ottawa)

“You will also see the programs that you will like the most,” says Olivier Côté, curator of the exhibition. “Like Friendly Giant, Mr. Dressup, Polka Dot Door, Littlest Hobo, Romper Room. They’re all in the exhibit.

“It gives people a reason to come now,” says Jantine Van Kregten of Ottawa Tourism. “It’s great for generations of people, it’s not just for kids. It is also for the elderly and middle-aged people.

About 100 Canadian made kids TV shows are featured here to rekindle your childhood memories

“For the adults walking around there, it brings back so many memories, it’s just amazing,” says Pinel. “It really is history, that’s what the museum can recreate so well.”

The Television of Our Childhoods exhibition opens on Friday and will remain open next year.

This 50-inch 4K TV now at an unbeatable price

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As they say, this 50-inch LG Nanocell currently has an unbeatable price. If you take advantage of this Worten offer, you can take home this wonderful Smart TV from LG with almost 200 euros less.

Minimalist design and excellent image quality

The first thing to highlight about this LG Nanocell is that it has a minimalist design that suits it very well. This version is, as we said just before, 50 inches, so it is designed for medium-sized rooms. The front of this Smart TV stands out for having some extra thin edges it will give the feeling that all we have in front of us is a screen. The structure is completely black and it has a large U-shaped leg, although if we do not want to use it we always have the possibility of hanging it with a VESA support.

If we talk about connectivity, it should be noted that this LG Smart TV has three HDMI 2.0 ports, as well as two USB 2.0 ports that we can use to connect storage devices to display our own content. Moreover, it also has an Ethernet port and an optical audio output. Sure, It also has WiFi and Bluetooth 5.0with which we can connect devices without the need to have a cable between the two.

When it comes to image quality, the truth is that we can’t say anything bad about this LG Nanocell. It has 4K resolution forks compatible with HDR10 Pro and HLG formats, which will ensure superior image quality. The TV has a 60Hz refresh rate and comes with Google Stadia and GeForce Now built in, something to keep in mind if you’re going to use it to play games.

Compatible with Google Assistant and Alexa

The TV comes standard with the latest version of LG’s own operating system, known as WebOS. This system arrives very well optimized for this TV, and it will be a great pleasure to be able to move around with our order. In addition, it is compatible with all the most popular streaming applications such as Netflix, Prime Video, HBO Max or even Disney+. Also is compatible with the Google Assistant and Alexa.

Finally, if we talk about its sound section, what we are going to find with this LG Nanocell is that it has two speakers of 10W each, giving a total of 20W of sound power. This power is suitable for any normal use that we want to give to the screen, although we always have the possibility of buying a device to improve it, such as a soundbar.

As we told you at the beginning of this offer, this LG Nanocell benefits from a discount of almost 200 euros. From its usual price, which is 749.99 euros at Worten, this LG costs 569.99 eurosquite a discount.

The items listed contain an affiliate link that earns ADSLZone a small commission for each purchase. The products that appear here have been chosen by the editors to be discounted, and their appearance here has nothing to do with any agreement with the brands.

Summer Movie Recap – Pretty Good, All Things Considered

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Even before the pandemic, studios had reduced the number of summer movies appearing in theaters.

In the 90s and early 2000s in particular, there seemed to be a major blockbuster for every weekend from early May to mid-August, PLUS at least one or two smaller, counter-programming type movies.

However, as blockbusters got bigger and more expensive, the big studios stopped betting so much on original ideas and mid-budget content aimed at older audiences.

More non-franchise movies are landing on streaming services these days, with Netflix leading the way this year with several pricey but forgettable blockbusters (“The Gray Man” with Ryan Gosling and Chris Evans, “Spider Head” with Chris Hemsworth, etc). These mediocre titles smashed the overall batting average for this year’s summer movie slate, but you didn’t have to venture out of the house to watch them. At Least Netflix Can Count Adam Sandler’s Basketball Drama “Hustle” and animated adventure “The Beast from the Sea” as quality entries in their extensive library.

The biggest hit of the summer, Top Gun: Maverick makes tons of money for three main reasons: 1) A connection to a beloved movie. 2) Lack of competition for non-teen eyeballs in theaters all summer. And 3) It delivered exactly what audiences expected from a theatrical experience – a fun and exciting adventure worthy of the big screen.

While “Top Gun: Maverick” was by far the best of the nostalgia-tinged entries of summer 2022, I personally didn’t mind the other two greats either. While the script of Jurassic World: Dominion deserved the lashes it received from domestic critics, the dinosaur action (what people are going to see in a “Jurassic” movie) delivered about as well as the previous two “World” entries .

The Other Nostalgic Piece, Disney/Pixar’s “Light year” disappointed at the box office, despite its association with the mega-popular “Toy Story” franchise. Confusing marketing and over-the-top political divisions aside, “Lightyear” still came from one of the most historically cohesive studios on the planet, and Pixar’s gorgeous animation and nuanced approach to story and character development were evident in the project. What didn’t work was his twisted, threaded connection to “Toy Story.” Rename the main character and you have a great movie.

Either way, I’d much rather watch “Lightyear” than the summer’s biggest hit with kids, “Minions: The Rise of Gru” a short and enjoyable time killer that leaves your brain 30 seconds after it ends. In fact, if I have to award the prize for the best animated film of the summer, I will take “The Bob’s Burgers Movie.”

The general superhero-loving population seemed somewhat disappointed with Marvel’s two installments this summer. For me, I preferred the breeze of “Thor: Love and Thunder” on the mess of “Doctor Strange in the Multiverse of Madness”, which I would rank among the most disappointing entries in the Marvel Cinematic Universe (at least director Sam Raimi threw in some of his flourishes). “Love & Thunder” performed better, although it constantly reminded me how much I loved the previous episode (“Thor: Ragnarok”) more.

For those with an independent spirit, Summer 2022 still contained plenty of quality, as long as you knew where to look for it (especially streaming). Titles in this category that worked for me included “Emergency” (Amazon Prime), “Really Smooth Cha Cha” (AppleTV), “I love my father” (VOD) and the uneven but grotesquely intoxicating films of David Cronenberg “Future Crimes” (now on Peacock).

Special thanks also goes to Hulu for consistently supporting some of the most original content in streaming gaming, from the funny and heartfelt “The Island of Fire” at Emma Thompson’s window “Good luck to you, Leo Grande.” And while I wouldn’t necessarily recommend the suicide comedy “On the Count of Three” for most casual viewers, I was captivated by the delicate tonal balance of this film.

Another Praise From Hulu: Had The Gripping ‘Predator’ Prequel “Prey” played in theaters, I think audiences would rank it up there with “Top Gun: Maverick” as one of the most essential blockbusters of the year.

Which brings me to my favorite movie of the summer: Jordan Peele’s sci-fi show, “Nope.” Perhaps because of these high pre-release expectations, “No” only became a modest box office success and seemed to divide the general public (if you think Twitter conversations count as the opinions of the General public).

For me anyway, Jordan Peele delivered another expertly crafted mix of thrills and surprising social commentary. His enigmatic and open-ended approach to the “alien invasion” genre helped me through some of the movie’s (Gordy!) more opaque plot threads. Maybe it didn’t go perfectly well on first viewing, but I like that it provided a bit of a challenge to go along with the undeniable spectacle of a summer blockbuster.

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Tyler Wilson has been a member of the International Press Academy and has written about movies and pop culture for Inland Northwest publications since 2000, including a regular column in The Press since 2006. He can be reached at [email protected]

Sports betting and entertainment “Beat The Odds”

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LAS VEGAS, Aug. 30, 2022 (GLOBE NEWSWIRE) — Gray Television, Inc. (“Gray”) (NYSE: GTN) announced today that BEAT THE ODDS, a weekly 30-minute sports betting and entertainment television series, will debut on over 100 gray TV channels from September 2, 2022.

BEAT THE ODDS will feature news, data and analysis, mixed with legendary sports and betting stories, all designed to educate and entertain bettors and sports fans at all levels. The show combines expert opinions from nationally renowned analysts with sports stories and betting stories focused on iconic wins, memorable upsets, bad beats and stories of odds makers and takers. risks.

FOX5 KVVU-TV in Las Vegas will partner with Emmy-winning production company Tupelo Media to produce the weekly program. Gray owns both FOX5 KVVU and Tupelo Media Group (formerly known as Tupelo Honey).

“BEAT THE ODDS brings two of the most popular aspects of sports to audiences: betting analysis and compelling storytelling,” said FOX5 Vice President and General Manager Michael Korr.

Veteran FOX5 News anchor Dave Hall will host BEAT THE ODDS. He will be joined in the studio by expert handicappers Jack Ross (aka “Fat Jack”) and Ted Sevransky (aka “Teddy Covers”), as well as Super Bowl champion Brandon Marshall and traveling journalist Mariah Janos.

Jack Ross has been a leading sports analyst for 20 years. His national weekly radio show “The Fat Jack Sports Hour” can be found on stations across the United States. He is also a regular contributor on SIRIUS XM. Ted Sevransky, known as “Teddy Covers”, is a professional sports bettor and radio and television analyst, who is regularly featured on WagerTalk.com. Brandon Marshall won his Super Bowl 50 ring as a linebacker playing for the Denver Broncos when they defeated the New England Patriots.

“BEAT THE ODDS is a different kind of sports betting show,” said Cary Glotzer, CEO of Tupelo Media Group. “It will give sports bettors top-notch analysis and information, and it will be very entertaining, with articles on the history of the sport and how sport influences culture. That’s why we’ve developed the broadcast – to create a format that truly engages sports and betting fans.

The show’s executive producers are Korr, Glotzer, and Tupelo Media Group technical director John Servizzi.

For more information visit www.beattheoddstv.com/

About Tupelo Media Group:

Tupelo Media Group (formerly known as Tupelo Honey, “Tupelo”) produces and aggregates more than 800 live sports and entertainment shows annually. It produces coverage of sporting events involving the PFL (Professional Fighters League), NFL, MLS, TBT (The Basketball Tournament), ACL (American Cornhole League), College Football and College Basketball. The programs it produces air on NBC Sports, ESPN, CBS Sports, Turner Sports, NFL Network, ACC Network, SEC Network, and more. Additionally, Tupelo creates, develops and produces original programming for national syndication, including live music concerts for Twitter, YouTube, Facebook and other digital platforms. Tupelo is 100% owned by Gray Television.

About Gray:

Gray Television, Inc. is a multimedia company headquartered in Atlanta, Georgia. Gray is the largest owner of local TV channels and premier digital assets in the United States. Its television stations serve 113 television markets that collectively reach approximately 36% of US television households. This portfolio includes 80 markets with the highest rated TV channel and 100 markets with the first and/or second highest rated TV channel. It also owns video program companies Raycom Sports, Tupelo Media Group and PowerNation Studios, as well as studio production facilities Assembly Atlanta and Third Rail Studios. For more information, visit www.gray.tv.

VScontacts:

FOX5 KVVU-TV
Michael Korr, 702.436.8202
[email protected]

Tupelo Media Group
Cary I. Glotzer
[email protected]

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Chris Rock, Javier Bardem revealed in Sally Potter’s Look At Me – Deadline

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EXCLUSIVE: Deadline can reveal the first trailer for the Sally Potter short Look at metackling the issue of male anger and co-starring Chris Rock and Javier Bardem, ahead of its out-of-competition premiere in Venice.

Rock and Bardem play a gala organizer and a drummer. Tension rises between the two men ahead of a gala performance by the latter, who violently vents his pent-up stress.

Filmed three years ago, the work took on new resonance after Rock received an infamous slap in the face from Will Smith at the 2022 Oscars ceremony in March. Rock confirmed on Monday that he turned down an offer from AMPAS to host the 2023 ceremony.

The 16-minute work, also featuring American tap dancer Savion Glover, was originally conceived as a short story to be incorporated into Potter’s 2020 feature film. Roads not taken, featuring Bardem as a writer in the early stages of dementia.

Produced by Christopher Sheppard at Adventure Pictures, it was filmed over five days in New York and London in 2019.

“When I walked into the editing room, I saw how dynamic these titans of the entertainment world are together, their volatile and fiery relationship on screen offset by the beats of brilliant tap dancer Savion Glover,” explains Potter.

“The fate of the story was clear: it had nothing to do with the other project. It had to become a short film, a moving portrait of conflict and love. The result is Look at me.”

The short film’s screening in Venice coincides with the 30th anniversary of the premiere of Potter’s second Oscar-nominated feature Orlando in competition at the festival in 1992.

UK’s Bankside Films has embarked on international sales of the short ahead of its Venice debut.

“The combination of Sally Potter, Chris Rock and Javier Bardem is truly arresting in this riveting short film that audiences are going to be thrilled to experience,” said Bankside co-founder and director Stephen Kelliher.

Elsewhere, Bleecker Street will release the film in the United States shortly after its Venice premiere, with screenings at New York’s Metrograph alongside Potter’s second feature in 1992. Orlando as well as a qualifying run at the Laemmle Theater in Los Angeles.

The film will also be available on the Bleecker Street app in early 2023, joining a collection of shorts from cinema partners including Joe Penna (Arctic), Riley Stearns (The art of self defense), Gavin Hood (eye in the sky), and Alex Huston-Fischer (Save yourself!).

“I’m grateful to Bleecker Street for taking the shorts seriously and I’m delighted that they bring Look at me to audiences in cinemas and online at a time when its themes seem so urgent,” Potter said.

Everything you need to know about the movie based on Harry Styles fan fiction

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2022 is a big year for Harry Styles in movies – his psychological thriller don’t worry darling debuts in September, while its romantic drama my policeman hits theaters in October. Now a new project is in the works, and while it won’t directly involve Harry, it’s based on The idea of ​​youa Robinne Lee novel said to have been inspired by the pop star.

According Deadline, the film adaptation of the book centers on Sophie, 40, whose husband left her for a younger woman and canceled the trip to Coachella he was supposed to take with their 15-year-old daughter. But Sophie decides to take him to the music festival in the California desert and there she meets 24-year-old Hayes Campbell, the lead singer of a fictional boy band called August Moon.

While we’ll probably have to wait a bit for the movie to release, we’re already digging into all the details. Here, we explain everything you need to know about the film adaptation of The idea of ​​youfrom release date to news and trailers and more.

who plays in The idea of ​​you?

We officially have our first lady. On August 25, it was confirmed by multiple outlets that Anne Hathaway will play the role of Sophie. The the devil wears Prada and princess diaries The star is also the film’s producer, alongside author Robinne Lee, Cathy Schulman and actress Gabrielle Union.

Michael Showalter, the writer behind hot and humid american summer and director of The big sickwill lead the project.

HAS The idea of ​​you started filming?

Not yet, but Deadline reports that production begins in October.

Is there a release date set for The idea of ​​you?

No, a premiere date has not yet been scheduled for the film. As production begins in October, it is likely that The idea of ​​you will fall towards the end of 2023. However, we do know that it will debut on Prime Video – subscriptions for the streaming service start at $8.99/month.

Will Harry Styles be there The idea of ​​you?

It is unclear whether or not Harry will make an appearance in the film. However, that doesn’t seem too possible. In December 2020, author Robinne Lee said vogue this The idea of ​​you “was never meant to be a Harry Styles book.”

“It was meant to be the story of a woman approaching 40 and reclaiming her sexuality and rediscovering herself, just when society traditionally views women as desirable, viable and whole,” she continued.

Harry has recently delved deeper into the world of acting, so it wouldn’t be too surprising to see him back on screen in this film. For now, we’ll just have to keep an eye out for casting announcements.

Feeling a little impatient and looking for some insight into the film’s story? Be sure to take a copy of The idea of ​​you novel on Amazon or your local bookstore.

St. Martin’s Griffin The Idea of ​​You: A Novel

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40% of Americans are unable to come up with $400 in an emergency

A disastrous indictment of America in 2022.

If you fall into that 40%, look no further than honest loans for a pre-approved next day loan. honest loans have partnered with hundreds of lenders who understand that emergencies come in all shapes and sizes. With honest loansyou can withdraw as little as $100, up to $50,000.

“Is taking out a loan right for me? »

In today’s America, where fuel prices are up 60% and household essentials like eggs are up 33%, it’s no surprise that millions of Americans rely on payday loans provide a financial fallback solution in difficult times.

While lending may have stigmatized you in past generations due to poor financial decisions, it may now be a necessity for the everyday American. In fact, a research panel, Pureprofile, found that 51.3% of Americans claim to have subscribed to a Personal loan in their life.

A quick look at the Commerce Department’s annual report shows that prices overall are 8.5% higher than July 2021 and, as a result, consumer spending is currently 1.5% lower. on an annual basis. Sound familiar? If you’re spending the same amount as a year ago, but have less to get out of it, it might be time to consider an affordable solution. payday loan to see you through the storm.

Plus, POTUS Joe Biden may have slept on the job again as the second quarter (April-June) ended the second straight quarter in economic decline – the hallmark of a nation heading into recession.

This is where we think honest loans can make all the difference. The harsh reality is that while prices continue to rise, we still need to shop to survive – and that’s exactly what honest loans is for.

So what does this mean for the everyday American?

Simply put, people can no longer afford to buy things, certainly not at the same rate as before, and what they buy can threaten financial insecurity.

If day-to-day shopping might jeopardize your financial stability, you’re not alone. According to the report on the economic well-being of American households, 40% of Americans would be unable to find $400 in an emergency.

take out a payday loan is often a stressful exercise, which is why we believe that the team of honest loans are exactly what you need to make the experience as easy and quick as possible.

Short term loan allow Americans to receive funds at an affordable interest rate, making it easier for them to pay bills or unexpected expenses that have arisen during the month.

A short-term solution may also prove to be a more prudent course than simply transferring funds from savings accounts in an age of global economic security. An Investopedia article recommended that even if the stock market is struggling, Americans should not consider moving their 401(k) there and should instead consider increasing their income contribution percentage.

Unlike other payday providers who require you to fill out a huge form and wait days for a response regarding your eligibility, honest loans just asks you to fill out a simple five-minute form about your situation, and they do the rest.

With your information, honest loans will use their expertise and industry connections to connect you with the best lender for you. Because everyone is different, honest loans has a solution for everyone.

One such example is the Martinez family of Arlington, Texas, who needed a small loan after their car was badly damaged in a minor traffic incident.

Father Jaime Martinez told us, “We had never taken a payday loan, but we didn’t want to borrow money from family or friends. “Our credit rating isn’t great because of a few credit cards, but honest loans figured that out and connected us with a loan provider that catered to low credit applicants and families. »

“A few hours later we got the green light for the loan itself and the money was in our account the next day. We paid the mechanics to fix our car and got back on our feet and took the kids to school the next day. Mr. Martinez’s case is just one of thousands HonestLoans handles every day – and they consider a wide variety of different situations when choosing the best payday option for you.

The amount of the loan, your weekly salary, your industry and even the time of year are taken into account when honest loans go through your application before moving on to the next steps.

Applicants can request anything from $100, up to $50,000, whether it’s a small roadblock that needs to be ironed out before the end of the month or something more. substantial, honest loans has exactly what you need to get you going again.

Get started today by by clicking here to access the secure HonestLoans websitewhere you can fill out their simple, no-obligation form.

© 2022 Newsmax. All rights reserved.

Films like ‘Laal Singh Chaddha’ would have collapsed on their own, boycotted or not

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#BOYCOTT IS SO MUCH yesterday… move on!

I recently visited a popular hill station near Mumbai named Panchgani. It used to be famous for its strawberries. Today, locals proudly say, “Aamir Khan lives here.” The people of Panchgani are not the starry type. It is, after all, a British Zamana hill station, founded by Lord Chesson in the 1860s as a resort for goras sweltering in the heat of the Deccan. Aamir must have been charmed enough to buy a two-acre piece of land with a colonial cottage at Sydney Point, with sweeping views over a green valley. It was here that he married Kiran Rao in 2005 (they divorced in 2021). The cottage is a major landmark in Panchgani these days as tourists stop their buses to click pictures.

I thought of Aamir as I drove to the famous Table Land. What’s it like asking the public to boycott his latest film Laal Singh Chaddha? The movie worked on its own, without any help from the armies of trolls. But it’s about targeting an individual and getting moviegoers to boycott his film because his views aren’t compatible with theirs.

Aamir is not your typical Bollywood star. He is known as “Mr Perfectionist” in the film industry. Over the years he has invested in what he loves most – movies – and has given fans much to admire as a filmmaker/actor who follows his own vision. Some films have broken records and done outstanding business, but his latest clearly failed to capture the imagination of viewers. It’s the nature of cinema. There is no formula! Aamir has always done it his way. It is an artistic and commercial risk that relies on good returns at the box office. Aamir’s personal and political views are his own.

What the cancel culture is trying to do today is ugly and unprecedented. Calling on citizens to boycott movies, intimidate, stone halls, burn posters and effigies, come on! Whether it is Aamir Khan or Hrithik Roshan, this kind of targeting is unfair and a blatant act of hostility. The climate is such that any perceived slippage can be invoked to demand a boycott. Hrithik is in a soup for food delivery ad in which he mentioned “Mahakal”, a restaurant, not the temple of the same name. The reaction was quick and aggressive. The actor expressed his “deepest apologies” and it should end there. But will he? “Mahakal” restaurant in Ujjain does high volume business for Zomato who used Hrithik in the ad. Why was the restaurant not asked to change its name? If Roshan is accused of hurting Hindu feelings, it begs the question: how come the restaurant is thriving?

Every time an actor is pushed to apologize for an inadvertent “mistake”, a nasty message is sent to other celebrities to watch their every public statement, in case an interest group/ lobby would launch a hate campaign and pulverize the individual. Movie stars are the easiest targets in our country. Only the tallest are systematically slaughtered in this tyrannical manner. Shah Rukh Khan’s Pathan is already cursed, before its release.

What is strange about all the recent boycott campaigns is the stark contradiction they imply. Akshay Kumar’s Raksha Bandhan tanked with Laal Singh Chaddha. They would have hesitated whether or not to ask for a boycott. Word of mouth had done the job much more deadly and quickly. Digging up old interviews and remarks without providing context is a tricky tactic we should all be guarding against.

Aamir’s latest had an embarrassing open (Rs11.7 crore on Day 1). His Thugs of Hindostan (2018) opened with Rs52 crore, before sinking. It is the reflection of an idealistic filmmaker who is not in phase with the evolution of the tastes of the public. There is no alibi for failure in the world of cinema, not even boycotts.

A trip to Panchgani for intense soul-searching seems overdue.

@DeShobhaa @shobhaade

10 Most Anticipated Movie And TV Releases Of September 2022

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September is always considered the time when TV shows take center stage and introduce new seasons and there is a lot on the agenda for the upcoming month. Between network TV series and streaming shows, there’s something for everyone in a wide selection of genres, including epics, thrillers and comedies.



RELATED: 10 Great Books With Upcoming Adaptations

Just because TV tends to be the focus of the month doesn’t mean there aren’t big movies expected in September. September is usually when a few awards season movies come out for viewers to see, and a number of them will hit streaming services for viewers to enjoy at home.

ten “The Lord of the Rings: The Rings of Power” is Amazon’s most anticipated project (September 2)

Amazon will release the first two episodes of The Lord of the Rings: The Rings of Power at the very beginning of the month. Set during the Second Age of Middle-earth, thousands of years before The Hobbit and the Lord of the Rings film series, an ensemble cast confronts the return of evil to Middle-earth.

Amazon has a lot going for the series as it is the most expensive TV season ever at the hefty price tag of over $450 million. Amazon has also committed to five seasons for the show at the time of writing. Early reactions have been positive so far, and the first two episodes will also receive a limited theatrical run.

9 “Rick and Morty” returns for more mayhem (September 4)

crazy success rick and morty returns for its sixth season on Adult Swim. While the series was renewed for an unprecedented 70 episodes in 2018, there are still many more rick and morty on my way. The show was the top performing comedy on US cable in 2017, 2019 and 2021.

RELATED: 10 Times Rick And Morty Was Inspired By Back To The Future

Fans won’t have to wait too long, as Adult Swim has announced a special episode to drop before the premiere. The episode is interactive, titled “Wormageddon”, as fans are tasked with embarking on an international scavenger hunt to defeat an alien worm after the Citadel explodes in the Season 5 finale. unique is perfectly on-brand with the series and inspires fans to join in on the fun.

8 “Pinocchio” continues live-action trend for Disney (September 8)

Disney continues its trend of adapting its animated classics into live-action with Pinocchio. Starring Tom Hanks as Geppetto, the classic story follows a wooden puppet who is brought to life and strives to be a real boy. The film will be released exclusively on Disney+ on Disney+ Day.

Disney’s live-action adaptations tend to be successful, and this one has some impressive talent behind it. It’s by Robert Zemeckis, reuniting him with Hanks after their successful collaborations of Forrest Gump, Castaway and The Polar Express.

seven “Cobra Kai” gets an earlier than usual premiere (September 9)

Cobra Kai returns to Netflix for its fifth season. The popular sequel to the series Karate Kid films, it follows Johnny Lawrence and Daniel LaRusso renewing their rivalry more than thirty years after their first fight. The series was renewed for a fifth season even before the premiere of season four.

RELATED: Cobra Kai Season 5: 10 Things Fans Want To See

Cobra Kai is one of Netflix’s top performers and was even nominated for Outstanding Comedy Series for its third season in 2021. Season 5 seems to pick up right after the season 4 finale, where Daniel seeks to defeat Cobra Kai for good. and Johnny travels to Mexico in search of Miguel. Fans are anticipating which original characters from the Karate Kid movies will appear in this season apart from Johnny and Daniel.

6 “The Handmaid’s Tale” seems to be bouncing back (September 14)

Hulu’s hit The Handmaid’s Tale returns and hopes to bounce back from his lowest-rated season to date. The series continues the story of June Osborne, as it deals with the fallout from last season’s murder of Commander Fred Waterford and sends her after Fred’s widow, Serena.

Two episodes will be released on September 14 before airing one a week for the ten-episode season. Viewers have recently commented on how the show’s themes; set in the aftermath of a second Civil War in the United States, eerily mirror real events in the United States right now, such as Roe v. Wade which was struck down by the Supreme Court.

5 “Do Revenge” Continues Maya Hawke’s Netflix Projects (September 16)

A New Netflix Original Revenge will arrive on the streamer this month. Starring Camilla Mendes and Maya Hawke, they play high school students who are bullied for different reasons, and they agree to sue their bullies for revenge. The film is directed and co-written by Jennifer Kaytin Robinson.

RELATED: 10 Great Netflix Movies With Terrifying Endings

The film is described as a dark comedy and “Hitchcock-ian”, and was inspired by Hitchcock’s Strangers on a train. Hawke was a star of stranger things for her performance as Robin Buckley, and this film shows her continuing her working relationship with Netflix. The director confirmed that production moved filming locations to accommodate Hawke. stranger things filming schedule.

4 “Andor” will be the last Star Wars series on Disney+ (September 21)

Andor will be Disney+’s final foray into Star Wars. Diego Luna reprises his role as Cassian Andor from Rogue One: A Star Wars Story in this prequel series. Five years before A thug, Andor embarks on a journey that eventually turns him into a rebel hero against the Empire. The series will have 24 episodes, 12 episodes per season, and the premiere will include the first three.

Andor is a highly anticipated show among Star Wars fans. Cassian was one of the most important and beloved characters by fans of A thug, and it will be interesting to see how he was forged into the hero Jyn Erso allied with to steal the Death Star plans. Given Star Wars’ track record on Disney+, expect a great and exciting story to follow.

3 “Don’t Worry Darling” Is Olivia Wilde’s Long-Awaited Directing Sequel (September 23)

don’t worry darling is an interesting film to watch. Starring Florence Pugh and Harry Styles, they play a couple who live in a near-perfect utopian community in the 1950s and soon all is not as it seems. Directed by Olivia Wilde, her second directing effort after Librarywho also has a supporting role in the film with Chris Pine.

The film received press for reasons other than just being an Oscar contender. Wilde and Styles began a relationship on film, which led to intense media scrutiny. Wilde also confirmed in an interview that Styles replaced Shia LeBeouf in order to protect Pugh, as Wilde felt it was her responsibility as manager.

2 “Blonde” gives an inside look at Marilyn Monroe (September 28)

Netflix will finally make its debut Blond, a biopic about Hollywood legend Marilyn Monroe. Ana de Armas will play Monroe, and the film is described as a fictionalized take on Monroe’s life in Hollywood and her off-screen struggles, including her drug addiction. The film is the first NC-17 rated project to be a Netflix Original.

RELATED: 10 Most Anticipated Upcoming Biopics (As of July 2022)

Armas received accolades for her performance as Monroe and should be in the conversation at the Oscars. The film has spent the past few months overcoming its NC-17 rating controversy, which will only attract more viewers to the film on Netflix.

1 “Hocus Pocus 2” finally comes to fruition after 29 years (September 30)

Finally, 29 years later, Hocus Pocus finally gets a sequel. Hocus Pocus 2 finds the Sanderson sisters in action, and a group of high school students must find a way to stop them from taking over the world. It will be released exclusively on Disney+.

Fans of the original film have been clamoring for a sequel for years and Bette Milder, Kathy Najimy and Sarah Jessica Parker have all expressed interest in returning. The trailer garnered 43.6 million views in its first 24 hours and is expected to do well for Disney+ with the upcoming Halloween season.

NEXT: 10 Comedies That Bombed At The Box Office But Became Cult Classics

TV Q&A: Has the NBC series already reached its “endgame”? | Television

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By Rich Heldenfels Tribune News Service

Q • There was a show called “The Endgame” on NBC last year. The ending left me wanting more. Will he be back? I hope.

A • Sorry to dash your hopes, but NBC has decided not to continue the series with Ryan Michelle Bathe and Morena Baccarin. The ratings were disappointing for the network. While its fans have been calling for a second season, so far I haven’t seen any indication that it will happen.

Q • Is Paddy Considine from “House of the Dragon” a member of the talented Considine family along with Tim from “My Three Sons” and Disney movies, and John from the soap opera “Another World”?

A • No. Considine, part of the ‘Game of Thrones’ prequel ‘House of the Dragon’, was born in England and began his acting career overseas. I couldn’t find any links to the people you mentioned.

People also read…

Tim Considine, who died in March, was born in California and after acting became known as “a sports and automotive photographer, writer and author”, noted The New York Times. He was the younger brother of John Considine, known not only for “Another World”, but also for many other screen roles. And there were other famous family ties. For one thing, journalist Bob Considine was Tim and John’s uncle.

Q • I’m a big fan of “In the Dark” on the CW. The writing and acting are brilliant. Please tell me he’s coming back for more seasons.

A • Again, I have to disappoint. The current fourth season of the series will be the last. Starring Perry Mattfeld as a complicated blind woman, the show is set to have its finale on September 5. Series creator Corinne Kingsbury said TVLine.com that “we hadn’t been supported while we were writing the season ending, and we knew we might not get a season 5, so we wrote and shot two endings – one with a cliffhanger, and one that brings our series to a satisfying conclusion.

Q • I looked on the Internet for what appears to be excerpts from a sequel to “Call Me by Your Name”. Was a sequel really filmed?

A • No. Fan-made trailers for movies they’d like to see are pretty common, and that might be what you’ve seen. There has been talk of making a sequel to the award-winning film starring Timothée Chalamet. But last year, in a conversation with Deadline.com“Call Me” director “Luca Guadagnino” made it dubious. The set got complicated. Chalamet will be busy making blockbusters like the “Dune” sequels and playing young Willy Wonka, and -star Armie Hammer has been pulled from numerous projects due to disturbing off-camera allegations. But the fact is that Guadagnino himself is busy advancing his own films. The director reunited with Chalamet and the “Call Me” Michael Stuhlbarg for “Bones and All,” a movie coming later this year.

Q • When my sister and I were around 6 or 7 years old, we watched a show called “Sky King”. I was wondering if there were any reruns.

A • Kirby Grant was Schuyler “Sky” King, a rancher who, with his aircraft, the Songbird, fought off the bad guys; he had help from his niece Penny (Gloria Winters), nephew Clipper (Ron Hagerthy) and others. First on radio with a different cast, the TV show aired on NBC, ABC and CBS in the 1950s and 1960s. Reruns can be found on streaming services FMC (or Free Movie Classics) and Tubi , as well as on YouTube. There have also been DVD releases, notably via skyking.com. And you might want to check out the Sky King Fan Club at angelfire.com/mi/freeper.

Send your questions to Rich Heldenfels, PO Box 417, Mogadore, OH 44260, or [email protected]

Anupam Kher finally reacts to the debate over South v/s Bollywood movies by saying, “I think their cinema is…”

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Anupam Kher always makes headlines for his acting prowess. With his selection of movies, the seasoned actor has given his admirers several reasons to cherish his performances. In movies like Baby, Special 26, One Wednesday, Vivah, and others, Anupam showed his acting skills. The actor has a large fan base on social networks and is very active there. Currently, Anupam Kher is enjoying the success of his latest film in Telugu, Karthikeya 2. Prior to that, it had another box office hit The Kashmir Files. He recently discussed the continuing dispute between Southern and Bollywood films in an interview.

In an interview with Etimes, the Karma The actor revealed, “You do things for consumers. (The problem starts) the day you start looking down on consumers, that, ‘we’re doing you a favor by making a great movie. Now you’re watching a great movie. .’ Greatness is achieved by a collective effort and that I learned by making Telugu movies… I just made another Telugu movie, I made a Tamil language movie, I’m going to make a Malayalam movie .”

He further added: “I think there I don’t differentiate between the two but I think (their) cinema is relevant because they don’t ape Hollywood. They tell stories, here we sell stars . “

Anupam has a supporting role in the film Karthikeya 2. He recently took to his Instagram to celebrate his success in a post on his Instagram account, writing, “Meri to nikal padi dosto (I’m on a roll) The Kashmir Files ke baad meri Karthikeya 2 film bhi blockbuster hai!! (After The Kashmir Files, my film Karthikeya 2 is also a blockbuster).”

Talk about Karthikeya 2, it is the sequel to the 2014 film Karthikeya and stars Nikhil Siddhartha in an adventure drama. Anupama Parameswaran played Mugdha in the Chandoo Mondeti directed film which also starred Anupam Kher as Dhanvantri, Srinivasa Reddy as Sadananda, Harsha Chemudu as Suleman and Adithya Menon as Santanu.

The story follows Dr. Karthikeya of Nikhil as he searches for Lord Krishna’s misplaced anklet.

Faithful Bollywood actor Anupam Kher expresses his love for his mother
Faithful Bollywood Actor Anupam Kher Expresses His Love For His Mother | Frankly speaking | Exclusive

On the work side, Anupam will be seen playing the role of politician Jayprakash Narayan in Kangana Ranaut’s film Emergency. The film is a biopic of former Prime Minister of India, Indira Gandhi.

Reviews | MoviePass is back and ready to kill movie theaters

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Comment

There are few business ideas in the past decade that have been as radically silly as MoviePass. Which is exactly why none of us should be surprised that the service is making a comeback. But the persistence of this terrible, money-wasting idea says a lot about why the entertainment industry is in trouble: it has devalued its own product.

For those who have never experienced it, MoviePass was a classic example of something that is too good to be true. At first, customers paid $10 per month for a card that they could redeem for one movie ticket per day, with tickets purchased in bulk by MoviePass itself. Considering the average cost of movie tickets is, you guessed it, around $10, this was a bargain. How could MoviePass afford such generosity? Did they have agreements with cinemas? Were they doing business with distributors?

No, they were just losing money. Huge sums of money.

If you used your card to get a ticket that cost MoviePass $16 to buy at the theater, the company lost $6 — and then another $16 every time you bought a ticket after that until the start of the next month, when they would barely lose $6 on the first ticket and so on. As part of a last-ditch effort to make up for the losses by increasing the number of customers incurring those losses, MoviePass further reduced the price of the service. Of course, they lost money on each ticket sold, but they made up for it in volume!

It’s hard to describe this as anything other than a scam, but it’s unclear who got scammed. Cui bono is always the question, and the answer in this case is whatever the Latin for “shrug emoji” is.

One way to think about it was that MoviePass was just mimicking the hottest player in the entertainment industry: Netflix.

Netflix has been, for years, a money-losing beast, racking up subscribers by racking up piles of debt, while giving people an offer that was, honestly, a little too good to be true. For $9.99 a month, they could stream hundreds, if not thousands, of movies and TV shows at any given time in high definition. Netflix’s central idea was, and remains, that people demand a buffet of content and if you get enough of it to stick their snout in the streaming bin, you’ll end up being profitable.

The problem with this theory isn’t that it’s wrong – Netflix has a lot of subscribers and a lot of subscription revenue – so much so that it has drastically devalued the value of any individual artwork, reducing Prestige movies and TV and reality shows to mudd up hashtag-content. Netflix may just be the apotheosis of cable or HBO On Demand or any number of forerunners, but what set it apart was its reach (huge) and cost to customers (low).

Of course, MoviePass and Netflix are based on fundamentally different business models. Netflix pays a flat fee for content it creates and licenses from other studios, rather than paying artists for each stream they generate. MoviePass must pay a unit cost for each ticket its subscribers enjoy.

The MoviePass pattern doesn’t make sense for MoviePass, but it does make sense for theater owners. These companies control their own ticket prices and negotiate with distributors and studios about what airs and where. Subscription services can be a reliable way for them to get butts in seats, and people attached to those butts spend money on concessions. In fact, AMC, Regal, and the Alamo Drafthouse chain have adopted similar plans offering monthly fees for access to everything in theaters. I myself have an Alamo Season Pass: for $19.99 a month, I can see one movie a day if I want. (Whether there are enough theaters worth watching is a separate issue.) If MoviePass failed as a business and is likely to fail again, the company still changed the world of cinema.

Maybe theaters are hoping to serve as some kind of streaming service: charging customers a flat rate that gives you big-screen access to whatever’s playing in theaters during the (unfortunately reduced) theater window, saving you the money and effort of subscribing to a dozen. different services in hopes of catching it all when it hits your screen at home.

But this change can be catastrophic for the world of theaters in the long run. By accepting MoviePass and Netflix’s content model, theater owners are tacitly suggesting to audiences that the theater auditorium is similar to your living room, with the downside that you not only have to drive there, but also pay $20 for popcorn and a soda.

Either what happens in movie theaters is special or it isn’t. Theaters and the entertainment industry at large cannot have it both ways.

9 Best TV Shows That Were Made Into Video Games

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Watching reruns after reruns of a show can be so fulfilling. The comfort of knowing how it ends while enjoying it is like heaven. What if there was another way to immerse yourself in the beautiful memory without having to start a replay? Here’s the secret: video games. There’s so much more to explore in the world, and if you’re a gamer, you’ll know how a game helps you admire it and refresh yourself after a hard day, all at the same time.



RELATED: Hit Netflix Shows Who Should Be Made Into Video Games

But where is the connection, you ask? Over the years, some amazing TV shows have been turned into user-friendly video games that let you improvise your skills and reminisce about old shows simultaneously. And if your favorite show is one of them, don’t hesitate to download the game now!

COLLIDER VIDEO OF THE DAY

The Walking Dead: A Series of Revealing Games

There’s no better way to run episodic games than Telltale Games, and it’s no surprise that the attempt to create the exhilarating The Walking Dead game was a huge success. Technically, the game is more comic-based than show-based, where every action you take has a different consequence and can change the course of history.

RELATED: Shows & Movies To Watch If You Like ‘The Walking Dead’ Cast

The game focuses on character and story development and often feels like playing an interactive rendition of the sensational spectacle. Critically acclaimed, The Walking Dead: A Series of Revealing Games is as accurate a zombie apocalypse simulation as it gets.

The Simpsons: Hit & Run

Since its release, many versions of The simpsons video games have been created, but The Simpsons: Hit & Run is the only one you need to own. The game was released in 2003 for Gamecube, PlayStation 2, Windows and Xbox. What separates this version from the others is its existence as a witty parody of the Grand Theft Auto series, only less brutal and much funnier.

RELATED: Classic Games That Should Be Remastered

In this well-received and skillfully executed game, users control Homer, Bart, Lisa, Marge, and Apu as they investigate strange happenings in Springfield.


Duck Tales: Remastered

A classic action game from Capcom, DuckTales: Remastered lets users take control of Scrooge McDuck as he travels the world and beyond, searching for rarer treasures to add to his collection. The game is relatively simple and boasts of being a platformer style game. The game sold over a million copies worldwide, a considerable number by 1990 standards.

While initially available on PlayStation 3, the iOS version of duck tales garnered better reviews. The game isn’t very competitive, but it’s definitely fun, interactive, and nostalgic.

South Park: The Stick of Truth

In fierce competition with his successor, The fractured but whole, South Park: The Stick of Truth is one of the most faithful video game adaptations of all time. While otherwise on par with its sequel, the game adorns a more exciting and dynamic combat system. This role-playing adventure game was released in 2014 and was rated approvingly for its PC and PlayStation 3 versions.

RELATED: ‘South Park’ Episodes to Rewatch as Series Celebrates 25 Years

The South Park The game is based on an open world model and includes countless jokes and references to the first 17 seasons for fans to remember.

The Adventures of Batman and Robin

What comes to mind when you think of the 90s? Are the Chicago Bulls a contending team? MTV’s fantastic music? Even better: Konami produces awesome action games? That’s when The Adventures of Batman and Robin was released following the coup Batman: The Animated Series.

The game adorns amazing graphics and sounds and features incredibly difficult puzzles for players to solve during gameplay. Directly influenced by the TV series, the game has the same cartoon and comic feel. But, of course, that was long before Christopher Nolan steered the franchise towards a darker version.


Dragon Ball Z: Budokai 3

The dragonball The game series launched its first installment in 2002 and lasted until its final release in 2012. The third installment in the series, Dragon Ball Z: Budokai 3, was released in 2004 and was the most reviewed. The game got better reviews than its predecessors, with improved graphics and sound, and the gameplay is way ahead of previous games.

RELATED: The Most Powerful Dragon Ball Characters To Beat Goku

Players can play story mode, a versus mode, a tournament, and a battle ranking stage where they face off against the AI ​​in a challenge of one hundred fighters.

Beavis & Butt-Head

Beavis and Buttheadthe sneering idlers of MTV’s hit animated comedy series, got their own game on the Sega Genesis and Super Nintendo in 1994. In the game, Beavis and Butthead got tickets to a Gwar concert, but luckily they are now in tatters.

Players can alternate play as Beavis or Butt-Head as they search high and low for ticket pieces. Although the game is relatively simple, the animation, voice acting and music make it stand out and will make you feel like a character in the 2D world.

Star Trek Voyager: Elite Force

The Star Trek Voyager: Elite Force is loved by audiences from afar, but only for its PC version, which was released in 2000. The PlayStation version, however, is much less interactive and much more awkward. Nonetheless, the game brought sighs of relief from fans as they rejoiced and eventually welcomed a good star trek Game.

RELATED: Star Trek: Voyager: Best Time Travel Episodes

The game incorporates an array of characters and visually pleasing settings from the hit TV show. The game also includes a multiplayer mode which makes it more engaging and adds to its longevity.


Teenage Mutant Ninja Turtles: Turtles in Time

Even 30 years after its release, Teenage Mutant Ninja Turtles: Turtles in Time has yet to be beaten when it comes to the ultimate TMNT game. The game is a sequel to Teenage Mutant Ninja Turtlesand while it carries over some features from the original, it ups the ante with the use of colorful graphics and varied level settings.

Konami’s classic captures the essence of ’80s cartooning with the utmost perfection and adorns an eclectic palette of extraordinary situations with incredible historical themes.

NEXT: Best Licensed Video Games, From ‘Evil Dead’ to ‘Spider-Man’

Reelz will present the first special “M*A*S*H: When Television Changed Forever” to celebrate the 50th anniversary of the iconic series!

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Reelz will premiere M*A*S*H: When TV Changed Forever Tuesday, September 13, 2022 at 9 p.m. ET / 6 p.m. PT. The special celebrates the 50th anniversary of the iconic comedy-drama that premiered on September 17, 1972 and ran for 11 seasons that would become a beloved television juggernaut culminating with over 106 million people tuning in for the series finale in 1983 – a record that still stands today.

Through new exclusive interviews with the actors Jamie Farr (Corporal Maxwell Q. Klinger), Mike Farrell (Captain BJ Hunnicutt) and Jeff Maxwell (Pvt. Igor Straminsky) with producers and writers, the special explores the brilliant series that lasted four times longer than the war it was fought in and its delicate ride between comedy and drama in a time when the evening news about the Vietnam War beamed onto television sets every night across America.

M*A*S*H also had many creative firsts never seen before in TV drama, including killing off a main character and weaving multiple storylines into a single episode. M*A*S*H also broke television barriers by taking bold risks in tackling issues of racism, gay men in the military, and anti-war sentiment. But what viewers didn’t see on screen were the struggles that left the show hanging by a thread on more than one occasion, including its lukewarm audience reception in its first season that almost led to its cancellation.

In M*A*S*H: When TV Changed Forever The cast and crew reveal their battles with network execs to keep the show alive, their first days on set, their favorite episodes, what they think made the show a mega-hit and why it lives on today today. The special also traces the franchise’s history, including its origins, the 1968 novel “MASH: A Novel About Three Army Doctors” and the award-winning film M*A*S*H. Oscar®, with Elliott Gould who, in a new interview, shares the story of how he landed the coveted role of Captain John Francis Xavier “Trapper John” McIntyre. Series executive producer Burt Metcalfe and writers Ken Levine and Gary Markowitz discuss the show’s stylistic firsts that were considered risque at the time with episodes shot in different perspectives, including a soldier’s point of view after being injured and becoming a patient inside the 4077th Mobile Army Surgical Hospital and a black-and-white documentary-style episode with real-life war correspondent Clete Roberts interviewing characters from M*A*S*H. And in the true M*A*S*H fashion, real events would find their way into key storylines after a fire engulfs the Malibu set before production wraps up on the series’ monumental finale. The two-hour finale was extended for an additional 30 minutes after it was decided to tell stories about the fire much to the satisfaction of network executives who sold 30 seconds of commercial spots in the series finale to the same price as those of the Super Bowl that year. . M*A*S*H: When TV Changed Forever is produced by AMS Pictures.

‘Minions: The Rise of Gru’ is the latest case of Chinese film censorship

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When the Chinese theatrical release of “Minions: The Rise of Gru” was announced this month, some fans noted that the Chinese version would be a minute longer than the cut that aired elsewhere. This led to strong speculation on social media that Chinese viewers might get a version with exclusive bonus scenes.

The bonus, which moviegoers discovered when the film was released last week, was an alternate ending. Its effect: to show that good triumphs over evil, in accordance with the desire of Chinese censors to convey a social message endorsed by Beijing.

In the original film version, Gru, an aspiring villain voiced by Steve Carell, and his comrade-in-crime, Wild Knuckles, evade capture. But in the Chinese cut, Gru promises to “lead a good and honest life” and returns to his three young daughters. (Some Chinese viewers saw it as a nod to Beijing’s attempt to reverse its low birth rate.) Wild Knuckles, meanwhile, is arrested and sentenced to prison.

The montage sparked a torrent of mockery online, with a Weibo post that compiled the ridiculousness of the ending by getting some 60,000 likes in 24 hours. Another WeChat blog post received over 100,000 views before it was deleted. Film critics have acknowledged the attempt to please China – which has become the world’s largest cinema market by box office receipts during the pandemic – by including Chinese elements such as the dragon dance and the ‘acupuncture. But they lamented that the version they were able to watch was “condescending”.

It was an ending with “core socialist values,” said a commenter on Weibo.

“Why are we the only ones getting the [extra minute of] advice and special care to be protected from the “bad influence” of an animation? DuSir, a movie blogger with over 14 million followers, wrote in a since-deleted post. “How vulnerable and lacking in judgment do they think the Chinese public is?”

The #GentleMinions trend of dressed up teenagers irritates – and amuses – moviegoers

The release at the end of August in China of the last opus of the Minions intervened more than a month after American audiences saw the film for the first time. China typically reserves June through August for domestic films, which Beijing seeks to promote as a counterbalance to Hollywood’s dominance. Huaxia Film Distribution and China Film, the distributors of “The Rise of Gruin China, did not immediately respond to requests for comment.

A senior Chinese official this month told American filmmakers to show more cultural respect, in a rare public remark about censorship after China recently shunned a series of American blockbusters, including the last spider-man movie and “Shang-Chi and the Legend of the Ten Rings”.

“We hope America can continue to improve the quality of its films on the basis of respecting our culture, customs and viewing habits,” said Sun Yeli, deputy propaganda minister of the Party. Chinese communist. said at a press conference last Thursday. “We will import from all the countries that make better films and titles that [better] correspond to the taste of the Chinese public.

Many other film studios have agreed to omit or alter films – sometimes to the point of changing their script – to gain access to the Chinese market. Titles that do not meet the censors’ requirements risk being banned or shelved indefinitely. (notably, “Top Gun: Maverick‘ became a worldwide hit without airing in China.)

Hong Kong’s cult crime thriller »Hellish Affairs“, which Martin Scorsese remade to Oscar-winning success as “The dead”, had an alternate ending for the Mainland China market to avoid being snubbed for appearing to promote criminal activity. In the original version, a character manages to conceal his identity as a triad spy, while in the Beijing-approved cut, he is arrested.

Chinese censors also cut over 10 minutes of “Loganthe 2017 superhero film starring Hugh Jackman in his final performance as Wolverine, after some fight scenes were deemed too violent. The references to homosexuality in “Fantastic Beasts: Dumbledore’s Secrets» and the biopic of Freddie Mercury «Bohemian Rhapsodywere pruned, as it remains a taboo subject in China.

Chinese censorship invades the United States via WeChat

The censorship is not limited to theatrical releases, as Chinese streaming services have also reportedly cut or edited older films.

Earlier this year, Chinese viewers realized that Tencent Video had changed the ending of “fight clubreleased in 1999. Its quirky conclusion shows the success of a subversive plan to reshape society, with buildings destroyed by bombs. Tencent’s version was much less explosive: instead, viewers were presented with an on-screen graphic indicating that the police had foiled the plot, arrested all the criminals, and sent the protagonist to an asylum. (The actual ending was later restored after viewers protested.)

When “Friendswas relaunched on Chinese streaming platforms this year, video site Bilibili removed references to lead character Ross’ ex-wife being a lesbian.

And in “lord of wara film starring Nicolas Cage as a fictional Ukrainian arms dealer, the audience is told that the title character is being sentenced to life imprisonment instead of being released.

“When I was told…’Fight Club’ didn’t explode, and Nicolas Cage was arrested [in ‘Lord of War’]you’ll start to wonder if what you remembered from the movies was real,” said one commenter on Weibo.

New Planet Of The Apes Movie Features Andy Serkis’ Replacement

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By Vic Medina | Published

Disney’s 20th century studios are back The Planet of the Apes franchise, and we now know who will replace Andy Serkis in the new film. According to an exclusive report from Deadline, actor Owen Teague has been cast as the “first primate” in the upcoming film. Teague reportedly impressed studio execs with his audition, who are set to make him the centerpiece of a new Wes Ball-directed movie. Teague took to Twitter early Tuesday morning to react to the news. “I am thrilled beyond imagination. Can’t wait to get started,” he wrote in a tweet. Production is expected to begin this year.

Teague, who made his acting debut in 2012 Malibu Country TV series, is perhaps best known for playing bully Patrick Hockstetter in 2017 This and 2019 It Chapter Two. He also appeared in Netflix dark mirror and Stephen King’s recent miniseries adaptation The stall. He received rave reviews for his performance in last year’s independent film Montana History, opposite Haley Lu Richardson. Not only the new Planet of the Apes be his biggest role yet, but it will also have to follow in the footsteps of Andy Serkis’ iconic performance in previous films, which many believed deserved an Oscar nomination.

Although Deadline reported that plot details for the new movie are under lock and key, Giant Freakin Robot’s Nathan Kamal revealed exclusive details about the new movie earlier this summer. He reports that the new movie won’t be a reboot, but will actually continue the trilogy that was supposed to have ended with the 2017 movies. War for the Planet of the Apesdirected and co-written by Matt Reeves (The Batman), who is not involved in this film. The story, which takes place several years after the death of the character Caesar of Serkis, will center on a young chimpanzee named Noa, who embarks on a hero’s journey that will echo Caesar’s story.

The new film will see Noa face off against a warlord-like ape named Proximus Caesar, who uses Caesar’s name and teachings to satisfy his own lust for power and unite the ape clans that have formed since the end of the war. . Caesar and his “marauding apes” kill Noa’s father and enslave his clansmen while he is out on a journey of self-discovery. Along with a human companion named Mae, Noa must face her potential fate as the battle to rule the apes begins again. Kamal notes that Noa’s name may be a reference to the biblical character of Noah, an unlikely savior of his people. Reeves’ Planet of the Apes the movies have made Caesar an allegory of Moses, who led his people out of slavery to a “promised land” of freedom, a land they never got to experience on their own.

Start of production on a new Planet of the Apes The film, which does not yet have an official title, has been a priority for the 20th century for some time. Ball, who led the maze runner film trilogy, was first tapped to create the new film in 2019. The new film will again use motion capture technology to create the apes, but it’s unclear whether Weta Digital will be involved in the new movie. The special effects company, founded by Lord of the Rings director Peter Jackson, created the groundbreaking effects of the final trilogy, which replaced the hands-on make-up effects seen in the original films of the 1960s and 1970s, as well as the failed reboot of Tim Burton in 2001. .

Will China ever let Taiwan be Taiwan? | TV shows

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Tuesday, August 23 at 7:30 p.m. GMT:
As China and Taiwan step up military exercises amid strained cross-Strait and U.S.-China relations, tough questions about the future of a democratic Taiwan loom for the 23 million inhabitants of the island.

Increased military air and sea exercises were carried out on both sides of the Taiwan Strait this month after a controversial visit by US House Speaker Nancy Pelosi that angered Chinese officials.

In recent years, Beijing has become more aggressive in declaring its ambitions to take control of the island and has threatened to use force against the Taiwanese if they declare independence. US President Joe Biden recently reiterated the commitment of US forces to militarily defend the island in the event of a Chinese attack.

One of Asia’s most progressive democracies, Taiwan is a de facto independent state with its own government, national defense and foreign affairs. Yet, due to Beijing’s adamant insistence that it will one day be part of China, only 14 states worldwide have formal diplomatic relations with the island.

So, what future for Taiwan? In this episode of The Stream, we will discuss the impact of recent cross-Strait events on Taiwan and the outlook for the island.

In this episode of The Stream, we speak with:
Brian Hio, @brianhioe
Founding Editor, New Bloom Magazine

Freddie Lim, @FreddyLim
Member of the parliament of Taiwan

Wei-Ting Yen, @poscwty
Assistant Professor of Government, Franklin & Marshall College

KSMQ Public Television Sponsors Main Street Celebration – Austin Daily Herald

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KSMQ Public Television Sponsors Main Street Celebration

Posted 3:26 p.m. on Monday, August 22, 2022

Main Street in Austin will be filled with music on Saturday, September 17 as part of the 50e birthday party. Austin-based television station PBS is celebrating its service anniversary with free music concerts and family entertainment starting at 1 p.m. and ending at 9 p.m. on Main Street.

“We are so grateful to have KSMQ Public Television in our community,” said Austin Mayor Steve King. “The City of Austin has been coordinating with KSMQ for many months on this day of fun and free events. I hope families can come and celebrate KSMQ’s 50th anniversarye anniversary.”

The concerts start at 1 p.m. with “Tricia and the Toonies” especially for the youngest. Other bands scheduled to take the stage include ‘Dazzling Dave Yo-Yo Master’, ‘Divas through the Decades’ and ‘St. Andrews sisters. The evening concludes with popular Minneapolis-based acapella quartet “Tonic Sol-Fa” at 7 p.m.

The event will take place rain or shine, so spectators should dress accordingly. Food and beverages are available at Main Street restaurants. No alcohol will be sold or permitted in the festival area. Several food trucks will be in operation nearby.

Main Street will be closed to vehicular traffic beginning at 9 p.m. on Friday, September 16 so that volunteers can prepare the stage space for the community celebration.

Along with KSMQ Public Television, sponsors include Home Federal Savings Bank, The SPAM® Potach and Mitchell Museum and Dental Practice. Bob Hartman of KSMQ will serve as emcee.

Besides its 50th anniversary, KSMQ is also celebrating the move to its new facilities, The broadcast center, located at 107 W. Oakland. Construction of the $5.1 million TV and Media Center was completed this month, less than a year after groundbreaking in October 2021 on the former site of the cabinet building. Plunkett lawyers.

Public television KSMQ will sponsor a series of public tours of the facility beginning in early 2023.

Naga Chaitanya is not interested in remaking Hollywood movies

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Posted: Posted Date – 10:40 PM, Sun – Aug 21, 22

Hyderabad: Naga Chaitanya may have starred in the official ‘Forrest Gump’ remake recently, but the Telugu movie star isn’t interested in starring in any other iconic Hollywood films.

“Although I am heavily inspired by many Hollywood films and actors, I wouldn’t want to remake an iconic film. I don’t think I would do justice to films that have already been successful. I am inspired by Hollywood actors and their style, but I think the original movies are my forte,” Chaitanya shared, speaking exclusively to ‘Telangana today‘.

The ‘100% Love’ actor added that Al Pacino, Tom Cruise, Leonardo DiCaprio and Ryan Gosling are his favorite Hollywood stars of all time. Chaitanya said, “I’ve been a huge Tom Cruise fan since I was a kid. Watching ‘Top Gun: Maverick’ recently made me realize how amazing it is, how it hasn’t aged at all and is getting more vibrant by the day. So, maybe I would like to act in a film strongly inspired by such films, but not in a remake.

As the lines between local and global cinema blur, would Chaitanya like to venture into Hollywood? “Of course, but you don’t know when opportunities are knocking at your door. My current process is to continue to improve my skills and seek maximum exposure. I like to maneuver organically while keeping my options open,” Chaitanya explained.

Chaitanya praised Dhanush for his role in the Netflix movie ‘The Gray Man’ starring Ryan Gosling and Chris Evans. “I watched it and it’s awesome what Dhanush did in the movie. I really loved his action sequences; I would really enjoy a role like that or maybe a role in Bond” , said the “Love Story” star.

The actor says his heart has always been with Telugu cinema and audiences. “It is thanks to my Telugu fans that I got this recognition and I will be forever grateful to them. It is their energy that drives me to try new roles and they mean everything to me,” adds Naga Chaitanya.

NBS Bank launches payday loan from K30,000 – Malawi 24

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NBS Bank has introduced a payday loan allowing customers to borrow at least K30,000 and up to 40% of their net salary without interest.

The payday loan requirements are that users of the service must have a national ID, a payday account with NBS, and a clean CRB report.

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How do movie theaters decide on showtimes?

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This is just one of the stories in our “I’ve Always Wondered” series, where we tackle all your business questions, big or small. Have you ever wondered if recycling is worth it? Or how store brands pile up against brand names? Discover more of the series here.


Listener Amy Ford from Suffolk, Virginia asks:

Why can’t I get movie times more than a few days in advance?

When many of us go to the cinema, we are aware of the amount of skill that has gone into the production. But we may not know much about the skills needed to book this film for the cinema screen.

“Movie programming is an art, honestly,” said Guy Austin, vice president of movie and content acquisition for CMX Cinemas, which has locations in several states including Alabama, Florida and Las Vegas. Virginia.

Setting movie showtimes – their exact times and how far in advance – is a delicate balancing act that takes into account the film’s financial performance, the type of film, the needs of moviegoers and the deals that cinemas have with studios.

Weekend Ticket Revenue

“Movie theaters get most of their ticket revenue on weekends, so a big part of what drives showtime scheduling at multiplexes is how movies performed the previous weekend,” said assistant professor Derek Long. in media and film studies at the University of Illinois at Urbana-Champagne.

Long added that as of Thursday night, his two local multiplexes in Champaign had yet to set most showing times for next Friday.

“That’s because they’re waiting to see how their current movies perform at the box office this Friday and Saturday, which helps them decide which movies to drop in order to make room for the week’s new releases. next,” Long explained via email.

Tuesday registrations

When Jared Comess, vice president of marketing and public relations at Paragon Entertainment Group, receives questions about programming, he likes to advise people to check the showtimes on Tuesday afternoons.

“It gives us enough time to update the website, make sure all the deals have been closed,” Comess said. “We have our full schedule for the coming weekend.”

But there are exceptions, especially when it comes to big blockbusters, like “Thor: Love and Thunder.” Session times could be listed a month before the initial release, Comess said.

CMX Cinemas’ Austin said scheduling is ultimately a supply and demand issue: “The higher the demand, the sooner the film will go on sale.”

The size of the theater is another part of this equation.

Sometimes customers point out that a major movie theater chain has tickets on sale for a particular movie, Austin said, while wondering when CMX Cinemas theaters will have them. That’s because this bigger channel has more screens, which means it can bet more on some of its titles.

“It’s a gigantic puzzle that’s constantly changing,” Austin said.

Even if a theater knows it’s showing a popular movie in the coming weeks, it can’t guarantee showtimes too far in advance, Austin explained, because the theater has to consider other movies it needs to show. .

“So if you’re running a theater that has six to 25 screens, once you’ve added movies, you also have to build a schedule around traffic flow,” he said.

You can’t show all of your movies at 7 p.m., one of the most popular movie times, so you have to figure out how you’re going to distribute them, he added. Otherwise, there will be long lines at the box office, long lines at food and drink counters, and long waits for orders in dining rooms.

It’s like when you go to brunch on Sunday and have to wait an hour and a half to get in, Austin said. But theaters can help mitigate the risk of everyone showing up at once.

“In order to meet this surge in demand, this schedule then needs to be reworked weekly to create a steady flow so that it helps the customer have a more seamless experience, rather than dealing with crowds,” a- he declared.

The planning game plan

Studios and theaters regularly negotiate show times.

“I like to say it’s like a marriage that’s constantly in therapy,” Austin said. “[Theaters and studios] always work together. It’s very relational. »

Paragon Theaters — which has locations in Florida, North Carolina and Virginia — typically rates its schedule week by week like many other exhibitors in the United States, said Comess, the director of Paragon Entertainment.

CMX’s Austin said that every Sunday night he sits in his office looking at all of the weekend’s box office takings, taking note of the worst-performing films.

When new films are released, the finite number of screens in a cinema means that the worst performing films may have to be dropped.

Sometimes he rearranges the schedule so that the theater shows a film in the matinee or on an alternate schedule.

Every Monday morning is a battle between studios and exhibitors, Austin said — a battle between studios wanting to keep a movie on screen and theaters trying to bring in new movies, and keep each studio happy.

“It’s not always easy to do,” Austin said.

Sometimes when he tells a studio that he is considering limiting the showtimes of a movie, he may say no, which would violate the “cleanliness policy” the studio has in place (meaning that theaters don’t can’t override schedules to play something else).

“So I have to go back and rework it, or I have to talk to them and convince them that it’s the right thing to do,” he said.

The studios will also make their case – maybe they really want a $150 million movie.

“They’ll start saying, ‘OK, I know I’m No. 10, but can you get me an hour show here or there? ‘” Austin said. “[It’s] to stay on screen because they know next week there won’t be much product. There’s a chance they could go back to a full screen or more shows. And so a lot of their arguments are also based on their calculations of the weeks ahead. »

While Austin negotiates with the studios, the theater’s general manager is ultimately responsible for scheduling. What Austin does is give these managers guidelines, which also include recommendations such as the best time to air for a movie based on its length and how many shows should air after 7 p.m.

“General managers, in fact, are the ones who drive this bus,” he said.

That takes us back to Tuesday, the day some theaters say it’s best to check out weekend listings.

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Opinion: The golden age of late-night TV is over

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If late-night television had a true golden age, we’ve probably surpassed it in the last decade. After a period of what felt like unchecked expansion, with new late-night shows springing up like wildflowers (or sometimes weeds), the grim reaper seems to have arrived. The future of Late Night now looks much more limited, if not downright bleak.

The winnowing of the genre arguably began with Jon Stewart’s 2015 decision to step away from “The Daily Show,” which he hosted for more than 16 years. Unlike David Letterman and Jay Leno, who both remained well into their 60s, Stewart was only 52 when he retired. And O’Brien was only 58.

While Stephen Colbert, Jimmy Kimmel and Jimmy Fallon are still featured as network hosts, their ratings have certainly taken a hit, especially among audiences aged 18-54. And of the new hosts still surviving, it seems unlikely that many will. have runs as long as recent legends.

Losing hosts of color, like Nice and The Kid Mero, and Bee, the hottest female host since Joan Rivers in the 1980s, is also not a sign of a thriving genre. At least Amber Ruffin, who broke out on “Late Night with Seth Meyers” and now stars in her own show on Peacock, got off to a good start.

And while it’s a testament to the trend of like-minded political supporters turning to television, Greg Gutfeld’s late-night show on Fox News was a smash hit for the network.

What happens to late night television? The gradual shift from linear television to streaming does not seem favorable to traditional late-night shows, which rely heavily on jokes about the day’s news and topical comedy. Streaming shows, by their nature, are not about immediacy and opt for broader relevance over longer periods of time.

This describes “Last Week Tonight with John Oliver”, the popular weekly show on HBO. It’s a beloved series, but only shares part of its DNA with the rest of Late Night. It’s seriously serious about being funny, as it explores heavy news topics with investigative reporting techniques.

It is certainly an attractive format. Stewart is back with a similar current-focused show on Apple TV+. Letterman has a pure interview show on Netflix. The streaming nature of these shows underscores that they are not cut from the familiar fabric of comedy-centric late night.
Some critics attribute at least part of the slack in late-night interest to the overload of political commentary during the Donald Trump-dominated news years. But Trump was so target-rich that he made political neutrality a nearly impossible stance for late-night hosts (some of whom he personally attacked).

But the fundamental problem with the late night future is economic. One of the reasons the shows thrived – even when they were so ubiquitous – was that they were reliable sources of money. A strong five-hour-a-week late-night series drew good advertising dollars; and budgets, beyond fat host salaries, were manageable.

However, the ratings have fallen so low (Leno and Letterman once had a much larger following than Colbert does today) that the money tap is mostly dripping now, according to what a longtime executive producer from a late-night hit series told me many years ago. It’s probably worse now.

The main problem, of course, is that fewer and fewer people are watching linear television. They stream or watch clips online. The drive to catch Letterman or Stewart every night is gone, especially among college students, a prime target for late-night announcers. Audiences for late-night shows are now older, making them less valuable to advertisers.

That doesn’t mean late-night shows are going away. The format is too effective for eradication. The subscription model still hits late-night viewers. Fallon just hit the 30 million subscriber mark on YouTube. Viewers always enjoy certain parts of a late-night show (usually the comedy), but don’t commit to watching the entire show when it airs.

Maybe the genre will narrow down to just a few shows. Depending on how many participants leave the arena, survivors may be able to take the opportunity to catch viewers still interested in a few laughs before bed.

Veteran TV News Anchor Kirstin O’Connor Joins KXLY

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Spokane’s ABC affiliate KXLY has hired veteran TV news anchor Kirstin O’Connor.

O’Connor will host 4 News Now at 5 p.m., 6 p.m. and 11 p.m. with Aaron Luna and Kris Crocker, according to a press release.

“KXLY has such a talented newsroom of journalists with decades of experience in the region,” O’Connor said in a statement. “Their commitment to excellence and the camaraderie they share on every news show is what drew me to this team.”

Prior to joining KXLY, O’Connor spent the last few years as a morning news anchor at WKMG in Orlando, Florida.

O’Connor primarily grew up in California and graduated from the University of California, San Diego.

However, moving to the Inland Northwest is a homecoming for O’Connor, her husband Connor Giampietri and their 18-month-old daughter, Gwyneth.

“The North West is a place where our family has deep roots,” O’Connor said. “This is where we want to see our daughter grow up. It is an honor to receive this phone call from across the country and to be welcomed home.

Giampietri grew up in Spokane and graduated from North Central High School and Washington State University. O’Connor’s on-air career began in Medford, Oregon, providing familiarity with issues that matter to residents of the Pacific Northwest.

“My reporting time in Medford, Oregon was mostly spent covering wildfires. Then in Orlando, Florida, every summer was hurricane season,” O’Connor said. “My husband’s father, John Giampietri, is a retired firefighter who spent 33 years with Spokane Valley Fire.”

O’Connor joins a team that recently won the Regional Edward R. Murrow Award for Overall Excellenceaccording to their release. . The station was thrilled to have her on the team, 4 News Now news director Melissa Luck said in a statement.

“We are thrilled to have an anchor with a strong local connection and a support system in place for her and her family,” Luck said.

O’Connor will make his on-air debut with 4 News Now on August 22.

Why Amandla Stenberg Messaged a New York Times Film Critic

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“Bodies Bodies Bodies” is Amandla Stenberg’s latest film. But the actor is tired of what others think of his body, especially his chest.

The ‘Hate U Give’ star was the subject of social media drama on Thursday after sending a private message to New York Times film critic Lena Wilson on Wednesday. In his unfavorable opinion, Wilson wrote, without singling out Stenberg, that the Gen-Z thriller “doubles as a 95-minute commercial for Charli XCX’s cleavage and latest single.” In the film, Stenberg dons a tank top and cargo shorts.

“I said, ‘Great review. Maybe if you had your eyes on my t—, you could have watched the movie, “” Stenberg explained with a laugh in an Instagram Story Thursday. “I thought that was hilarious. I thought because Lena is gay – I’m gay too – I thought as gay people we would both find that comment funny.

Except Wilson didn’t seem to find it amusing. Instead, the writer tweeted Instagram’s private exchange and wondered if Stenberg, 23, had sent similar DMs to other film critics. Wilson also accused the actor of being homophobic.

“Always weird when homophobia comes from inside the house but that’s something,” Wilson tweeted. (She has since made her Twitter account private.)

Stenberg’s private message escalated into a wider Twitter controversy, with users expressing support for one or the other. Stenberg Where Wilson.

In Thursday’s Instagram Stories, Stenberg said she didn’t want her comment to Wilson to be taken seriously, but clarified that she wanted to draw attention to “the amount of feedback I’ve received on my boobs”, which has been happening since she was a teenager.

“I’m tired of people talking about my chest,” she added. “It seems to be in Hollywood, it’s not normal to have breasts above an A or B cup.”

Stenberg also acknowledged that Wilson’s “95 minute cleavage ad” line could have been a dig at the studio, A24, “sexualizing me, sexualizing my body, exploiting young women in order to sensationalize them to make their media popular. “.

But even if that was the case, Stenberg said, “There seems to be a lot of pointless talking around my chest that baffles me.”

Stenberg then defused the situation with a message for Wilson.

“Anyway, Lena, I found your review hilarious. I thought my DM was funny. I didn’t mean to harass you. I wish you no harm,” she said. you have the right to have your criticism of my work, and I have the right to have my criticism of your work. And that’s A-OK with me, and I wish you the best.

Stenberg cheekily concluded his Instagram story by thanking moviegoers who “saw our 95-minute cleavage ad.” And then she laughs again.

The Real Truth About Payday Loans and Secure Credit

The Real Truth About Payday Loans and Secure Credit

Representative example: Cost away from 49.9% Annual Percentage Rate up to limit 1333% Annual Percentage Rate. Reasonable mortgage cycle, try a month. Limiting the size of funding is actually three years. Analogy of members: €250 loaned for one month. Total number of reimbursable attempts?. Boosted Focus is widely ?, 292% annual interest (fixed). User % avr (variable).

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Traditional loan options such as unsecured loans usually ask for higher loan ratings and you will have problematic application processes. You might add to this that you are definitely trying to get a personal loan for months, which is actually best when you have to deal with an urgent situation right away. Meanwhile, there’s absolutely no guarantee that you’ll be recognized so that you can have daily capital if you don’t have knowledgeable credit obtaining.

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Partner Example: Pricing for 40-one or two.9% Annual Percentage Rate up to a maximum of 1333% Annual Percentage Rate. Reasonable money duration, try thirty days. The maximum investment size was three years. Affiliate example: ? 250 borrowed for 1 month. Global amount reimbursable try?. Focus under tension test?, annual interest rate off 292% (fixed). User % Annual percentage rate (variable).

An online personal loan is a kind of quick loan from the bank of your choice, available to individuals who want to borrow money quickly, before their 2nd paycheck.

This type of credit option is not very appealing to all inside men and women as a selection of anything because money improvement is easy to get even if you don’t don’t have the most usable credit score. Since the cash advance team only provides you with specific money to own a short period of your energy, they won’t handle the options as often as a great antique lender. So able research away from credit score and you tend to examine things such as their cost profile or most recent income alternatively.

If you find yourself an effective UK citizen over the age of 18 and working with proof of average income, then you have a great risk of being known to have an online loan at the same time. Although no, it does not mean that your credit is protected.

In the event that saying providing 100% cost detection may not seem malicious initially, it’s a good idea to avoid dealing with financial institutions that appear to be giving protected money. Basically, these lenders are not honest and it’s hard to know for sure if you can trust them when looking to borrow money.

Opt for a financial specialist

Luckily, because payday loans are easy to use and recognized to get, it was much easier than you might think to get your hands on a reliable lender to give you the money you wanted.

First, you should know that the latest cash advance company, just like major financial institutions or other financial institutions, maintains low standards that are to be found in anyone’s credit money. Notably, some lenders will need you to be in your business with specific exits. Most other lenders will require you to create a particular monthly income to ensure that you can afford to pay back whatever you like directly.

If you are looking for a professional and reliable bank, you should make sure to avoid anyone who says they are promoting protected money. These companies strive to simply take advantage of one’s interest by giving away something that is indeed hopeless – that’s a blatant red flag. In addition, it is better to check if the economic possessions are inserted and approved by the FCA. New FCA if not monetary creates a class of experts regarding the united kingdom responsible for managing all of the loan providers.

A valid financier in the payday loan ecosystem does what they can to establish the requested money, given that https://servicecashadvance.com/installment-loans-hi/ can afford to spend it immediately. no, they did it so you can do a credit check and you will consider so they usually decide to do the right thing by providing the currency you are looking at.

When you are also wasting time comparing your options online and looking for one lender after another, it is a good idea to provide an expert user with hard work. Writing about an agent, say Boutell, to actually get your payday loan means you not only have the best likelihood of seeking out the best financiers, and a far greater likelihood of getting financial backing effectively.

A broker tends to explain the mortgage application

Dealing with an agent such as Boutell to get your payday loans is considered the easiest way to ensure that you accidentally end up talking to a lender you might believe. We are simply bringing the new on-demand financing to lenders that could be recognized and managed by the FCA, so that you remember that you are borrowing funds from an efficient friend who is at the ideal level and that you can be credible.

Likewise, once you transfer the borrowed funds software processes to Boutell, you avoid the most likely technique of credit destruction of pitting other creditors. Instead of being forced into certain applications and now having fingerprints more than your credit history from lenders in the act, you can simply let Boutell rest to locate the financial institution you might need.

That tricky new credit check that lenders do doesn’t usually assess your credit score. Instead, it just allows us to get back to you with a good number of lenders and it’s 99% sure to be able to accept the mortgage application.

Again, Zero Bank can provide you with 100% secure invitation before creating painful credit throughout lender call and you will verify a completed application. But no, with Boutell you can ensure that you are not wasting your time and energy on companies that do not really plan new consultations.

‘Dust’ – Ebon Moss-Bachrach joins Sarah Paulson in upcoming film

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Now streaming on netflix, day shift turns Jamie Foxx as the vampire slayer, and the film has now received an official music video for the original song that plays over the end credits.

Jamie Foxx and co-star David Franco are featured in the director Taylor Dogthe video of “BUD (mow vampires)“, which also includes J Young MDK and Sam Books.

Listen to the song here and watch the official video below.

Jamie Foxx and Dave Franco ‘cut necks and cash checks’ in Netflix vampire movie day shiftwhich plunged into the streaming service on August 12.

“Foxx stars as a hard-working blue-collar dad who wants to provide a good life for his quick-witted daughter, but his mundane pool-cleaning job in the San Fernando Valley is a front for his true source of income, hunting and killing vampires as part of an international union of hunters.

The cast also includes Karla Souza, Meagan Good, Natasha Liu Bordizzo, Oliver Masucci, Snoop Dogg, Steve Howey, Scott Adkinsand Sion Broadnax.

JJ Perry directed day shiftwritten by Tice Tyler and Shay Hatton.

Meagan Navarro wrote in her review of Bloody Disgusting: “Day Shift makes it an easy, airy action-comedy that pays constant homage to the lost boys. There’s inventive staging for several vampire kill sequences, and the vampires’ unique contortions and physics provide visual flair. This makes for a useful but ultimately forgettable game.

‘Desus & Mero’ brought the block to late night TV

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In the first of the series of Desus and Mero, co-hosts Daniel “Desus Nice” Baker and Joel “The Kid Mero” Martinez walk into a New York City classroom ready to be clowned around. “Late night for the people!” Desus announces to a room of unimpressed elementary school students. The children immediately launch questions and roasts: “Do you have children? “What were you doing before TV?” “Aren’t you guys who got dragged by DJ Envy on The breakfast clubThe skit ends with a girl saying, “You seem a little too ghetto to be on TV.”

The commentary (scripted, I’m sure) noted the obvious: neither Desus nor Mero looked, sounded or acted like other traditional late-night hosts, many of whom are wealthy men whites in suits. Desus and Mero — of Jamaican and Dominican descent, respectively — had heavy New York accents, wore casual clothes, and swore openly and often. But more importantly, they openly embraced their connection to a version of the city that the elementary school classroom represented: a New York populated primarily by working-class and immigrant families, where more than two-thirds of residents are people of color, mostly black or Latino.

When Desus and Mero’s show debuted on Showtime in 2019, the Bronx-born duo looked set to usher in a new era of late-night television. When Season 2 premiered a year later, David Letterman called them the “future” of the industry. The show continued its momentum, with guests as varied as Eddie Murphy, Sandra Bullock and Chris Smalls, who organized the Amazon syndicate in Staten Island. But then, last month, Showtime announced that the series would not be returning for a fifth season. The hosts were ending their creative partnership, including, much to the chagrin of thousands of viewers and listeners, their long-running popular podcast, Bodega Boys.

The reason for the show’s cancellation is unclear. In a recent interview, Mero said he and Desus had been discussing the split for over a year. Yet during the June Season 4 finale, Mero said the series would only be taking a summer hiatus, and shortly before Showtime’s announcement, fans were speculating tension between the duo. Whatever the exact cause, the end of Desus and Mero is a loss not only to their fan base – dubbed Bodega Hive – but also to the wider television landscape. The show was aimed at New Yorkers who grew up or live in the neighborhood, provided a space for black celebrities to portray themselves as themselves, and created a space where black men in particular could listen to conversations that resembled those they might have with friends.

The Desus and Mero set, a departure from typical late-night studios, captured the show’s ethos. The co-hosts sat side by side on a low stage, with no desks separating them from the audience or their guests. Interviews first took place at a graffiti cluttered table (designed by Mero) and more recently on a bodega-inspired tray filled with candy, beer, Jesus candles, toilet paper and a display stand. of sneakers. Most props carried either the Desus and Mero logo or one of their slogans. (The brand was, as they always said, strong.) The flags of their two islands were always present, as were bottles of liquor made to imitate Brugal, a Dominican rum. Desus and Mero wore Timbs, puffer jackets and fitted caps – a uniform familiar to Bronx natives and many of the city’s black and Latino residents. Mero, in particular, often wore Dominican paraphernalia, whether it was an Águilas sweatshirt (for one of the country’s baseball teams) or clothes from local Latino-owned brands.

The duo’s path to fame was unlike that taken by many other late-night entertainers: going to a prestigious improv school, getting hired at Saturday Night Live, then wait your turn for a solo break. Desus had been a strip club manager, mechanic, and bartender before working in the media; Mero has held jobs in IT and as a special education paraprofessional. Their backgrounds featured prominently on the show and allowed them to step into comedic territory that other late-night hosts either didn’t want to or just couldn’t touch.

Take, for example, Desus’ mocking defense of basketball player Tristan Thompson, which referenced the stereotype that Caribbean men cheat on their partners. “You know us Jamaicans. We are loyal,” he said in one episode. And then, after a pause: “to all our families”. They often mentioned Dominicans bringing spaghetti to the beach (if you know, you know) and the regular fights that break out in restaurants on City Island. At times, the co-hosts joked about drug addiction in black neighborhoods, stops and frisks, and threats from their parents to send them back to the islands when they disobeyed them. Although ostensibly dark, these moments reflect the humor that people dealing with these daily indignities use to cope. The cultural specificity kept them close to their New York roots and their goal of creating a late night show “for the people”.

Late-night shows also depend on celebrity access and memorable conversations, and Desus and Mero gave black stars a late-night space where they didn’t have to code-switch. In a Season 1 interview with the Black Panther actors Winston Duke and Lupita Nyong’o, the hosts, pulled out a photo of Duke wearing leather flip flops — the “official shoes of every African or West Indian dad,” Desus observed. Duke had been called out by his Instagram followers for wearing open-toed sandals during construction work around the house. “And then you see all the Caribbean coming up like, ‘What’s the matter?'” Duke recalled. “These are ordinary shoes.” They talked about the expectations of immigrant parents, and Duke mimicked the accents of his family members. During the Season 4 premiere, the hosts spoke with Denzel Washington (who was promoting Macbeth’s Tragedy) on having an overprotective mother and growing up in Mount Vernon, near the Bronx. Mero dubbed the actor “Hollyhood.” (In contrast, Washington spent most of his appearance on another Shakespeare-quoting show with the white host.) Desus and Mero also introduced people who might otherwise not have been welcome late at night. , including bodega owners; strippers; rapper Bobby Shmurda, who had been in prison for more than six years; and local internet celebrities such as Long Islanders Bigtime Tommie and DJ Vinny Dice.

The couple didn’t have much regard for the politics of respectability or political correctness. The word N was used regularly, as was the term drugs to designate drug addicts. Desus and Mero’s refusal to self-censor was part of their appeal and mirrored conversations you might hear on East Fordham Road in the Bronx or Jamaica Avenue in Queens. Still, they might be quick to correct themselves if they said something rude. For a bit on a CIA Pride Month tweet, in which the agency posted a message of support from its gay service members with a photo of a combat helmet with rainbow-colored ammo sky, Desus mocked “gay bullets”. But he immediately stopped: “Why do we call them gay balls?” These moments showed the co-hosts’ openness to growth and respect for changing public sentiment on social issues.

Over the seasons, the couple’s stature grew. They became friends with celebrities and their newfound fame seemed to fuel their disagreements about what was or wasn’t appropriate to say on air. Desus in particular seemed more concerned with maintaining professional relationships. (In a segment of Mariah Carey’s 2021 Holiday campaign with McDonald’s, Desus backed down from Mero’s suggestion that the singer wore shapewear. “When we finally interview her, she’ll ask about that comment,” he said.) Although the two maintained their irreverent, raunchy, off-the-cuff humor, Mero seemed to stay away from the bright world that opened up to them accordingly. from the show – in large part because he was a family man with four children – and Desus often looked away or walked away from Mero’s potentially offensive comments. “Hollywood Desus” became a running joke between them and the Bodega Hive, though those jokes seemed less lighthearted by Season 4. At times, that tension made the show less fun to watch.

But no matter the growing pains, having Desus and Mero make the jump to television was a seismic achievement. Since the series premiered in 2019, other shows filling a similar void have popped up. In HBO Break with Sam Jay, for example, comedian Sam Jay brings together friends, including formerly incarcerated, public servants and other entertainers, for wide-ranging conversations on issues such as capitalism, conspiracy theories and LGBTQ education in the schools. But no series offers the authenticity and local perspective of Desus and Mero. The loss of the show means one less space for people who grew up in the neighborhood to feel seen and welcomed and, most importantly, not judged – as Desus has always said, “God is working on all of us.”

In search of Leonardo da Vinci in “Leonardo”

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Leonardo da Vinci discovered how to capture life in his drawings. And he found new ways to topple a castle. But the one thing he could never find was a good recipe for shampoo.

This is at least the main message that I retained from the eight episodes of “Leonardo”, a biopic series broadcast Tuesday on the CW. In the footsteps of the “Lord of the Rings” and “Game of Thrones”, the creators of “Leonardo” seem to have decided that the heroes of old had to have oily hair.

But then, “Leonardo” seems so indebted to “Game of Thrones” that he could hardly have gone his own way when it comes to grooming. Its music riffs on “GoT,” with drumbeats and shimmering harp, and it includes gratuitous nudity and unnecessary beheading. Think of it as a “CSI”-style spin-off – “GoT: Florence.” This shows how our sense of history is essentially aesthetic, even pictorial: our understanding of the past is based on the fantasies and images that our own culture has already constructed about that past – greasy hair and all – rather only on a real historical thought. . And that means we reject the true alien nature of the story in favor of the heartwarming stories we’ve told ourselves about it, all rooted in today’s reality – or Westeros, which is pretty much the same as the same.

Despite his debt to “Game of Thrones” fantasy, “Leonardo” has the backbone of a 21st century police procedural. The first episode, then each of the following ones, begins with its hero in prison for murder. As the entertainer (played by Aidan Turner) is questioned by a Renaissance cop named Stefano Giraldi (Freddie Highmore, who I’m happy to say was allowed to wash his hair), flashbacks reveal how the artist found himself in such a situation. Spoiler alert: In the final episode, when Leonardo is about to be hanged for the crime, we and Giraldi find out he didn’t commit the deed. Viewers who didn’t see this twist coming should have their Wi-Fi revoked.

The series will most likely get away with the platitudes of its made-up plot, since most viewers will likely be watching “Leonardo.” less for its storytelling than for a glimpse of a certain Renaissance genius who, though dead for half a millennium, has become one of our current art stars. (It helps that his “Salvator Mundi” sold for $450 million in 2017.) But even though “Leonardo” is set in Italy around 1500 and claims to be about a real man, this program’s hold on the story is as weak as any dragon drama.

The murder plot is pure fiction, but that’s forgivable: today’s biopics aren’t expected to stick to the facts. Watching “Rocketman,” we didn’t think Elton John could truly float above his piano. What I can’t forgive is the fake “Leonardo” image Leonardo’s paintings. Played by Turner (“The Hobbit”, “Poldark”), the artist seems like a neurotic idol with attention deficit disorder. In reality, Leonardo’s genius was systematic in the extreme: he took the time to understand and represent every hair on a woman’s head, every twig and every leaf on a tree.

Giorgio Vasari, the great Renaissance biographer, described Leonardo as a charming conversationalist, a profoundly courteous being “whose personal beauty could not be exaggerated, whose every movement was grace itself” – a man “filled with a noble and delicate spirit”. In “Leonardo”, he gets closer to Kurt Cobain. It’s like, here in the 21st century, we have a unique model of what creativity might look like, and the creators of “Leonardo” dare not ask us to imagine another. I guess they might be right: we might be so completely stuck in our own time that we just can’t inhabit the profoundly different realities of the past. Or perhaps history could offer an example of progress that we would like to see.

This biopic series could have gone in that direction when it comes to the artist’s sexuality. Even though Leonardo da Vinci is one of the earliest gay designers we know of, “Leonardo” drew him most powerfully towards women. Sure, the show shows him kissing a man or two, but the entire plot is built around his stormy, steamy, and anything but sexual romance with a made-up character named Caterina da Cremona, played by Matilda De Angelis. (She’s the one we keep seeing naked for no reason.) In the 21st century, not playing one of the famous figures in gay history seems borderline homophobic. “She was love,” Leonardo says of his made-up girlfriend. Why not hear this gay artist say, “He?”

When it comes to capturing the weirdness of the past, the series even misses small details that should have been easy to fix. Rather than drawing with a quill pen, Leonardo used a metal nib – which was not used until centuries later. Candles, a dear commodity in the Renaissance, burn by the dozens in every room, as if Leonardo had a penchant for aromatherapy. (Perhaps his vanilla-cinnamon mainstays made the Mona Lisa smile.) When he paints his “Last Supper,” the show breaks into a computer-generated animation of how perspective works in the painting—and then gets it wrong.

About halfway through the show, I took off my art critic hat, gave up my interest in seeing different yesterdays from now, and tried to pretend the show wasn’t about any real artist, and let alone a Renaissance gay. And if I changed the title of “Leonardo” to “Tony”? Would it help me enjoy it?

Not a lot.

Since the plot of “Tony” – sorry, “Leonard” is only a pretext to tell the life of a great artist, the screenwriters, Frank Spotnitz, Steve Thompson and Gabbie Asher, never bother to give him a real boost or to plug his holes. And since this is, once again, the life story of a great artist, they make sure to stuff it with all the “great artist” cliches they can find: “A man like Leonardo – his genius is forged by pain,” says one line of dialogue. “And that pain can drive a man to do terrible things.” Leonardo van Gogh, you might call him – a hybrid creature that doesn’t even reflect the way real artists think and act today, let alone what they did in the Renaissance. It’s a screenwriter’s fantasy of what the artists of old should be like.

In “Leonardo”, a Renaissance master says to his pupil: “You only drew what you saw. You must learn to draw what you feel.“It’s a bromide born centuries after Leonardo’s time – drawing ‘only what you see’ was in fact one of his most radical inventions – but it’s not clear that we have many appetite for understanding how cultural underpinnings can change over time.

To understand how and why art was created in the past, we may need to unlearn our current ideas about artists. And you can’t blame “Leonardo” for not even trying. We are all so addicted to dirty hair.

Robert Downey Jr. beams with happiness as he films new project in the Hamptons

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Robert Downey Jr. beams with happiness as he films new project in the Hamptons

He spent a large part of his life in front of the camera.

But the magic of moviemaking hasn’t diminished for Robert Downey Jr.

The 57-year-old actor couldn’t have looked happier as he filmed a new project in the Hamptons on Monday.

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Light, camera, action! Robert Downey Jr. couldn’t have looked happier as he filmed a new movie in the Hamptons on Monday

Robert smiled ear to ear as he walked around the set dressed in a blue top, joggers and white sneakers.

He shielded his eyes behind a pair of black sunglasses and accessorized his look with a smartwatch.

The actor changed his costume as he was spotted with a sharper look.

Robert now wore a black shirt, green pants and stylish sneakers.

Style man: The actor changed his suit as he was spotted in a sharper look

Style man: The actor changed his suit as he was spotted in a sharper look

The Iron Man caught the eye as he chatted with several other men, including employees of KEM South, a full-service diesel store.

The actor lit up as he clenched his fists, showcasing his acting abilities.

It’s unclear which movie Robert was photographed filming, but he has several upcoming projects.

All-Star Weekend and Oppenheimer are both currently in post-production, while his other projects — Play Dirty, Sherlock Holmes 3 and The Sympathizer miniseries — are all in pre-production, according to IMDb.

Come alive: The Iron Man caught the eye as he chatted with several other men, including employees of KEM South, a full-service diesel store

Come alive: The Iron Man caught the eye as he chatted with several other men, including employees of KEM South, a full-service diesel store

Outside of his film career, Robert is said to have helped disgraced actor Armie Hammer, after his career imploded in January 2021 following sexual assault allegations made against him.

A source has already said vanity lounge that Hammer, who reportedly battled substance abuse issues, stayed at a home owned by the Avengers: Endgame actor and “attended an AA meeting” in Malibu.

The source added that Downey had provided Hammer with “financial assistance until he got back on his feet”.

The insider confirmed that Downey paid for Hammer to spend nearly six months at Florida’s rehab facility, the Guest House.

Downey himself has a famous redemption story in Hollywood, having returned to the big screen after multiple arrests on drug-related charges and a stint in prison.

DailyMail.com previously caught up with Armie’s ex-wife Elizabeth Chambers, who appeared to confirm Robert helped fund Hammer’s rehab and said ‘everyone needs help’.

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Mark Ruffalo comments on a possible War World Hulk movie

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Mark Ruffalo does not hesitate when asked if he would be up for playing in a world war hulk feature film. The actor joined his co-star Tatiana Maslany on the red carpet for the premiere of She-Hulk: Lawyer, the next Marvel series to air on Disney+. Bruce Banner and his Hulk alter ego play an important role in She-Hulk, as his cousin Jennifer Walter gets her Hulk powers from him. An extract of She-Hulk teased the possibility of a world war hulk project in the near future, and Mark Ruffalo is ready as soon as Marvel Studios is.

When asked by Entertainment Tonight if he would be up for a solo Hulk movie centered on world war hulk, Ruffalo replied, “Anytime they want to do it, I’m here,” while pointing at the camera. He was also asked if Avengers: Secret Wars may exceed the box office success that has been Avengers: Endgame. “Well, it’s gonna be hard to do better End of Gamebut if I know Kevin [Feige] and I know Marvel, it’s going to be pretty amazing. It will be a big blow,” he said.

Bruce Banner/Hulk was absent from Earth between Avengers: Age of Ultron and Thor: Ragnarok. This latest film revealed how the Hulk’s Quinjet was teleported from Earth to the alien planet Sakaar, where he fought in the Grandmaster’s gladiatorial pits. A die Ragnarok the action sequences featured Bruce piloting a golden spaceship very similar to the one that appears in the new She-Hulk clip. This Easter egg has fueled speculation that the popular world war hulk The comic book story is about to be played out in the MCU. After all, why would a spaceship appear out of nowhere and seek out the Hulk or She-Hulk? The Grand Master could be looking for his precious fighter either to get revenge for abandoning him or to start his murderous games again.

An October 2021 report claimed that Marvel Studios was preparing a 2022 production start date for world war hulk. There have been no updates since that initial report, and Marvel Studios President Kevin Feige hasn’t revealed any updates. world war hulk project during the studio’s major Hall H panel at San Diego Comic-Con. However, Phase 6 of the MCU timeline had many open dates, so it’s possible it could be revealed next month during Marvel’s big D23 Expo extravaganza.

world war hulk saw Bruce Banner’s alter ego return to Earth determined to exact revenge on his friends in the hero community who had tried to exile him to the cosmos in Planet Hulk. One sticking point is that the Hulk is in good standing with Earth’s Mightiest Heroes right now, appearing in She-Hulk: Lawyer and a post-credits scene in Shang-Chi and the Legend of the Ten Rings. So if a world war hulk If a movie or TV series were to take place, Marvel Studios would more than likely use the name and modify it as it saw fit. This has happened in other cases like Age of Ultron, Avengers: Infinity Warand Avengers: Endgamethe last two inspired by the Infinity Gauntlet comic event.

Do you think a world war hulk movie is on the horizon? Let us know your thoughts in the comments! She-Hulk: Lawyer premieres August 18 on Disney+.

Welcome to The Daily Beast’s Obsessed, where we cover movies, TV shows and Ryan Phillippe’s butt

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Sometimes Katy Perry throws a slice of pizza in a crowded club, and you can’t stop thinking about it. A movie like Nope comes out, and that’s all you want to talk about for two weeks. Maybe you’ve seen Real Housewife Teresa Giudice’s wedding hair – a real gem – and you need to let off some steam. Or Che Diaz is unleashed in the world, and you need a safe space to work there.

With that in mind, I’d like to welcome you to The Daily Beast’s Obsessed, a new destination for pop culture fans to indulge in content on all the TV shows, movies, and savage celebrity behavior that, for for better or for worse, dominate our thoughts. (Certainly better.)

We will have reviews! We will have interviews! We’ll have a heated argument as to why Pete Davidson should join the reality series Boy’s Island! We take these questions seriously, in all their wacky glory.

The Daily Beast’s Obsessed started four years ago as a weekly newsletter that I started with Marlow Stern, entertainment editor/fearless leader/beast culture czar/mother I didn’t know. ever had and the sister everyone would want. This new site is the culmination of an incredible amount of work by all departments of The Daily Beast, one of the most important and, if I say so myself, funniest companies in the history of our publication. We’re thrilled to have her debut presented by Paramount+. (I choose to believe that Christine Baranski and RuPaul wrote the check themselves. Let me have this.)

The art we used for a story about our voracious appetite for Barbie set pictures.

Photo illustration by Thomas Levinson/The Daily Beast/Getty

It’s a place to find the content we’ve always excelled at producing at The Daily Beast – sharp insights with vibrant writing from some of the industry’s most entertaining critics and journalists – all under one umbrella, with more resources, more enthusiasm, and, as you can see, a beautiful design.

We’re launching new initiatives, including a new culture-themed crossword puzzle and the ‘Obsessive’ feature on the new homepage, a one-stop-shop to access all the stories we’ve produced on the main concern entertainment of the moment. . It could be a hit TV series, like stranger things, EuphoriaWhere And just like that… or a major news story, like a certain slap that took place at a high-profile awards ceremony. And, trust us, our team had a lot say about it.

It is a living and breathing project. We’re already expanding with a new newsletter, called “See/Skip”, written by Coleman Spilde, which you absolutely must subscribe to if you want a hilarious preview of what you should watch based on our reviewers’ recommendations. The Daily Beast’s Obsessed newsletter, the Gremlin we watered down to create this brand new company, will always be alive and well. (If you don’t get that reference, you just put me to shame.)

And, of course, you should definitely follow and subscribe to our newest social media handle, @beastobsessed, on Twitter, Instagram, Facebook and TikTok. Yes, they finally convinced this old man to download TikTok. How are you, kid friends?

We want to be in conversation with all of you, because if you’re anything like us, you know that the way we engage with pop culture is more global now than it ever has been.

There are 357 scripted series that have been created… in June. This is not hyperbole. It’s a real number, and excludes reality TV, docuseries and sports. Add to all that the movies debuting not just in theaters, but on all 137 streaming services (OK, that’s not a real number), and that’s a lot of great content, but also a lot of noise.

Want to know if a show or movie is good or bad, and we’re happy to provide that service. Think of us as your pop culture spirit guides. The View or Jump section on our new site is our way of guiding you through the chaos to the projects that are worth your time. We consider making sure you have fun our civic duty, which means we’ll not only make recommendations, but also deliver them with the sass and bravado you’ve come to expect from The Daily Beast.

And, like you, we’re also interested in what actors say, tweet or do on talk shows. We care about that fabulous coat they wore on this episode of their new show, we care whether they removed their American accent, and we care about the embarrassing TikTok they created to promote everything. We think you, in turn, will be interested in what reviews like ours say about this.

It’s fun to be a fan. When you come here, you will meet fans. Our writers, editors, photo team, social team and everyone who works there are entertainment fans, so everything you see on this site will come from this place.

Our concern with Lea Michele and Beanie Feldstein funny girl saga goes without saying.

Photo illustration by Luis G. Rendon/The Daily Beast/Getty

You’ll find out what we liked, and I hope you will too. You will be notified of what we could not bear. And you’ll be a captive audience to our rants, raves, and indulgent screeches on behalf of the most ridiculous things that have invaded our brains. (We could not not pay tribute to Al Pacino shrek– themed phone case, for example, or stand firm in our position that the new season of Bridgerton need more butts. We have a program and we are not afraid to wear it on our sleeve.)

It’s the dumbest beat in the world, and we plan to drive recklessly in the clown car. But it’s also one of the things in our lives that we should take most seriously, and we promise to do so too.

At any given time, some of us are lost, grieving, or distracted. We are joyful, hopeful or, perhaps, just plain excited. We have people in our lives that we miss, want to know better, and admire. There are people we don’t understand. There are people who make us feel seen. There are people who inspire us, enrage us, entertain us, mystify us and put our lives in perspective. There is Oprah.

When we recap our favorite performances of the year, it goes like this.

Photo Illustration by Luis G. Rendon/The Daily Beast

Pop culture helps us process all of these things. Of course, it’s TV, it’s movies, it’s music, it’s Instagram, and it’s the paparazzi photos of Jennifer Lopez and Ben Affleck that we’ll spend hours analyzing and gossiping about. But it’s also so human. It connects us, and it’s huge – especially now, what do we need if not community? More importantly, it moves us. These are the things that open our hearts and throw our worlds off course. We think about life, people, beliefs and what is right new ways.

Before I sat down to write this, I looked at several of my Obsessed newsletters. They are a remarkable journal of my life, through the meaningful and powerful prism of pop culture. My own highest peaks and most painful heartbreaks – and those of our society – of recent years are reflected through the projects, news and events that have helped us heal and, perhaps most importantly, to really feel it, so that we understood its impact and maybe who we really are.

There are things we saw and experienced that brought us such joy, the celebration that we desperately needed. There was music that imprinted itself on all kinds of memories – new track listings to the soundtrack of our lives. And there were ridiculous, silly, and just plain fun stories and moments to spout out. With this site, we will do all this together.

Come here for a lot opinions of the Oscar season.

Photo Illustration by Luis G. Rendon/The Daily Beast

It’s equally important to me that we spotlight an underrated TV show or documentary that deserves your attention, and that we make sure you’re up to date with the world’s most pressing news, like that Ryan Phillippe posed with a painting of his nude scene in cruel intentions.

We want you to be excited to read our content. We want you to have watched every episode of a series or every frame of a new movie multiple times and then thought, “I want to see what Obsessed has to say about this.” We also want you to click through our stories and have no idea what we’re writing about, while being completely entertained – and maybe even a little educated – by what you read.

Come here to have fun. Come here for a deep dive. Come here for feel– be happy, laugh, be sad, and feel like you’ve found pop culture-thinking people like you. Come here to be obsessed.

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